Epic Poets
Epic poetry told the stories of heroes and gods or provided catalogues, like genealogies of the gods. Epics were chanted to a musical accompaniment on the cithara, which the rhapsode himself would play. The meter of epic was the dactylic hexameter, which can be represented, with symbols for light (u), heavy (-), and variable (x) syllables, as:Poets of Elegies and Iambics
-uu|-uu|-uu|-uu|-uu|-x
Iambic poetry was informal and often obscene or about common topics like food. Whereas iambics were suitable for everyday entertainment, elegy tended to be more decorous and suitable for formal occasions like campaigns and public gatherings. Iambic poetry was based on the iambic meter. An iam is an unstressed (light) syllable followed by a stressed (heavy). The meter for elegy, which shows its relationship to the epic, is usually described as a dactylic hexameter followed by a dactylic pentameter, which together make up an elegiac couplet. Coming from the Greek for five, the pentameter has five feet, whereas the hexameter (hex = six) has six.
- fl. 650 - Archilochus
- fl. 650 - Callinus
- fl. 640-637 - Tyrtaeus
- b. 640 - Solon
- fl. 650 - Semonides
- fl. 632-629 - Mimnermus
- fl. 552-541 - Theognis
- fl. 540-537 - Hipponax
Archaic Choral Lyric Poets
Elegiac poetry required two participants, one playing the pipe and one singing the poem. Lyric poetry did not require a second person, but choral lyric did require a chorus which would sing and dance. Lyric poetry was accompanied by a lyre or barbitos. Epic poetry was accompanied by a cithara.
Sub-genres of early choral lyric poetry were marriage song (hymenaios), dancing song, dirge (threnos), paean, maiden song (partheneion), processional (prosodion), hymn, and dithyramb.
- fl. 650 - Alcman
- 632/29-556/553 - Stesichorus
Monody was a type of lyric poetry, but as the mon- implies, it was for one person without a chorus.Later Choral Lyric
The occasions for choral lyric increased over time and new subgenres were added to praise human accomplishments (the enkomion) or for performance at drinking parties (symposia).
- b. 557/6 - Simonides
- b. 522 or 518 - Pindar
- Corinna - contemporary of Pindar (Korinna)
- b. c. 510 - Bacchylides
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