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Hesiod, The Homeric Hymns, and Homerica
Translated by Evelyn-White - Introduction

 Related Resources
• Iliad Contents
• Odyssey Contents
• Homer Texts
• Primary Texts Index
 

Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod.

Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer).

Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod".

PREFACE

This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry.

I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. W.H.D. Rouse; otherwise I have depended on the apparatus criticus of the several editions, especially that of Rzach (1902). The arrangement adopted in this edition, by which the complete and fragmentary poems are restored to the order in which they would probably have appeared had the Hesiodic corpus survived intact, is unusual, but should not need apology; the true place for the "Catalogues" (for example), fragmentary as they are, is certainly after the "Theogony".

In preparing the text of the "Homeric Hymns" my chief debt -- and it is a heavy one -- is to the edition of Allen and Sikes (1904) and to the series of articles in the "Journal of Hellenic Studies" (vols. xv.sqq.) by T.W. Allen. To the same scholar and to the Delegates of the Clarendon Press I am greatly indebted for permission to use the restorations of the "Hymn to Demeter", lines 387-401 and 462-470, printed in the Oxford Text of 1912.

Of the fragments of the Epic Cycle I have given only such as seemed to possess distinct importance or interest, and in doing so have relied mostly upon Kinkel's collection and on the fifth volume of the Oxford Homer (1912).

The texts of the "Batrachomyomachia" and of the "Contest of Homer and Hesiod" are those of Baumeister and Flach respectively: where I have diverged from these, the fact has been noted.

Hugh G. Evelyn-White, Rampton, NR. Cambridge. Sept. 9th, 1914.

INTRODUCTION

General

The early Greek epic -- that is, poetry as a natural and popular, and not (as it became later) an artificial and academic literary form -- passed through the usual three phases, of development, of maturity, and of decline.

No fragments which can be identified as belonging to the first period survive to give us even a general idea of the history of the earliest epic, and we are therefore thrown back upon the evidence of analogy from other forms of literature and of inference from the two great epics which have come down to us. So reconstructed, the earliest period appears to us as a time of slow development in which the characteristic epic metre, diction, and structure grew up slowly from crude elements and were improved until the verge of maturity was reached.

The second period, which produced the "Iliad" and the "Odyssey", needs no description here: but it is very important to observe the effect of these poems on the course of post-Homeric epic. As the supreme perfection and universality of the "Iliad" and the "Odyssey" cast into oblivion whatever pre-Homeric poets had essayed, so these same qualities exercised a paralysing influence over the successors of Homer. If they continued to sing like their great predecessor of romantic themes, they were drawn as by a kind of magnetic attraction into the Homeric style and manner of treatment, and became mere echoes of the Homeric voice: in a word, Homer had so completely exhausted the epic genre, that after him further efforts were doomed to be merely conventional. Only the rare and exceptional genius of Vergil and Milton could use the Homeric medium without loss of individuality: and this quality none of the later epic poets seem to have possessed. Freedom from the domination of the great tradition could only be found by seeking new subjects, and such freedom was really only illusionary, since romantic subjects alone are suitable for epic treatment.

In its third period, therefore, epic poetry shows two divergent tendencies. In Ionia and the islands the epic poets followed the Homeric tradition, singing of romantic subjects in the now stereotyped heroic style, and showing originality only in their choice of legends hitherto neglected or summarily and imperfectly treated. In continental Greece (1), on the other hand, but especially in Boeotia, a new form of epic sprang up, which for the romance and PATHOS of the Ionian School substituted the practical and matter-of-fact. It dealt in moral and practical maxims, in information on technical subjects which are of service in daily life -- agriculture, astronomy, augury, and the calendar -- in matters of religion and in tracing the genealogies of men. Its attitude is summed up in the words of the Muses to the writer of the "Theogony": `We can tell many a feigned tale to look like truth, but we can, when we will, utter the truth' ("Theogony" 26-27). Such a poetry could not be permanently successful, because the subjects of which it treats -- if susceptible of poetic treatment at all -- were certainly not suited for epic treatment, where unity of action which will sustain interest, and to which each part should contribute, is absolutely necessary. While, therefore, an epic like the "Odyssey" is an organism and dramatic in structure, a work such as the "Theogony" is a merely artificial collocation of facts, and, at best, a pageant. It is not surprising, therefore, to find that from the first the Boeotian school is forced to season its matter with romantic episodes, and that later it tends more and more to revert (as in the "Shield of Heracles") to the Homeric tradition.

The Boeotian School

How did the continental school of epic poetry arise? There is little definite material for an answer to this question, but the probability is that there were at least three contributory causes. First, it is likely that before the rise of the Ionian epos there existed in Boeotia a purely popular and indigenous poetry of a crude form: it comprised, we may suppose, versified proverbs and precepts relating to life in general, agricultural maxims, weather-lore, and the like. In this sense the Boeotian poetry may be taken to have its germ in maxims similar to our English `Till May be out, ne'er cast a clout,'

or

`A rainbow in the morning Is the Shepherd's warning.'

Secondly and thirdly we may ascribe the rise of the new epic to the nature of the Boeotian people and, as already remarked, to a spirit of revolt against the old epic. The Boeotians, people of the class of which Hesiod represents himself to be the type, were essentially unromantic; their daily needs marked the general limit of their ideals, and, as a class, they cared little for works of fancy, for pathos, or for fine thought as such. To a people of this nature the Homeric epos would be inacceptable, and the post-Homeric epic, with its conventional atmosphere, its trite and hackneyed diction, and its insincere sentiment, would be anathema. We can imagine, therefore, that among such folk a settler, of Aeolic origin like Hesiod, who clearly was well acquainted with the Ionian epos, would naturally see that the only outlet for his gifts lay in applying epic poetry to new themes acceptable to his hearers.

Though the poems of the Boeotian school (2) were unanimously assigned to Hesiod down to the age of Alexandrian criticism, they were clearly neither the work of one man nor even of one period: some, doubtless, were fraudulently fathered on him in order to gain currency; but it is probable that most came to be regarded as his partly because of their general character, and partly because the names of their real authors were lost. One fact in this attribution is remarkable -- the veneration paid to Hesiod.

Life of Hesiod

Our information respecting Hesiod is derived in the main from notices and allusions in the works attributed to him, and to these must be added traditions concerning his death and burial gathered from later writers.

Hesiod's father (whose name, by a perversion of "Works and Days", 299 PERSE DION GENOS to PERSE, DION GENOS, was thought to have been Dius) was a native of Cyme in Aeolis, where he was a seafaring trader and, perhaps, also a farmer. He was forced by poverty to leave his native place, and returned to continental Greece, where he settled at Ascra near Thespiae in Boeotia ("Works and Days", 636 ff.). Either in Cyme or Ascra, two sons, Hesiod and Perses, were born to the settler, and these, after his death, divided the farm between them. Perses, however, who is represented as an idler and spendthrift, obtained and kept the larger share by bribing the corrupt `lords' who ruled from Thespiae ("Works and Days", 37-39). While his brother wasted his patrimony and ultimately came to want ("Works and Days", 34 ff.), Hesiod lived a farmer's life until, according to the very early tradition preserved by the author of the "Theogony" (22-23), the Muses met him as he was tending sheep on Mt. Helicon and `taught him a glorious song' -- doubtless the "Works and Days". The only other personal reference is to his victory in a poetical contest at the funeral games of Amphidamas at Chalcis in Euboea, where he won the prize, a tripod, which he dedicated to the Muses of Helicon ("Works and Days", 651-9).

Before we go on to the story of Hesiod's death, it will be well to inquire how far the "autobiographical" notices can be treated as historical, especially as many critics treat some, or all of them, as spurious. In the first place attempts have been made to show that "Hesiod" is a significant name and therefore fictitious: it is only necessary to mention Goettling's derivation from IEMI to ODOS (which would make `Hesiod' mean the `guide' in virtues and technical arts), and to refer to the pitiful attempts in the "Etymologicum Magnum" (s.v. ESIODUS), to show how prejudiced and lacking even in plausibility such efforts are. It seems certain that `Hesiod' stands as a proper name in the fullest sense. Secondly, Hesiod claims that his father -- if not he himself -- came from Aeolis and settled in Boeotia. There is fairly definite evidence to warrant our acceptance of this: the dialect of the "Works and Days" is shown by Rzach
(3) to contain distinct Aeolisms apart from those which formed part of the general stock of epic poetry. And that this Aeolic speaking poet was a Boeotian of Ascra seems even more certain, since the tradition is never once disputed, insignificant though the place was, even before its destruction by the Thespians.

Again, Hesiod's story of his relations with his brother Perses have been treated with scepticism (see Murray, "Anc. Gk. Literature", pp. 53-54): Perses, it is urged, is clearly a mere dummy, set up to be the target for the poet's exhortations. On such a matter precise evidence is naturally not forthcoming; but all probability is against the sceptical view. For 1) if the quarrel between the brothers were a fiction, we should expect it to be detailed at length and not noticed allusively and rather obscurely -- as we find it; 2) as MM. Croiset remark, if the poet needed a lay-figure the ordinary practice was to introduce some mythological person -- as, in fact, is done in the "Precepts of Chiron". In a word, there is no more solid ground for treating Perses and his quarrel with Hesiod as fictitious than there would be for treating Cyrnus, the friend of Theognis, as mythical.

Thirdly, there is the passage in the "Theogony" relating to Hesiod and the Muses. It is surely an error to suppose that lines 22-35 all refer to Hesiod: rather, the author of the "Theogony" tells the story of his own inspiration by the same Muses who once taught Hesiod glorious song. The lines 22-3 are therefore a very early piece of tradition about Hesiod, and though the appearance of Muses must be treated as a graceful fiction, we find that a writer, later than the "Works and Days" by perhaps no more than three-quarters of a century, believed in the actuality of Hesiod and in his life as a farmer or shepherd.

Lastly, there is the famous story of the contest in song at Chalcis. In later times the modest version in the "Works and Days" was elaborated, first by making Homer the opponent whom Hesiod conquered, while a later period exercised its ingenuity in working up the story of the contest into the elaborate form in which it still survives. Finally the contest, in which the two poets contended with hymns to Apollo
(4), was transferred to Delos. These developments certainly need no consideration: are we to say the same of the passage in the "Works and Days"? Critics from Plutarch downwards have almost unanimously rejected the lines 654-662, on the ground that Hesiod's Amphidamas is the hero of the Lelantine Wars between Chalcis and Eretria, whose death may be placed circa 705 B.C. -- a date which is obviously too low for the genuine Hesiod. Nevertheless, there is much to be said in defence of the passage. Hesiod's claim in the "Works and Days" is modest, since he neither pretends to have met Homer,

nor to have sung in any but an impromptu, local festival, so that

the supposed interpolation lacks a sufficient motive. And there is nothing in the context to show that Hesiod's Amphidamas is to be identified with that Amphidamas whom Plutarch alone connects with the Lelantine War: the name may have been borne by an earlier Chalcidian, an ancestor, perhaps, of the person to whom Plutarch refers.

The story of the end of Hesiod may be told in outline. After the contest at Chalcis, Hesiod went to Delphi and there was warned that the `issue of death should overtake him in the fair grove of Nemean Zeus.' Avoiding therefore Nemea on the Isthmus of Corinth, to which he supposed the oracle to refer, Hesiod retired to Oenoe in Locris where he was entertained by Amphiphanes and Ganyetor, sons of a certain Phegeus. This place, however, was also sacred to Nemean Zeus, and the poet, suspected by his hosts of having seduced their sister
(5), was murdered there. His body, cast into the sea, was brought to shore by dolphins and buried at Oenoe (or, according to Plutarch, at Ascra): at a later time his bones were removed to Orchomenus. The whole story is full of miraculous elements, and the various authorities disagree on numerous points of detail. The tradition seems, however, to be constant in declaring that Hesiod was murdered and buried at Oenoe, and in this respect it is at least as old as the time of Thucydides. In conclusion it may be worth while to add the graceful epigram of Alcaeus of Messene ("Palatine Anthology", vii 55).

"When in the shady Locrian grove Hesiod lay dead, the Nymphs washed his body with water from their own springs, and heaped high his grave; and thereon the goat-herds sprinkled offerings of milk mingled with yellow-honey: such was the utterance of the nine Muses that he breathed forth, that old man who had tasted of their pure springs."

The Hesiodic Poems

The Hesiodic poems fall into two groups according as they are didactic (technical or gnomic) or genealogical: the first group centres round the "Works and Days", the second round the "Theogony".

I. "The Works and Days": The poem consists of four main sections. a) After the prelude, which Pausanias failed to find in the ancient copy engraved on lead seen by him on Mt. Helicon, comes a general exhortation to industry. It begins with the allegory of the two Strifes, who stand for wholesome Emulation and Quarrelsomeness respectively. Then by means of the Myth of Pandora the poet shows how evil and the need for work first arose, and goes on to describe the Five Ages of the World, tracing the gradual increase in evil, and emphasizing the present miserable condition of the world, a condition in which struggle is inevitable. Next, after the Fable of the Hawk and Nightingale, which serves as a condemnation of violence and injustice, the poet passes on to contrast the blessing which Righteousness brings to a nation, and the punishment which Heaven sends down upon the violent, and the section concludes with a series of precepts on industry and prudent conduct generally. b) The second section shows how a man may escape want and misery by industry and care both in agriculture and in trading by sea. Neither subject, it should be carefully noted, is treated in any way comprehensively. c) The third part is occupied with miscellaneous precepts relating mostly to actions of domestic and everyday life and conduct which have little or no connection with one another. d) The final section is taken up with a series of notices on the days of the month which are favourable or unfavourable for agricultural and other operations.

It is from the second and fourth sections that the poem takes its name. At first sight such a work seems to be a miscellany of myths, technical advice, moral precepts, and folklore maxims without any unifying principle; and critics have readily taken the view that the whole is a canto of fragments or short poems worked up by a redactor. Very probably Hesiod used much material of a far older date, just as Shakespeare used the "Gesta Romanorum", old chronicles, and old plays; but close inspection will show that the "Works and Days" has a real unity and that the picturesque title is somewhat misleading. The poem has properly no technical object at all, but is moral: its real aim is to show men how best to live in a difficult world. So viewed the four seemingly independent sections will be found to be linked together in a real bond of unity. Such a connection between the first and second sections is easily seen, but the links between these and the third and fourth are no less real: to make life go tolerably smoothly it is most important to be just and to know how to win a livelihood; but happiness also largely depends on prudence and care both in social and home life as well, and not least on avoidance of actions which offend supernatural powers and bring ill-luck. And finally, if your industry is to be fruitful, you must know what days are suitable for various kinds of work. This moral aim -- as opposed to the currently accepted technical aim of the poem -- explains the otherwise puzzling incompleteness of the instructions on farming and seafaring.

Of the Hesiodic poems similar in character to the "Works and Days", only the scantiest fragments survive. One at least of these, the "Divination by Birds", was, as we know from Proclus, attached to the end of the "Works" until it was rejected by Apollonius Rhodius: doubtless it continued the same theme of how to live, showing how man can avoid disasters by attending to the omens to be drawn from birds. It is possible that the "Astronomy" or "Astrology" (as Plutarch calls it) was in turn appended to the "Divination". It certainly gave some account of the principal constellations, their dates of rising and setting, and the legends connected with them, and probably showed how these influenced human affairs or might be used as guides. The "Precepts of Chiron" was a didactic poem made up of moral and practical precepts, resembling the gnomic sections of the "Works and Days", addressed by the Centaur Chiron to his pupil Achilles.

Even less is known of the poem called the "Great Works": the title implies that it was similar in subject to the second section of the "Works and Days", but longer. Possible references in Roman writers
(6) indicate that among the subjects dealt with were the cultivation of the vine and olive and various herbs. The inclusion of the judgment of Rhadamanthys (frag. 1): `If a man sow evil, he shall reap evil,' indicates a gnomic element, and the note by Proclus
(7) on "Works and Days" 126 makes it likely that metals also were dealt with. It is therefore possible that another lost poem, the "Idaean Dactyls", which dealt with the discovery of metals and their working, was appended to, or even was a part of the "Great Works", just as the "Divination by Birds" was appended to the "Works and Days".

II. The Genealogical Poems: The only complete poem of the genealogical group is the "Theogony", which traces from the beginning of things the descent and vicissitudes of the families of the gods. Like the "Works and Days" this poem has no dramatic plot; but its unifying principle is clear and simple. The gods are classified chronologically: as soon as one generation is catalogued, the poet goes on to detail the offspring of each member of that generation. Exceptions are only made in special cases, as the Sons of Iapetus (ll. 507-616) whose place is accounted for by their treatment by Zeus. The chief landmarks in the poem are as follows: after the first 103 lines, which contain at least three distinct preludes, three primeval beings are introduced, Chaos, Earth, and Eros -- here an indefinite reproductive influence. Of these three, Earth produces Heaven to whom she bears the Titans, the Cyclopes and the hundred-handed giants. The Titans, oppressed by their father, revolt at the instigation of Earth, under the leadership of Cronos, and as a result Heaven and Earth are separated, and Cronos reigns over the universe. Cronos knowing that he is destined to be overcome by one of his children, swallows each one of them as they are born, until Zeus, saved by Rhea, grows up and overcomes Cronos in some struggle which is not described. Cronos is forced to vomit up the children he had swallowed, and these with Zeus divide the universe between them, like a human estate. Two events mark the early reign of Zeus, the war with the Titans and the overthrow of Typhoeus, and as Zeus is still reigning the poet can only go on to give a list of gods born to Zeus by various goddesses. After this he formally bids farewell to the cosmic and Olympian deities and enumerates the sons born of goddess to mortals. The poem closes with an invocation of the Muses to sing of the `tribe of women'.

This conclusion served to link the "Theogony" to what must have been a distinct poem, the "Catalogues of Women". This work was divided into four (Suidas says five) books, the last one (or two) of which was known as the "Eoiae" and may have been again a distinct poem: the curious title will be explained presently. The "Catalogues" proper were a series of genealogies which traced the Hellenic race (or its more important peoples and families) from a common ancestor. The reason why women are so prominent is obvious: since most families and tribes claimed to be descended from a god, the only safe clue to their origin was through a mortal woman beloved by that god; and it has also been pointed out that `mutterrecht' still left its traces in northern Greece in historical times.

The following analysis (after Marckscheffel) (8) will show the principle of its composition. From Prometheus and Pronoia sprang Deucalion and Pyrrha, the only survivors of the deluge, who had a son Hellen (frag. 1), the reputed ancestor of the whole Hellenic race. From the daughters of Deucalion sprang Magnes and Macedon, ancestors of the Magnesians and Macedonians, who are thus represented as cousins to the true Hellenic stock. Hellen had three sons, Dorus, Xuthus, and Aeolus, parents of the Dorian, Ionic and Aeolian races, and the offspring of these was then detailed. In one instance a considerable and characteristic section can be traced from extant fragments and notices: Salmoneus, son of Aeolus, had a daughter Tyro who bore to Poseidon two sons, Pelias and Neleus; the latter of these, king of Pylos, refused Heracles purification for the murder of Iphitus, whereupon Heracles attacked and sacked Pylos, killing amongst the other sons of Neleus Periclymenus, who had the power of changing himself into all manner of shapes. From this slaughter Neleus alone escaped (frags. 13, and 10-12). This summary shows the general principle of arrangement of the "Catalogues": each line seems to have been dealt with in turn, and the monotony was relieved as far as possible by a brief relation of famous adventures connected with any of the personages -- as in the case of Atalanta and Hippomenes (frag. 14). Similarly the story of the Argonauts appears from the fragments (37-42) to have been told in some detail.

This tendency to introduce romantic episodes led to an important development. Several poems are ascribed to Hesiod, such as the "Epithalamium of Peleus and Thetis", the "Descent of Theseus into Hades", or the "Circuit of the Earth" (which must have been connected with the story of Phineus and the Harpies, and so with the Argonaut-legend), which yet seem to have belonged to the "Catalogues". It is highly probable that these poems were interpolations into the "Catalogues" expanded by later poets from more summary notices in the genuine Hesiodic work and subsequently detached from their contexts and treated as independent. This is definitely known to be true of the "Shield of Heracles", the first 53 lines of which belong to the fourth book of the "Catalogues", and almost certainly applies to other episodes, such as the "Suitors of Helen" (9), the "Daughters of Leucippus", and the "Marriage of Ceyx", which last Plutarch mentions as `interpolated in the works of Hesiod.'

To the "Catalogues", as we have said, was appended another work, the "Eoiae". The title seems to have arisen in the following way (10): the "Catalogues" probably ended (ep. "Theogony" 963 ff.) with some such passage as this: `But now, ye Muses, sing of the tribes of women with whom the Sons of Heaven were joined in love, women pre-eminent above their fellows in beauty, such as was Niobe (?).' Each succeeding heroine was then introduced by the formula `Or such as was...' (cp. frags. 88, 92, etc.). A large fragment of the "Eoiae" is extant at the beginning of the "Shield of Heracles", which may be mentioned here. The "supplement" (ll. 57-480) is nominally Heracles and Cycnus, but the greater part is taken up with an inferior description of the shield of Heracles, in imitation of the Homeric shield of Achilles ("Iliad" xviii. 478 ff.). Nothing shows more clearly the collapse of the principles of the Hesiodic school than this ultimate servile dependence upon Homeric models.

At the close of the "Shield" Heracles goes on to Trachis to the house of Ceyx, and this warning suggests that the "Marriage of Ceyx" may have come immediately after the `Or such as was' of Alcmena in the "Eoiae": possibly Halcyone, the wife of Ceyx, was one of the heroines sung in the poem, and the original section was `developed' into the "Marriage", although what form the poem took is unknown.

Next to the "Eoiae" and the poems which seemed to have been developed from it, it is natural to place the "Great Eoiae". This, again, as we know from fragments, was a list of heroines who bare children to the gods: from the title we must suppose it to have been much longer that the simple "Eoiae", but its extent is unknown. Lehmann, remarking that the heroines are all Boeotian and Thessalian (while the heroines of the "Catalogues" belong to all parts of the Greek world), believes the author to have been either a Boeotian or Thessalian.

Two other poems are ascribed to Hesiod. Of these the "Aegimius" (also ascribed by Athenaeus to Cercops of Miletus), is thought by Valckenaer to deal with the war of Aegimus against the Lapithae and the aid furnished to him by Heracles, and with the history of Aegimius and his sons. Otto Muller suggests that the introduction of Thetis and of Phrixus (frags. 1-2) is to be connected with notices of the allies of the Lapithae from Phthiotis and Iolchus, and that the story of Io was incidental to a narrative of Heracles' expedition against Euboea. The remaining poem, the "Melampodia", was a work in three books, whose plan it is impossible to recover. Its subject, however, seems to have been the histories of famous seers like Mopsus, Calchas, and Teiresias, and it probably took its name from Melampus, the most famous of them all.

Date of the Hesiodic Poems

There is no doubt that the "Works and Days" is the oldest, as it is the most original, of the Hesiodic poems. It seems to be distinctly earlier than the "Theogony", which refers to it, apparently, as a poem already renowned. Two considerations help us to fix a relative date for the "Works". 1) In diction, dialect and style it is obviously dependent upon Homer, and is therefore considerably later than the "Iliad" and "Odyssey": moreover, as we have seen, it is in revolt against the romantic school, already grown decadent, and while the digamma is still living, it is obviously growing weak, and is by no means uniformly effective.

2) On the other hand while tradition steadily puts the Cyclic poets at various dates from 776 B.C. downwards, it is equally consistent in regarding Homer and Hesiod as `prehistoric'. Herodotus indeed puts both poets 400 years before his own time; that is, at about 830-820 B.C., and the evidence stated above points to the middle of the ninth century as the probable date for the "Works and Days". The "Theogony" might be tentatively placed a century later; and the "Catalogues" and "Eoiae" are again later, but not greatly later, than the "Theogony": the "Shield of Heracles" may be ascribed to the later half of the seventh century, but there is not evidence enough to show whether the other `developed' poems are to be regarded as of a date so low as this.

Literary Value of Homer

Quintillian's (11) judgment on Hesiod that `he rarely rises to great heights... and to him is given the palm in the middle-class of speech' is just, but is liable to give a wrong impression. Hesiod has nothing that remotely approaches such scenes as that between Priam and Achilles, or the pathos of Andromache's preparations for Hector's return, even as he was falling before the walls of Troy; but in matters that come within the range or ordinary experience, he rarely fails to rise to the appropriate level. Take, for instance, the description of the Iron Age ("Works and Days", 182 ff.) with its catalogue of wrongdoings and violence ever increasing until Aidos and Nemesis are forced to leave mankind who thenceforward shall have `no remedy against evil'. Such occasions, however, rarely occur and are perhaps not characteristic of Hesiod's genius: if we would see Hesiod at his best, in his most natural vein, we must turn to such a passage as that which he himself -- according to the compiler of the "Contest of Hesiod and Homer" -- selected as best in all his work, `When the Pleiades, Atlas' daughters, begin to rise...' ("Works and Days, 383 ff.). The value of such a passage cannot be analysed: it can only be said that given such a subject, this alone is the right method of treatment.

Hesiod's diction is in the main Homeric, but one of his charms is the use of quaint allusive phrases derived, perhaps, from a pre- Hesiodic peasant poetry: thus the season when Boreas blows is the time when `the Boneless One gnaws his foot by his fireless hearth in his cheerless house'; to cut one's nails is `to sever the withered from the quick upon that which has five branches'; similarly the burglar is the `day-sleeper', and the serpent is the `hairless one'. Very similar is his reference to seasons through what happens or is done in that season: `when the House- carrier, fleeing the Pleiades, climbs up the plants from the earth', is the season for harvesting; or `when the artichoke flowers and the clicking grass-hopper, seated in a tree, pours down his shrill song', is the time for rest.

Hesiod's charm lies in his child-like and sincere naivete, in his unaffected interest in and picturesque view of nature and all that happens in nature. These qualities, it is true, are those pre-eminently of the "Works and Days": the literary values of the "Theogony" are of a more technical character, skill in ordering and disposing long lists of names, sure judgment in seasoning a monotonous subject with marvellous incidents or episodes, and no mean imagination in depicting the awful, as is shown in the description of Tartarus (ll. 736-745). Yet it remains true that Hesiod's distinctive title to a high place in Greek literature lies in the very fact of his freedom form classic form, and his grave, and yet child-like, outlook upon his world.

The Ionic School

The Ionic School of Epic poetry was, as we have seen, dominated by the Homeric tradition, and while the style and method of treatment are Homeric, it is natural that the Ionic poets refrained from cultivating the ground tilled by Homer, and chose for treatment legends which lay beyond the range of the "Iliad" and "Odyssey". Equally natural it is that they should have particularly selected various phases of the tale of Troy which preceded or followed the action of the "Iliad" or "Odyssey". In this way, without any preconceived intention, a body of epic poetry was built up by various writers which covered the whole Trojan story. But the entire range of heroic legend was open to these poets, and other clusters of epics grew up dealing particularly with the famous story of Thebes, while others dealt with the beginnings of the world and the wars of heaven. In the end there existed a kind of epic history of the world, as known to the Greeks, down to the death of Odysseus, when the heroic age ended. In the Alexandrian Age these poems were arranged in chronological order, apparently by Zenodotus of Ephesus, at the beginning of the 3rd century B.C. At a later time the term "Cycle", `round' or `course', was given to this collection.

Of all this mass of epic poetry only the scantiest fragments survive; but happily Photius has preserved to us an abridgment of the synopsis made of each poem of the "Trojan Cycle" by Proclus, i.e. Eutychius Proclus of Sicca.

The pre-Trojan poems of the Cycle may be noticed first. The "Titanomachy", ascribed both to Eumelus of Corinth and to Arctinus of Miletus, began with a kind of Theogony which told of the union of Heaven and Earth and of their offspring the Cyclopes and the Hundred-handed Giants. How the poem proceeded we have no means of knowing, but we may suppose that in character it was not unlike the short account of the Titan War found in the Hesiodic "Theogony" (617 ff.).

What links bound the "Titanomachy" to the Theben Cycle is not clear. This latter group was formed of three poems, the "Story of Oedipus", the "Thebais", and the "Epigoni". Of the "Oedipodea" practically nothing is known, though on the assurance of Athenaeus (vii. 277 E) that Sophocles followed the Epic Cycle closely in the plots of his plays, we may suppose that in outline the story corresponded closely to the history of Oedipus as it is found in the "Oedipus Tyrannus". The "Thebais" seems to have begun with the origin of the fatal quarrel between Eteocles and Polyneices in the curse called down upon them by their father in his misery. The story was thence carried down to the end of the expedition under Polyneices, Adrastus and Amphiarus against Thebes. The "Epigoni" (ascribed to Antimachus of Teos) recounted the expedition of the `After-Born' against Thebes, and the sack of the city.

The Trojan Cycle

Six epics with the "Iliad" and the "Odyssey" made up the Trojan Cycle -- The "Cyprian Lays", the "Iliad", the "Aethiopis", the "Little Illiad", the "Sack of Troy", the "Returns", the "Odyssey", and the "Telegony".

It has been assumed in the foregoing pages that the poems of the Trojan Cycle are later than the Homeric poems; but, as the opposite view has been held, the reasons for this assumption must now be given. 1) Tradition puts Homer and the Homeric poems proper back in the ages before chronological history began, and at the same time assigns the purely Cyclic poems to definite authors who are dated from the first Olympiad (776 B.C.) downwards. This tradition cannot be purely arbitrary. 2) The Cyclic poets (as we can see from the abstract of Proclus) were careful not to trespass upon ground already occupied by Homer. Thus, when we find that in the "Returns" all the prominent Greek heroes except Odysseus are accounted for, we are forced to believe that the author of this poem knew the "Odyssey" and judged it unnecessary to deal in full with that hero's adventures. (12) In a word, the Cyclic poems are `written round' the "Iliad" and the "Odyssey". 3) The general structure of these epics is clearly imitative. As M.M. Croiset remark, the abusive Thersites in the "Aethiopis" is clearly copied from the Thersites of the "Iliad"; in the same poem Antilochus, slain by Memnon and avenged by Achilles, is obviously modelled on Patroclus. 4) The geographical knowledge of a poem like the "Returns" is far wider and more precise than that of the "Odyssey". 5) Moreover, in the Cyclic poems epic is clearly degenerating morally -- if the expression may be used. The chief greatness of the "Iliad" is in the character of the heroes Achilles and Hector rather than in the actual events which take place: in the Cyclic writers facts rather than character are the objects of interest, and events are so packed together as to leave no space for any exhibition of the play of moral forces. All these reasons justify the view that the poems with which we now have to deal were later than the "Iliad" and "Odyssey", and if we must recognize the possibility of some conventionality in the received dating, we may feel confident that it is at least approximately just.

The earliest of the post-Homeric epics of Troy are apparently the "Aethiopis" and the "Sack of Ilium", both ascribed to Arctinus of Miletus who is said to have flourished in the first Olympiad (776 B.C.). He set himself to finish the tale of Troy, which, so far as events were concerned, had been left half-told by Homer, by tracing the course of events after the close of the "Iliad". The "Aethiopis" thus included the coming of the Amazon Penthesilea to help the Trojans after the fall of Hector and her death, the similar arrival and fall of the Aethiopian Memnon, the death of Achilles under the arrow of Paris, and the dispute between Odysseus and Aias for the arms of Achilles. The "Sack of Ilium" (13) as analysed by Proclus was very similar to Vergil's version in "Aeneid" ii, comprising the episodes of the wooden horse, of Laocoon, of Sinon, the return of the Achaeans from Tenedos, the actual Sack of Troy, the division of spoils and the burning of the city.

Lesches or Lescheos (as Pausanias calls him) of Pyrrha or Mitylene is dated at about 660 B.C. In his "Little Iliad" he undertook to elaborate the "Sack" as related by Arctinus. His work included the adjudgment of the arms of Achilles to Odysseus, the madness of Aias, the bringing of Philoctetes from Lemnos and his cure, the coming to the war of Neoptolemus who slays Eurypylus, son of Telephus, the making of the wooden horse, the spying of Odysseus and his theft, along with Diomedes, of the Palladium: the analysis concludes with the admission of the wooden horse into Troy by the Trojans. It is known, however (Aristotle, "Poetics", xxiii; Pausanias, x, 25-27), that the "Little Iliad" also contained a description of the sack of Troy. It is probable that this and other superfluous incidents disappeared after the Alexandrian arrangement of the poems in the Cycle, either as the result of some later recension, or merely through disuse. Or Proclus may have thought it unnecessary to give the accounts by Lesches and Arctinus of the same incident.

The "Cyprian Lays", ascribed to Stasinus of Cyprus (14) (but also to Hegesinus of Salamis) was designed to do for the events preceding the action of the "Iliad" what Arctinus had done for the later phases of the Trojan War. The "Cypria" begins with the first causes of the war, the purpose of Zeus to relieve the overburdened earth, the apple of discord, the rape of Helen. Then follow the incidents connected with the gathering of the Achaeans and their ultimate landing in Troy; and the story of the war is detailed up to the quarrel between Achilles and Agamemnon with which the "Iliad" begins.

These four poems rounded off the story of the "Iliad", and it only remained to connect this enlarged version with the "Odyssey". This was done by means of the "Returns", a poem in five books ascribed to Agias or Hegias of Troezen, which begins where the "Sack of Troy" ends. It told of the dispute between Agamemnon and Menelaus, the departure from Troy of Menelaus, the fortunes of the lesser heroes, the return and tragic death of Agamemnon, and the vengeance of Orestes on Aegisthus. The story ends with the return home of Menelaus, which brings the general narrative up to the beginning of the "Odyssey".

But the "Odyssey" itself left much untold: what, for example, happened in Ithaca after the slaying of the suitors, and what was the ultimate fate of Odysseus? The answer to these questions was supplied by the "Telegony", a poem in two books by Eugammon of Cyrene (fl. 568 B.C.). It told of the adventures of Odysseus in Thesprotis after the killing of the Suitors, of his return to Ithaca, and his death at the hands of Telegonis, his son by Circe. The epic ended by disposing of the surviving personages in a double marriage, Telemachus wedding Circe, and Telegonus Penelope.

The end of the Cycle marks also the end of the Heroic Age.

The Homeric Hymns

The collection of thirty-three Hymns, ascribed to Homer, is the last considerable work of the Epic School, and seems, on the whole, to be later than the Cyclic poems. It cannot be definitely assigned either to the Ionian or Continental schools, for while the romantic element is very strong, there is a distinct genealogical interest; and in matters of diction and style the influences of both Hesiod and Homer are well-marked. The date of the formation of the collection as such is unknown. Diodorus Siculus (temp. Augustus) is the first to mention such a body of poetry, and it is likely enough that this is, at least substantially, the one which has come down to us. Thucydides quotes the Delian "Hymn to Apollo", and it is possible that the Homeric corpus of his day also contained other of the more important hymns. Conceivable the collection was arranged in the Alexandrine period.

Thucydides, in quoting the "Hymn to Apollo", calls it PROOIMION, which ordinarily means a `prelude' chanted by a rhapsode before recitation of a lay from Homer, and such hymns as Nos. vi, xxxi, xxxii, are clearly preludes in the strict sense; in No. xxxi, for example, after celebrating Helios, the poet declares he will next sing of the `race of mortal men, the demi-gods'. But it may fairly be doubted whether such Hymns as those to "Demeter" (ii), "Apollo" (iii), "Hermes" (iv), "Aphrodite" (v), can have been real preludes, in spite of the closing formula `and now I will pass on to another hymn'. The view taken by Allen and Sikes, amongst other scholars, is doubtless right, that these longer hymns are only technically preludes and show to what disproportionate lengths a simple literacy form can be developed.

The Hymns to "Pan" (xix), to "Dionysus" (xxvi), to "Hestia and Hermes" (xxix), seem to have been designed for use at definite religious festivals, apart from recitations. With the exception perhaps of the "Hymn to Ares" (viii), no item in the collection can be regarded as either devotional or liturgical.

The Hymn is doubtless a very ancient form; but if no example of extreme antiquity survive this must be put down to the fact that until the age of literary consciousness, such things are not preserved.

First, apparently, in the collection stood the "Hymn to Dionysus", of which only two fragments now survive. While it appears to have been a hymn of the longer type (15), we have no evidence to show either its scope or date.

The "Hymn to Demeter", extant only in the MS. discovered by Matthiae at Moscow, describes the seizure of Persephone by Hades, the grief of Demeter, her stay at Eleusis, and her vengeance on gods and men by causing famine. In the end Zeus is forced to bring Persephone back from the lower world; but the goddess, by the contriving of Hades, still remains partly a deity of the lower world. In memory of her sorrows Demeter establishes the Eleusinian mysteries (which, however, were purely agrarian in origin).

This hymn, as a literary work, is one of the finest in the collection. It is surely Attic or Eleusinian in origin. Can we in any way fix its date? Firstly, it is certainly not later than the beginning of the sixth century, for it makes no mention of Iacchus, and the Dionysiac element was introduced at Eleusis at about that period. Further, the insignificance of Triptolemus and Eumolpus point to considerable antiquity, and the digamma is still active. All these considerations point to the seventh century as the probable date of the hymn.

The "Hymn to Apollo" consists of two parts, which beyond any doubt were originally distinct, a Delian hymn and a Pythian hymn.

The Delian hymn describes how Leto, in travail with Apollo, sought out a place in which to bear her son, and how Apollo, born in Delos, at once claimed for himself the lyre, the bow, and prophecy. This part of the existing hymn ends with an encomium of the Delian festival of Apollo and of the Delian choirs. The second part celebrates the founding of Pytho (Delphi) as the oracular seat of Apollo. After various wanderings the god comes to Telphus, near Haliartus, but is dissuaded by the nymph of the place from settling there and urged to go on to Pytho where, after slaying the she-dragon who nursed Typhaon, he builds his temple. After the punishment of Telphusa for her deceit in giving him no warning of the dragoness at Pytho, Apollo, in the form of a dolphin, brings certain Cretan shipmen to Delphi to be his priests; and the hymn ends with a charge to these men to behave orderly and righteously.

The Delian part is exclusively Ionian and insular both in style and sympathy; Delos and no other is Apollo's chosen seat: but the second part is as definitely continental; Delos is ignored and Delphi alone is the important centre of Apollo's worship. From this it is clear that the two parts need not be of one date -- The first, indeed, is ascribed (Scholiast on Pindar "Nem". ii, 2) to Cynaethus of Chios (fl. 504 B.C.), a date which is obviously far too low; general considerations point rather to the eighth century. The second part is not later than 600 B.C.; for 1) the chariot-races at Pytho, which commenced in 586 B.C., are unknown to the writer of the hymn, 2) the temple built by Trophonius and Agamedes for Apollo (ll. 294-299) seems to have been still standing when the hymn was written, and this temple was burned in 548. We may at least be sure that the first part is a Chian work, and that the second was composed by a continental poet familiar with Delphi.

The "Hymn to Hermes" differs from others in its burlesque, quasi- comic character, and it is also the best-known of the Hymns to English readers in consequence of Shelley's translation.

After a brief narrative of the birth of Hermes, the author goes on to show how he won a place among the gods. First the new-born child found a tortoise and from its shell contrived the lyre; next, with much cunning circumstance, he stole Apollo's cattle and, when charged with the theft by Apollo, forced that god to appear in undignified guise before the tribunal of Zeus. Zeus seeks to reconcile the pair, and Hermes by the gift of the lyre wins Apollo's friendship and purchases various prerogatives, a share in divination, the lordship of herds and animals, and the office of messenger from the gods to Hades.

The Hymn is hard to date. Hermes' lyre has seven strings and the invention of the seven-stringed lyre is ascribed to Terpander (flor. 676 B.C.). The hymn must therefore be later than that date, though Terpander, according to Weir Smyth (16), may have only modified the scale of the lyre; yet while the burlesque character precludes an early date, this feature is far removed, as Allen and Sikes remark, from the silliness of the "Battle of the Frogs and Mice", so that a date in the earlier part of the sixth century is most probable.

The "Hymn to Aphrodite" is not the least remarkable, from a literary point of view, of the whole collection, exhibiting as it does in a masterly manner a divine being as the unwilling victim of an irresistible force. It tells how all creatures, and even the gods themselves, are subject to the will of Aphrodite, saving only Artemis, Athena, and Hestia; how Zeus to humble her pride of power caused her to love a mortal, Anchises; and how the goddess visited the hero upon Mt. Ida. A comparison of this work with the Lay of Demodocus ("Odyssey" viii, 266 ff.), which is superficially similar, will show how far superior is the former in which the goddess is but a victim to forces stronger than herself. The lines (247-255) in which Aphrodite tells of her humiliation and grief are specially noteworthy.

There are only general indications of date. The influence of Hesiod is clear, and the hymn has almost certainly been used by the author of the "Hymn to Demeter", so that the date must lie between these two periods, and the seventh century seems to be the latest date possible.

The "Hymn to Dionysus" relates how the god was seized by pirates and how with many manifestations of power he avenged himself on them by turning them into dolphins. The date is widely disputed, for while Ludwich believes it to be a work of the fourth or third century, Allen and Sikes consider a sixth or seventh century date to be possible. The story is figured in a different form on the reliefs from the choragic monument of Lysicrates, now in the British Museum (17).

Very different in character is the "Hymn to Ares", which is Orphic in character. The writer, after lauding the god by detailing his attributes, prays to be delivered from feebleness and weakness of soul, as also from impulses to wanton and brutal violence.

The only other considerable hymn is that to "Pan", which describes how he roams hunting among the mountains and thickets and streams, how he makes music at dusk while returning from the chase, and how he joins in dancing with the nymphs who sing the story of his birth. This, beyond most works of Greek literature, is remarkable for its fresh and spontaneous love of wild natural scenes.

The remaining hymns are mostly of the briefest compass, merely hailing the god to be celebrated and mentioning his chief attributes. The Hymns to "Hermes" (xviii), to the "Dioscuri" (xvii), and to "Demeter" (xiii) are mere abstracts of the longer hymns iv, xxxiii, and ii.

The Epigrams of Homer

The "Epigrams of Homer" are derived from the pseudo-Herodotean "Life of Homer", but many of them occur in other documents such as the "Contest of Homer and Hesiod", or are quoted by various ancient authors. These poetic fragments clearly antedate the "Life" itself, which seems to have been so written round them as to supply appropriate occasions for their composition. Epigram iii on Midas of Larissa was otherwise attributed to Cleobulus of Lindus, one of the Seven Sages; the address to Glaucus (xi) is purely Hesiodic; xiii, according to MM. Croiset, is a fragment from a gnomic poem. Epigram xiv is a curious poem attributed on no very obvious grounds to Hesiod by Julius Pollox. In it the poet invokes Athena to protect certain potters and their craft, if they will, according to promise, give him a reward for his song; if they prove false, malignant gnomes are invoked to wreck the kiln and hurt the potters.

The Burlesque Poems

To Homer were popularly ascribed certain burlesque poems in which Aristotle ("Poetics" iv) saw the germ of comedy. Most interesting of these, were it extant, would be the "Margites". The hero of the epic is at once sciolist and simpleton, `knowing many things, but knowing them all badly'. It is unfortunately impossible to trace the plan of the poem, which presumably detailed the adventures of this unheroic character: the metre used was a curious mixture of hexametric and iambic lines. The date of such a work cannot be high: Croiset thinks it may belong to the period of Archilochus (c. 650 B.C.), but it may well be somewhat later.

Another poem, of which we know even less, is the "Cercopes". These Cercopes (`Monkey-Men') were a pair of malignant dwarfs who went about the world mischief-making. Their punishment by Heracles is represented on one of the earlier metopes from Selinus. It would be idle to speculate as to the date of this work.

Finally there is the "Battle of the Frogs and Mice". Here is told the story of the quarrel which arose between the two tribes, and how they fought, until Zeus sent crabs to break up the battle. It is a parody of the warlike epic, but has little in it that is really comic or of literary merit, except perhaps the list of quaint arms assumed by the warriors. The text of the poem is in a chaotic condition, and there are many interpolations, some of Byzantine date.

Though popularly ascribed to Homer, its real author is said by Suidas to have been Pigres, a Carian, brother of Artemisia, `wife of Mausonis', who distinguished herself at the battle of Salamis.

Suidas is confusing the two Artemisias, but he may be right in attributing the poem to about 480 B.C.

The Contest of Homer and Hesiod

This curious work dates in its present form from the lifetime or shortly after the death of Hadrian, but seems to be based in part on an earlier version by the sophist Alcidamas (c. 400 B.C.). Plutarch ("Conviv. Sept. Sap.", 40) uses an earlier (or at least a shorter) version than that which we possess (18). The extant "Contest", however, has clearly combined with the original document much other ill-digested matter on the life and descent of Homer, probably drawing on the same general sources as does the Herodotean "Life of Homer". Its scope is as follows: 1) the descent (as variously reported) and relative dates of Homer and Hesiod; 2) their poetical contest at Chalcis; 3) the death of Hesiod; 4) the wanderings and fortunes of Homer, with brief notices of the circumstances under which his reputed works were composed, down to the time of his death.

The whole tract is, of course, mere romance; its only values are 1) the insight it give into ancient speculations about Homer; 2) a certain amount of definite information about the Cyclic poems; and 3) the epic fragments included in the stichomythia of the "Contest" proper, many of which -- did we possess the clue -- would have to be referred to poems of the Epic Cycle.

ENDNOTES:

(1) sc. in Boeotia, Locris and Thessaly: elsewhere the movement was forced and unfruitful.
(2) The extant collection of three poems, "Works and Days", "Theogony", and "Shield of Heracles", which alone have come down to us complete, dates at least from the 4th century A.D.: the title of the Paris Papyrus (Bibl. Nat. Suppl. Gr. 1099) names only these three works.
(3) "Der Dialekt des Hesiodes", p. 464: examples are AENEMI (W. and D. 683) and AROMENAI (ib. 22).
(4) T.W. Allen suggests that the conjured Delian and Pythian hymns to Apollo ("Homeric Hymns" III) may have suggested this version of the story, the Pythian hymn showing strong continental influence.
(5) She is said to have given birth to the lyrist Stesichorus.
(6) See Kinkel "Epic. Graec. Frag." i. 158 ff.
(7) See "Great Works", frag. 2. (8) "Hesiodi Fragmenta", pp. 119 f. (9) Possibly the division of this poem into two books is a division belonging solely to this `developed poem', which may have included in its second part a summary of the Tale of Troy. (10) Goettling's explanation. (11) x. 1. 52 (12) Odysseus appears to have been mentioned once only -- and that casually -- in the "Returns". (13) M.M. Croiset note that the "Aethiopis" and the "Sack" were originally merely parts of one work containing lays (the Amazoneia, Aethiopis, Persis, etc.), just as the "Iliad" contained various lays such as the Diomedeia. (14) No date is assigned to him, but it seems likely that he was either contemporary or slightly earlier than Lesches. (15) Cp. Allen and Sikes, "Homeric Hymns" p. xv. In the text I have followed the arrangement of these scholars, numbering the Hymns to Dionysus and to Demeter, I and II respectively: to place "Demeter" after "Hermes", and the Hymn to Dionysus at the end of the collection seems to be merely perverse. (16) "Greek Melic Poets", p. 165. (17) This monument was returned to Greece in the 1980's. -- DBK. (18) Cp. Marckscheffel, "Hesiodi fragmenta", p. 35. The papyrus fragment recovered by Petrie ("Petrie Papyri", ed. Mahaffy, p. 70, No. xxv.) agrees essentially with the extant document, but differs in numerous minor textual points.

BIBLIOGRAPHY

HESIOD. -- The classification and numerations of MSS. here followed is that of Rzach (1913). It is only necessary to add that on the whole the recovery of Hesiodic papyri goes to confirm the authority of the mediaeval MSS. At the same time these fragments have produced much that is interesting and valuable, such as the new lines, "Works and Days" 169 a-d, and the improved readings ib. 278, "Theogony" 91, 93. Our chief gains from papyri are the numerous and excellent fragments of the Catalogues which have been recovered.

"Works and Days": --

S Oxyrhynchus Papyri 1090.
A Vienna, Rainer Papyri L.P. 21-9 (4th cent.).
B Geneva, Naville Papyri Pap. 94 (6th cent.).
C Paris, Bibl. Nat. 2771 (11th cent.).
D Florence, Laur. xxxi 39 (12th cent.).
E Messina, Univ. Lib. Preexistens 11 (12th-13th cent.).
F Rome, Vatican 38 (14th cent.).
G Venice, Marc. ix 6 (14th cent.).
H Florence, Laur. xxxi 37 (14th cent.).
I Florence, Laur. xxxii 16 (13th cent.).
K Florence, Laur. xxxii 2 (14th cent.).
L Milan, Ambros. G 32 sup. (14th cent.).
M Florence, Bibl. Riccardiana 71 (15th cent.).
N Milan, Ambros. J 15 sup. (15th cent.).
O Paris, Bibl. Nat. 2773 (14th cent.).
P Cambridge, Trinity College (Gale MS.), O.9.27 (13th-14th
cent.).
Q Rome, Vatican 1332 (14th cent.).

These MSS. are divided by Rzach into the following families, issuing from a common original: --

a = C b = F,G,H a = D b = I,K,L,M a = E b = N,O,P,Q

"Theogony": --

N Manchester, Rylands GK. Papyri No. 54 (1st cent. B.C. - 1st
cent. A.D.).
O Oxyrhynchus Papyri 873 (3rd cent.).
A Paris, Bibl. Nat. Suppl. Graec. (papyrus) 1099 (4th-5th
cent.).
B London, British Museam clix (4th cent.).
R Vienna, Rainer Papyri L.P. 21-9 (4th cent.).
C Paris, Bibl. Nat. Suppl. Graec. 663 (12th cent.).
D Florence, Laur. xxxii 16 (13th cent.).
E Florence, Laur., Conv. suppr. 158 (14th cent.).
F Paris, Bibl. Nat. 2833 (15th cent.).
G Rome, Vatican 915 (14th cent.).
H Paris, Bibl. Nat. 2772 (14th cent.).
I Florence, Laur. xxxi 32 (15th cent.).
K Venice, Marc. ix 6 (15th cent.).
L Paris, Bibl. Nat. 2708 (15th cent.).

These MSS. are divided into two families:

a = C,D
b = E,F
c = G,H,I = K,L

"Shield of Heracles": --

P Oxyrhynchus Papyri 689 (2nd cent.). A Vienna, Rainer Papyri L.P. 21-29 (4th cent.). Q Berlin Papyri, 9774 (1st cent.). B Paris, Bibl. Nat., Suppl. Graec. 663 (12th cent.). C Paris, Bibl. Nat., Suppl. Graec. 663 (12th cent.). D Milan, Ambros. C 222 (13th cent.). E Florence, Laur. xxxii 16 (13th cent.). F Paris, Bibl. Nat. 2773 (14th cent.). G Paris, Bibl. Nat. 2772 (14th cent.). H Florence, Laur. xxxi 32 (15th cent.). I London, British Museaum Harleianus (14th cent.). K Rome, Bibl. Casanat. 356 (14th cent.) L Florence, Laur. Conv. suppr. 158 (14th cent.). M Paris, Bibl. Nat. 2833 (15th cent.).

These MSS. belong to two families:

a = B,C,D,F b = G,H,I a = E b = K,L,M

To these must be added two MSS. of mixed family:

N Venice, Marc. ix 6 (14th cent.). O Paris, Bibl. Nat. 2708 (15th cent.).

Editions of Hesiod: --

Demetrius Chalcondyles, Milan (?) 1493 (?) ("editio princeps", containing, however, only the "Works and Days"). Aldus Manutius (Aldine edition), Venice, 1495 (complete works). Juntine Editions, 1515 and 1540. Trincavelli, Venice, 1537 (with scholia).

Of modern editions, the following may be noticed: --

Gaisford, Oxford, 1814-1820; Leipzig, 1823 (with scholia: in Poett. Graec. Minn II). Goettling, Gotha, 1831 (3rd edition. Leipzig, 1878). Didot Edition, Paris, 1840. Schomann, 1869. Koechly and Kinkel, Leipzig, 1870. Flach, Leipzig, 1874-8. Rzach, Leipzig, 1902 (larger edition), 1913 (smaller edition).

On the Hesiodic poems generally the ordinary Histories of Greek Literature may be consulted, but especially the "Hist. de la Litterature Grecque" I pp. 459 ff. of MM. Croiset. The summary account in Prof. Murray's "Anc. Gk. Lit." is written with a strong sceptical bias. Very valuable is the appendix to Mair's translation (Oxford, 1908) on "The Farmer's Year in Hesiod". Recent work on the Hesiodic poems is reviewed in full by Rzach in Bursian's "Jahresberichte" vols. 100 (1899) and 152 (1911).

For the "Fragments" of Hesiodic poems the work of Markscheffel, "Hesiodi Fragmenta" (Leipzig, 1840), is most valuable: important also is Kinkel's "Epicorum Graecorum Fragmenta" I (Leipzig, 1877) and the editions of Rzach noticed above. For recently discovered papyrus fragments see Wilamowitz, "Neue Bruchstucke d. Hesiod Katalog" (Sitzungsb. der k. preuss. Akad. fur Wissenschaft, 1900, pp. 839-851). A list of papyri belonging to lost Hesiodic works may here be added: all are the "Catalogues".

1) Berlin Papyri 7497 (1) (2nd cent.). -- Frag. 7.
2) Oxyrhynchus Papyri 421 (2nd cent.). -- Frag. 7.
3) "Petrie Papyri" iii 3. -- Frag. 14.
4) "Papiri greci e latine", No. 130 (2nd-3rd cent.). -- Frag. 14.
5) Strassburg Papyri, 55 (2nd cent.). -- Frag. 58.
6) Berlin Papyri 9739 (2nd cent.). -- Frag. 58.
7) Berlin Papyri 10560 (3rd cent.). -- Frag. 58.
8) Berlin Papyri 9777 (4th cent.). -- Frag. 98.
9) "Papiri greci e latine", No. 131 (2nd-3rd cent.). -- Frag. 99.
10) Oxyrhynchus Papyri 1358-9.

The Homeric Hymns: -- The text of the Homeric hymns is distinctly bad in condition, a fact which may be attributed to the general neglect under which they seem to have laboured at all periods previously to the Revival of Learning. Very many defects have been corrected by the various editions of the Hymns, but a considerable number still defy all efforts; and especially an abnormal number of undoubted lacuna disfigure the text. Unfortunately no papyrus fragment of the Hymns has yet emerged, though one such fragment ("Berl. Klassikertexte" v.1. pp. 7 ff.) contains a paraphrase of a poem very closely parallel to the "Hymn to Demeter".

The mediaeval MSS. (2) are thus enumerated by Dr. T.W. Allen: --

A Paris, Bibl. Nat. 2763.
At Athos, Vatopedi 587.
B Paris, Bibl. Nat. 2765.
C Paris, Bibl. Nat. 2833. Brussels, Bibl. Royale 11377-11380 (16th cent.).
D Milan, Amrbos. B 98 sup.
E Modena, Estense iii E 11.
G Rome, Vatican, Regina 91 (16th cent.).
H London, British Mus. Harley 1752.
J Modena, Estense, ii B 14.
K Florence, Laur. 31, 32.
L Florence, Laur. 32, 45.
L2 Florence, Laur. 70, 35.
L3 Florence, Laur. 32, 4.
M Leyden (the Moscow MS.) 33 H (14th cent.).
Mon. Munich, Royal Lib. 333 c.
N Leyden, 74 c.
O Milan, Ambros. C 10 inf.
P Rome, Vatican Pal. graec. 179.
Paris, Bibl. Nat. Suppl. graec. 1095.
Q Milan, Ambros. S 31 sup.
R1 Florence, Bibl. Riccard. 53 K ii 13.
R2 Florence, Bibl. Riccard. 52 K ii 14.
S Rome, Vatican, Vaticani graec. 1880.
T Madrid, Public Library 24.
V Venice, Marc. 456.

The same scholar has traced all the MSS. back to a common parent from which three main families are derived (M had a separate descent and is not included in any family): --

x1 = E,T x2 = L,,(and more remotely) At,D,S,H,J,K. y = E,L,,T (marginal readings). p = A,B,C,,G,L2,L3,N,O,P,Q,R1,R2,V,Mon.

Editions of the Homeric Hymns, & c.: --

Demetrius Chalcondyles, Florence, 1488 (with the "Epigrams" and the "Battle of the Frogs and Mice" in the "ed. pr." of Homer).
Aldine Edition, Venice, 1504.
Juntine Edition, 1537.
Stephanus, Paris, 1566 and 1588.

More modern editions or critical works of value are:

Martin (Variarum Lectionum libb. iv), Paris, 1605.
Barnes, Cambridge, 1711.
Ruhnken, Leyden, 1782 (Epist. Crit. and "Hymn to Demeter").
Ilgen, Halle, 1796 (with "Epigrams" and the "Battle of the Frogs and Mice").
Matthiae, Leipzig, 1806 (with the "Battle of the Frogs and Mice").
Hermann, Berling, 1806 (with "Epigrams").
Franke, Leipzig, 1828 (with "Epigrams" and the "Battle of the Frogs and Mice").
Dindorff (Didot edition), Paris, 1837.
Baumeister ("Battle of the Frogs and Mice"), Gottingen, 1852.
Baumeister ("Hymns"), Leipzig, 1860.
Gemoll, Leipzig, 1886.
Goodwin, Oxford, 1893.
Ludwich ("Battle of the Frogs and Mice"), 1896.
Allen and Sikes, London, 1904.
Allen (Homeri Opera v), Oxford, 1912.

Of these editions that of Messrs Allen and Sikes is by far the best: not only is the text purged of the load of conjectures for which the frequent obscurities of the Hymns offer a special opening, but the Introduction and the Notes throughout are of the highest value. For a full discussion of the MSS. and textual problems, reference must be made to this edition, as also to Dr. T.W. Allen's series of articles in the "Journal of Hellenic Studies" vols. xv ff. Among translations those of J. Edgar (Edinburgh), 1891) and of Andrew Lang (London, 1899) may be mentioned.

The Epic Cycle: --

The fragments of the Epic Cycle, being drawn from a variety of authors, no list of MSS. can be given. The following collections and editions may be mentioned: --

Muller, Leipzig, 1829.
Dindorff (Didot edition of Homer), Paris, 1837-56.
Kinkel (Epicorum Graecorum Fragmenta i), Leipzig, 1877.
Allen (Homeri Opera v), Oxford, 1912.

The fullest discussion of the problems and fragments of the epic cycle is F.G. Welcker's "der epische Cyclus" (Bonn, vol. i, 1835: vol. ii, 1849: vol. i, 2nd edition, 1865). The Appendix to Monro's "Homer's Odyssey" xii-xxiv (pp. 340 ff.) deals with the Cyclic poets in relation to Homer, and a clear and reasonable discussion of the subject is to be found in Croiset's "Hist. de la Litterature Grecque", vol. i.

On Hesiod, the Hesiodic poems and the problems which these offer see Rzach's most important article "Hesiodos" in Pauly-Wissowa, "Real-Encyclopadie" xv (1912).

A discussion of the evidence for the date of Hesiod is to be found in "Journ. Hell. Stud." xxxv, 85 ff. (T.W. Allen).

Of translations of Hesiod the following may be noticed: -- "The Georgicks of Hesiod", by George Chapman, London, 1618; "The Works of Hesiod translated from the Greek", by Thomas Coocke, London, 1728; "The Remains of Hesiod translated from the Greek into English Verse", by Charles Abraham Elton; "The Works of Hesiod, Callimachus, and Theognis", by the Rev. J. Banks, M.A.; "Hesiod", by Prof. James Mair, Oxford, 1908
(3).

ENDNOTES:

(1) See Schubert, "Berl. Klassikertexte" v. 1.22 ff.; the other papyri may be found in the publications whose name they bear.
(2) Unless otherwise noted, all MSS. are of the 15th century.
(3) To this list I would also add the following: "Hesiod and Theognis", translated by Dorothea Wender (Penguin Classics, London, 1973). -- DBK. THE WORKS OF HESIOD

WORKS AND DAYS (832 lines)

THE DIVINATION BY BIRDS (fragments)

Proclus on Works and Days, 828: Some make the "Divination by Birds", which Apollonius of Rhodes rejects as spurious, follow this verse ("Works and Days", 828).

THE ASTRONOMY (fragments)

Fragment #1 -- Athenaeus xi, p. 491 d: And the author of "The Astronomy", which is attributed forsooth to Hesiod, always calls them (the Pleiades) Peleiades: `but mortals call them Peleiades'; and again, `the stormy Peleiades go down'; and again, `then the Peleiades hide away....'

Scholiast on Pindar, Nem. ii. 16: The Pleiades.... whose stars are these: -- `Lovely Teygata, and dark-faced Electra, and Alcyone, and bright Asterope, and Celaeno, and Maia, and Merope, whom glorious Atlas begot....' ((LACUNA)) `In the mountains of Cyllene she (Maia) bare Hermes, the herald of the gods.'

Fragment #2 -- Scholiast on Aratus 254: But Zeus made them (the sisters of Hyas) into the stars which are called Hyades. Hesiod in his Book about Stars tells us their names as follows: `Nymphs like the Graces (1), Phaesyle and Coronis and rich-crowned Cleeia and lovely Phaco and long-robed Eudora, whom the tribes of men upon the earth call Hyades.'

Fragment #3 -- Pseudo-Eratosthenes Catast. frag. 1: (2) The Great Bear.] -- Hesiod says she (Callisto) was the daughter of Lycaon and lived in Arcadia. She chose to occupy herself with wild-beasts in the mountains together with Artemis, and, when she was seduced by Zeus, continued some time undetected by the goddess, but afterwards, when she was already with child, was seen by her bathing and so discovered. Upon this, the goddess was enraged and changed her into a beast. Thus she became a bearand gave birth to a son called Arcas. But while she was in the mountains, she was hunted by some goat-herds and given up with her babe to Lycaon. Some while after, she thought fit to go into the forbidden precinct of Zeus, not knowing the law, and being pursued by her own son and the Arcadians, was about to be killed because of the said law; but Zeus delivered her because of her connection with him and put her among the stars, giving her the name Bear because of the misfortune which had befallen her.

Comm. Supplem. on Aratus, p. 547 M. 8: Of Bootes, also called the Bear-warden. The story goes that he is Arcas the son of Callisto and Zeus, and he lived in the country about Lycaeum. After Zeus had seduced Callisto, Lycaon, pretending not to know of the matter, entertained Zeus, as Hesiod says, and set before him on the table the babe which he had cut up.

Fragment #4 --

Pseudo-Eratosthenes, Catast. fr. xxxii: Orion.] -- Hesiod says that he was the son of Euryale, the daughter of Minos, and of Poseidon, and that there was given him as a gift the power of walking upon the waves as though upon land. When he was come to Chios, be outraged Merope, the daughter of Oenopion, being drunken; but Oenopion when he learned of it was greatly vexed at the outrage and blinded him and cast him out of the country. Then he came to Lemnos as a beggar and there met Hephaestus who took pity on him and gave him Cedalion his own servant to guide him. So Orion took Cedalion upon his shoulders and used to carry him about while he pointed out the roads. Then he came to the east and appears to have met Helius (the Sun) and to have been healed, and so returned back again to Oenopion to punish him; but Oenopion was hidden away by his people underground. Being disappointed, then, in his search for the king, Orion went away to Crete and spent his time hunting in company with Artemis and Leto. It seems that he threatened to kill every beast there was on earth; whereupon, in her anger, Earth sent up against him a scorpion of very great size by which he was stung and so perished. After this Zeus, at one prayer of Artemis and Leto, put him among the stars, because of his manliness, and the scorpion also as a memorial of him and of what had occurred.

Fragment #5 -- Diodorus iv. 85: Some say that great earthquakes occurred, which broke through the neck of land and formed the straits
(3), the sea parting the mainland from the island. But Hesiod, the poet, says just the opposite: that the sea was open, but Orion piled up the promontory by Peloris, and founded the close of Poseidon which is especially esteemed by the people thereabouts. When he had finished this, he went away to Euboea and settled there, and because of his renown was taken into the number of the stars in heaven, and won undying remembrance.

ENDNOTES:

(1) This halt verse is added by the Scholiast on Aratus, 172.
(2) The "Catasterismi" ("Placings among the Stars") is a collection of legends relating to the various constellations.
(3) The Straits of Messina.

THE PRECEPTS OF CHIRON (fragments)

Fragment #1 -- Scholiast on Pindar, Pyth. vi. 19: `And now, pray, mark all these things well in a wise heart. First, whenever you come to your house, offer good sacrifices to the eternal gods.'

Fragment #2 -- Plutarch Mor. 1034 E: `Decide no suit until you have heard both sides speak.'

Fragment #3 -- Plutarch de Orac. defectu ii. 415 C: `A chattering crow lives out nine generations of aged men, but a stag's life is four times a crow's, and a raven's life makes three stags old, while the phoenix outlives nine ravens, but we, the rich-haired Nymphs, daughters of Zeus the aegis-holder, outlive ten phoenixes.'

Fragment #4 -- Quintilian, i. 15: Some consider that children under the age of seven should not receive a literary education... That Hesiod was of this opinion very many writers affirm who were earlier than the critic Aristophanes; for he was the first to reject the "Precepts", in which book this maxim occurs, as a work of that poet.

THE GREAT WORKS (fragments)

Fragment #1 -- Comm. on Aristotle, Nicomachean Ethics. v. 8: The verse, however (the slaying of Rhadamanthys), is in Hesiod in the "Great Works" and is as follows: `If a man sow evil, he shall reap evil increase; if men do to him as he has done, it will be true justice.'

Fragment #2 -- Proclus on Hesiod, Works and Days, 126: Some believe that the Silver Race (is to be attributed to) the earth, declaring that in the "Great Works" Hesiod makes silver to be of the family of Earth.

THE IDAEAN DACTYLS (fragments)

Fragment #1 -- Pliny, Natural History vii. 56, 197: Hesiod says that those who are called the Idaean Dactyls taught the smelting and tempering of iron in Crete.

Fragment #2 -- Clement, Stromateis i. 16. 75: Celmis, again, and Damnameneus, the first of the Idaean Dactyls, discovered iron in Cyprus; but bronze smelting was discovered by Delas, another Idaean, though Hesiod calls him Scythes (1).

ENDNOTES:

(1) Or perhaps `a Scythian'.

THE THEOGONY (1,041 lines)

THE CATALOGUES OF WOMEN AND EOIAE (fragments) (1)

Fragment #1 -- Scholiast on Apollonius Rhodius, Arg. iii. 1086: That Deucalion was the son of Prometheus and Pronoea, Hesiod states in the first "Catalogue", as also that Hellen was the son of Deucalion and Pyrrha.

Fragment #2 -- Ioannes Lydus (2), de Mens. i. 13: They came to call those who followed local manners Latins, but those who followed Hellenic customs Greeks, after the brothers Latinus and Graecus; as Hesiod says: `And in the palace Pandora the daughter of noble Deucalion was joined in love with father Zeus, leader of all the gods, and bare Graecus, staunch in battle.'

Fragment #3 -- Constantinus Porphyrogenitus
(3), de Them. 2 p. 48B: The district Macedonia took its name from Macedon the son of Zeus and Thyia, Deucalion's daughter, as Hesiod says: `And she conceived and bare to Zeus who delights in the thunderbolt two sons, Magnes and Macedon, rejoicing in horses, who dwell round about Pieria and Olympus.... ((LACUNA)) ....And Magnes again (begot) Dictys and godlike Polydectes.'

Fragment #4 -- Plutarch, Mor. p. 747; Schol. on Pindar Pyth. iv. 263: `And from Hellen the war-loving king sprang Dorus and Xuthus and Aeolus delighting in horses. And the sons of Aeolus, kings dealing justice, were Cretheus, and Athamas, and clever Sisyphus, and wicked Salmoneus and overbold Perieres.'

Fragment #5 -- Scholiast on Apollonius Rhodius, Arg. iv. 266: Those who were descended from Deucalion used to rule over Thessaly as Hecataeus and Hesiod say.

Fragment #6 -- Scholiast on Apollonius Rhodius, Arg. i. 482: Aloiadae. Hesiod said that they were sons of Aloeus, -- called so after him, -- and of Iphimedea, but in reality sons of Poseidon and Iphimedea, and that Alus a city of Aetolia was founded by their father.

Fragment #7 -- Berlin Papyri, No. 7497; Oxyrhynchus Papyri, 421
(4): (ll. 1-24) `....Eurynome the daughter of Nisus, Pandion's son, to whom Pallas Athene taught all her art, both wit and wisdom too; for she was as wise as the gods. A marvellous scent rose from her silvern raiment as she moved, and beauty was wafted from her eyes. Her, then, Glaucus sought to win by Athena's advising, and he drove oxen
(5) for her. But he knew not at all the intent of Zeus who holds the aegis. So Glaucus came seeking her to wife with gifts; but cloud-driving Zeus, king of the deathless gods, bent his head in oath that the.... son of Sisyphus should never have children born of one father
(6). So she lay in the arms of Poseidon and bare in the house of Glaucus blameless Bellerophon, surpassing all men in.... over the boundless sea. And when he began to roam, his father gave him Pegasus who would bear him most swiftly on his wings, and flew unwearying everywhere over the earth, for like the gales he would course along. With him Bellerophon caught and slew the fire-breathing Chimera. And he wedded the dear child of the great-hearted Iobates, the worshipful king.... lord (of).... and she bare....'

Fragment #8 -- Scholiast on Apollonius Rhodes, Arg. iv. 57: Hesiod says that Endymion was the son of Aethlius the son of Zeus and Calyee, and received the gift from Zeus: `(To be) keeper of death for his own self when he was ready to die.'

Fragment #9 -- Scholiast Ven. on Homer, Il. xi. 750: The two sons of Actor and Molione... Hesiod has given their descent by calling them after Actor and Molione; but their father was Poseidon.

Porphyrius
(7), Quaest. Hom. ad Iliad. pert., 265: But Aristarchus is informed that they were twins, not.... such as were the Dioscuri, but, on Hesiod's testimony, double in form and with two bodies and joined to one another.

Fragment #10 -- Scholiast on Apollonius Rhodius, Arg. i. 156: But Hesiod says that he changed himself in one of his wonted shapes and perched on the yoke-boss of Heracles' horses, meaning to fight with the hero; but that Heracles, secretly instructed by Athena, wounded him mortally with an arrow. And he says as follows: `...and lordly Periclymenus. Happy he! For earth-shaking Poseidon gave him all manner of gifts. At one time he would appear among birds, an eagle; and again at another he would be an ant, a marvel to see; and then a shining swarm of bees; and again at another time a dread relentless snake. And he possessed all manner of gifts which cannot he told, and these then ensnared him through the devising of Athene.'

Fragment #11 -- Stephanus of Byzantium (8), s.v.: `(Heracles) slew the noble sons of steadfast Neleus, eleven of them; but the twelfth, the horsemen Gerenian Nestor chanced to be staying with the horse-taming Gerenians. ((LACUNA)) Nestor alone escaped in flowery Gerenon.'

Fragment #12 -- Eustathius (9), Hom. 1796.39: `So well-girded Polycaste, the youngest daughter of Nestor, Neleus' son, was joined in love with Telemachus through golden Aphrodite and bare Persepolis.'

Fragment #13 -- Scholiast on Homer, Od. xii. 69: Tyro the daughter of Salmoneus, having two sons by Poseidon, Neleus and Pelias, married Cretheus, and had by him three sons, Aeson, Pheres and Amythaon. And of Aeson and Polymede, according to Hesiod, Iason was born: `Aeson, who begot a son Iason, shepherd of the people, whom Chiron brought up in woody Pelion.'

Fragment #14 -- Petrie Papyri (ed. Mahaffy), Pl. III. 3: `....of the glorious lord ....fair Atalanta, swift of foot, the daughter of Schoeneus, who had the beaming eyes of the Graces, though she was ripe for wedlock rejected the company of her equals and sought to avoid marriage with men who eat bread.'

Scholiast on Homer, Iliad xxiii. 683: Hesiod is therefore later in date than Homer since he represents Hippomenes as stripped when contending with Atalanta (10).

Papiri greci e latini, ii. No. 130 (2nd-3rd century) (11): (ll. 1-7) `Then straightway there rose up against him the trim- ankled maiden (Atalanta), peerless in beauty: a great throng stood round about her as she gazed fiercely, and wonder held all men as they looked upon her. As she moved, the breath of the west wind stirred the shining garment about her tender bosom; but Hippomenes stood where he was: and much people was gathered together. All these kept silence; but Schoeneus cried and said:

(ll. 8-20) `"Hear me all, both young and old, while I speak as my spirit within my breast bids me. Hippomenes seeks my coy-eyed daughter to wife; but let him now hear my wholesome speech. He shall not win her without contest; yet, if he be victorious and escape death, and if the deathless gods who dwell on Olympus grant him to win renown, verily he shall return to his dear native land, and I will give him my dear child and strong, swift- footed horses besides which he shall lead home to be cherished possessions; and may he rejoice in heart possessing these, and ever remember with gladness the painful contest. May the father of men and of gods (grant that splendid children may be born to him)' (12)

((LACUNA))

(ll. 21-27) `on the right.... and he, rushing upon her,.... drawing back slightly towards the left. And on them was laid an unenviable struggle: for she, even fair, swift-footed Atalanta, ran scorning the gifts of golden Aphrodite; but with him the race was for his life, either to find his doom, or to escape it. Therefore with thoughts of guile he said to her:

(ll. 28-29) `"O daughter of Schoeneus, pitiless in heart, receive these glorious gifts of the goddess, golden Aphrodite...'

((LACUNA))

(ll. 30-36) `But he, following lightly on his feet, cast the first apple (13): and, swiftly as a Harpy, she turned back and snatched it. Then he cast the second to the ground with his hand. And now fair, swift-footed Atalanta had two apples and was near the goal; but Hippomenes cast the third apple to the ground, and therewith escaped death and black fate. And he stood panting and...'

Fragment #15 -- Strabo (14), i. p. 42: `And the daughter of Arabus, whom worthy Hermaon begat with Thronia, daughter of the lord Belus.'

Fragment #16 -- Eustathius, Hom. 461. 2: `Argos which was waterless Danaus made well-watered.'

Fragment #17 -- Hecataeus (15) in Scholiast on Euripides, Orestes, 872: Aegyptus himself did not go to Argos, but sent his sons, fifty in number, as Hesiod represented.

Fragment #18 -- (16) Strabo, viii. p. 370: And Apollodorus says that Hesiod already knew that the whole people were called both Hellenes and Panhellenes, as when he says of the daughters of Proetus that the Panhellenes sought them in marriage.

Apollodorus, ii. 2.1.4: Acrisius was king of Argos and Proetus of Tiryns. And Acrisius had by Eurydice the daughter of Lacedemon, Danae; and Proetus by Stheneboea `Lysippe and Iphinoe and Iphianassa'. And these fell mad, as Hesiod states, because they would not receive the rites of Dionysus.

Probus (17) on Vergil, Eclogue vi. 48: These (the daughters of Proetus), because they had scorned the divinity of Juno, were overcome with madness, such that they believed they had been turned into cows, and left Argos their own country. Afterwards they were cured by Melampus, the son of Amythaon.

Suidas, s.v.: (18) `Because of their hideous wantonness they lost their tender beauty....'

Eustathius, Hom. 1746.7: `....For he shed upon their heads a fearful itch: and leprosy covered all their flesh, and their hair dropped from their heads, and their fair scalps were made bare.'

Fragment #19A -- (19) Oxyrhynchus Papyri 1358 fr. 1 (3rd cent. A.D.): (20) (ll. 1-32) `....So she (Europa) crossed the briny water from afar to Crete, beguiled by the wiles of Zeus. Secretly did the Father snatch her away and gave her a gift, the golden necklace, the toy which Hephaestus the famed craftsman once made by his cunning skill and brought and gave it to his father for a possession. And Zeus received the gift, and gave it in turn to the daughter of proud Phoenix. But when the Father of men and of gods had mated so far off with trim-ankled Europa, then he departed back again from the rich-haired girl. So she bare sons to the almighty Son of Cronos, glorious leaders of wealthy men -- Minos the ruler, and just Rhadamanthys and noble Sarpedon the blameless and strong. To these did wise Zeus give each a share of his honour. Verily Sarpedon reigned mightily over wide Lycia and ruled very many cities filled with people, wielding the sceptre of Zeus: and great honour followed him, which his father gave him, the great-hearted shepherd of the people. For wise Zeus ordained that he should live for three generations of mortal men and not waste away with old age. He sent him to Troy; and Sarpedon gathered a great host, men chosen out of Lycia to be allies to the Trojans. These med did Sarpedon lead, skilled in bitter war. And Zeus, whose wisdom is everlasting, sent him forth from heaven a star, showing tokens for the return of his dear son.... ....for well he (Sarpedon) knew in his heart that the sign was indeed from Zeus. Very greatly did he excel in war together with man-slaying Hector and brake down the wall, bringing woes upon the Danaans. But so soon as Patroclus had inspired the Argives with hard courage....'

Fragment #19 -- Scholiast on Homer, Il. xii. 292: Zeus saw Europa the daughter of Phoenix gathering flowers in a meadow with some nymphs and fell in love with her. So he came down and changed himself into a bull and breathed from his mouth a crocus (21). In this way he deceived Europa, carried her off and crossed the sea to Crete where he had intercourse with her. Then in this condition he made her live with Asterion the king of the Cretans. There she conceived and bore three sons, Minos, Sarpedon and Rhadamanthys. The tale is in Hesiod and Bacchylides.

Fragment #20 -- Scholiast on Apollonius Rhodius, Arg. ii. 178: But according to Hesiod (Phineus) was the son of Phoenix, Agenor's son and Cassiopea.

Fragment #21 -- Apollodorus (22), iii. 14.4.1: But Hesiod says that he (Adonis) was the son of Phoenix and Alphesiboea.

Fragment #22 -- Porphyrius, Quaest. Hom. ad Iliad. pert. p. 189: As it is said in Hesiod in the "Catalogue of Women" concerning Demodoce the daughter of Agenor: `Demodoce whom very many of men on earth, mighty princes, wooed, promising splendid gifts, because of her exceeding beauty.'

Fragment #23 -- Apollodorus, iii. 5.6.2: Hesiod says that (the children of Amphion and Niobe) were ten sons and ten daughters.

Aelian (23), Var. Hist. xii. 36: But Hesiod says they were nine boys and ten girls; -- unless after all the verses are not Hesiod but are falsely ascribed to him as are many others.

Fragment #24 -- Scholiast on Homer, Il. xxiii. 679: And Hesiod says that when Oedipus had died at Thebes, Argea the daughter of Adrastus came with others to the funeral of Oedipus.

Fragment #25 -- Herodian (24) in Etymologicum Magnum, p. 60, 40: Tityos the son of Elara.

Fragment #26 -- (25) Argument: Pindar, Ol. xiv: Cephisus is a river in Orchomenus where also the Graces are worshipped. Eteoclus the son of the river Cephisus first sacrificed to them, as Hesiod says.

Scholiast on Homer, Il. ii. 522: `which from Lilaea spouts forth its sweet flowing water....'

Strabo, ix. 424: `....And which flows on by Panopeus and through fenced Glechon and through Orchomenus, winding like a snake.'

Fragment #27 -- Scholiast on Homer, Il. vii. 9: For the father of Menesthius, Areithous was a Boeotian living at Arnae; and this is in Boeotia, as also Hesiod says.

Fragment #28 -- Stephanus of Byzantium: Onchestus: a grove (26). It is situate in the country of Haliartus and was founded by Onchestus the Boeotian, as Hesiod says.

Fragment #29 -- Stephanus of Byzantium: There is also a plain of Aega bordering on Cirrha, according to Hesiod.

Fragment #30 -- Apollodorus, ii. 1.1.5: But Hesiod says that Pelasgus was autochthonous.

Fragment #31 -- Strabo, v. p. 221: That this tribe (the Pelasgi) were from Arcadia, Ephorus states on the authority of Hesiod; for he says: `Sons were born to god- like Lycaon whom Pelasgus once begot.'

Fragment #32 -- Stephanus of Byzantium: Pallantium. A city of Arcadia, so named after Pallas, one of Lycaon's sons, according to Hesiod.

Fragment #33 -- (Unknown): `Famous Meliboea bare Phellus the good spear-man.'

Fragment #34 -- Herodian, On Peculiar Diction, p. 18: In Hesiod in the second Catalogue: `Who once hid the torch (27) within.'

Fragment #35 -- Herodian, On Peculiar Diction, p. 42: Hesiod in the third Catalogue writes: `And a resounding thud of feet rose up.'

Fragment #36 -- Apollonius Dyscolus (28), On the Pronoun, p. 125: `And a great trouble to themselves.'

Fragment #37 -- Scholiast on Apollonius Rhodius, Arg. i. 45: Neither Homer nor Hesiod speak of Iphiclus as amongst the Argonauts.

Fragment #38 -- `Eratosthenes' (29), Catast. xix. p. 124: The Ram.] -- This it was that transported Phrixus and Helle. It was immortal and was given them by their mother Nephele, and had a golden fleece, as Hesiod and Pherecydes say.

Fragment #39 -- Scholiast on Apollonius Rhodius, Arg. ii. 181: Hesiod in the "Great Eoiae" says that Phineus was blinded because he revealed to Phrixus the road; but in the third "Catalogue", because he preferred long life to sight.

Hesiod says he had two sons, Thynus and Mariandynus.

Ephorus (30) in Strabo, vii. 302: Hesiod, in the so-called Journey round the Earth, says that Phineus was brought by the Harpies `to the land of milk-feeders (31) who have waggons for houses.'

Fragment #40A -- (Cp. Fr. 43 and 44) Oxyrhynchus Papyri 1358 fr. 2 (3rd cent. A.D.): (32) ((LACUNA -- Slight remains of 7 lines))

(ll. 8-35) `(The Sons of Boreas pursued the Harpies) to the lands of the Massagetae and of the proud Half-Dog men, of the Underground-folk and of the feeble Pygmies; and to the tribes of the boundless Black-skins and the Libyans. Huge Earth bare these to Epaphus -- soothsaying people, knowing seercraft by the will of Zeus the lord of oracles, but deceivers, to the end that men whose thought passes their utterance (33) might be subject to the gods and suffer harm -- Aethiopians and Libyans and mare-milking Scythians. For verily Epaphus was the child of the almighty Son of Cronos, and from him sprang the dark Libyans, and high-souled Aethiopians, and the Underground-folk and feeble Pygmies. All these are the offspring of the lord, the Loud-thunderer. Round about all these (the Sons of Boreas) sped in darting flight.... ....of the well-horsed Hyperboreans -- whom Earth the all- nourishing bare far off by the tumbling streams of deep-flowing Eridanus.... ....of amber, feeding her wide-scattered offspring -- and about the steep Fawn mountain and rugged Etna to the isle Ortygia and the people sprung from Laestrygon who was the son of wide-reigning Poseidon. Twice ranged the Sons of Boreas along this coast and wheeled round and about yearning to catch the Harpies, while they strove to escape and avoid them. And they sped to the tribe of the haughty Cephallenians, the people of patient-souled Odysseus whom in aftertime Calypso the queenly nymph detained for Poseidon. Then they came to the land of the lord the son of Ares.... ....they heard. Yet still (the Sons of Boreas) ever pursued them with instant feet. So they (the Harpies) sped over the sea and through the fruitless air...'

Fragment #40 -- Strabo, vii. p. 300: `The Aethiopians and Ligurians and mare-milking Scythians.'

Fragment #41 -- Apollodorus, i. 9.21.6: As they were being pursued, one of the Harpies fell into the river Tigris, in Peloponnesus which is now called Harpys after her. Some call this one Nicothoe, and others Aellopus. The other who was called Ocypete, or as some say Ocythoe (though Hesiod calls her Ocypus), fled down the Propontis and reached as far as to the Echinades islands which are now called because of her, Strophades (Turning Islands).

Fragment #42 -- Scholiast on Apollonius Rhodius, Arg. ii. 297: Hesiod also says that those with Zetes (34) turned and prayed to Zeus: `There they prayed to the lord of Aenos who reigns on high.'

Apollonius indeed says it was Iris who made Zetes and his following turn away, but Hesiod says Hermes.

Scholiast on Apollonius Rhodius, Arg. ii. 296: Others say (the islands) were called Strophades, because they turned there and prayed Zeus to seize the Harpies. But according to Hesiod... they were not killed.

Fragment #43 -- Philodemus (35), On Piety, 10: Nor let anyone mock at Hesiod who mentions.... or even the Troglodytes and the Pygmies.

Fragment #44 -- Strabo, i. p. 43: No one would accuse Hesiod of ignorance though he speaks of the Half-dog people and the Great-Headed people and the Pygmies.

Fragment #45 -- Scholiast on Apollonius Rhodius, Arg. iv. 284: But Hesiod says they (the Argonauts) had sailed in through the Phasis.

Scholiast on Apollonius Rhodius, Arg. iv. 259: But Hesiod (says).... they came through the Ocean to Libya, and so, carrying the Argo, reached our sea.

Fragment #46 -- Scholiast on Apollonius Rhodius, Arg. iii. 311: Apollonius, following Hesiod, says that Circe came to the island over against Tyrrhenia on the chariot of the Sun. And he called it Hesperian, because it lies toward the west.

Fragment #47 -- Scholiast on Apollonius Rhodius, Arg. iv. 892: He (Apollonius) followed Hesiod who thus names the island of the Sirens: `To the island Anthemoessa (Flowery) which the son of Cronos gave them.'

And their names are Thelxiope or Thelxinoe, Molpe and Aglaophonus (36).

Scholiast on Homer, Od. xii. 168: Hence Hesiod said that they charmed even the winds.

Fragment #48 -- Scholiast on Homer, Od. i. 85: Hesiod says that Ogygia is within towards the west, but Ogylia lies over against Crete: `...the Ogylian sea and... ...the island Ogylia.'

Fragment #49 -- Scholiast on Homer, Od. vii. 54: Hesiod regarded Arete as the sister of Alcinous.

Fragment #50 -- Scholiast on Pindar, Ol. x. 46: Her Hippostratus (did wed), a scion of Ares, the splendid son of Phyetes, of the line of Amarynces, leader of the Epeians.

Fragment #51 -- Apollodorus, i. 8.4.1: When Althea was dead, Oeneus married Periboea, the daughter of Hipponous. Hesiod says that she was seduced by Hippostratus the son of Amarynces and that her father Hipponous sent her from Olenus in Achaea to Oeneus because he was far away from Hellas, bidding him kill her.

`She used to dwell on the cliff of Olenus by the banks of wide Peirus.'

Fragment #52 -- Diodorus (37) v. 81: Macareus was a son of Crinacus the son of Zeus as Hesiod says... and dwelt in Olenus in the country then called Ionian, but now Achaean.

Fragment #53 -- Scholiast on Pindar, Nem. ii. 21: Concerning the Myrmidons Hesiod speaks thus: `And she conceived and bare Aeacus, delighting in horses. Now when he came to the full measure of desired youth, he chafed at being alone. And the father of men and gods made all the ants that were in the lovely isle into men and wide-girdled women. These were the first who fitted with thwarts ships with curved sides, and the first who used sails, the wings of a sea-going ship.'

Fragment #54 -- Polybius, v. 2: `The sons of Aeacus who rejoiced in battle as though a feast.'

Fragment #55 -- Porphyrius, Quaest. Hom. ad Iliad. pertin. p. 93: He has indicated the shameful deed briefly by the phrase `to lie with her against her will', and not like Hesiod who recounts at length the story of Peleus and the wife of Acastus.

Fragment #56 -- Scholiast on Pindar, Nem. iv. 95: `And this seemed to him (Acastus) in his mind the best plan; to keep back himself, but to hide beyond guessing the beautiful knife which the very famous Lame One had made for him, that in seeking it alone over steep Pelion, he (Peleus) might be slain forthwith by the mountain-bred Centaurs.'

Fragment #57 -- Voll. Herculan. (Papyri from Herculaneum), 2nd Collection, viii. 105: The author of the "Cypria" (38) says that Thetis avoided wedlock with Zeus to please Hera; but that Zeus was angry and swore that she should mate with a mortal. Hesiod also has the like account.

Fragment #58 -- Strassburg Greek Papyri 55 (2nd century A.D.): (ll. 1-13) `Peleus the son of Aeacus, dear to the deathless gods, came to Phthia the mother of flocks, bringing great possessions from spacious Iolcus. And all the people envied him in their hearts seeing how he had sacked the well-built city, and accomplished his joyous marriage; and they all spake this word: "Thrice, yea, four times blessed son of Aeacus, happy Peleus! For far-seeing Olympian Zeus has given you a wife with many gifts and the blessed gods have brought your marriage fully to pass, and in these halls you go up to the holy bed of a daughter of Nereus. Truly the father, the son of Cronos, made you very pre- eminent among heroes and honoured above other men who eat bread and consume the fruit of the ground."'

Fragment #59 -- (39) Origen, Against Celsus, iv. 79: `For in common then were the banquets, and in common the seats of deathless gods and mortal men.'

Fragment #60 -- Scholiast on Homer, Il. xvi. 175: ...whereas Hesiod and the rest call her (Peleus' daughter) Polydora.

Fragment #61 -- Eustathius, Hom. 112. 44 sq: It should be observed that the ancient narrative hands down the account that Patroclus was even a kinsman of Achilles; for Hesiod says that Menoethius the father of Patroclus, was a brother of Peleus, so that in that case they were first cousins.

Fragment #62 -- Scholiast on Pindar, Ol. x. 83: Some write `Serus the son of Halirrhothius', whom Hesiod mentions: `He (begot) Serus and Alazygus, goodly sons.' And Serus was the son of Halirrhothius Perieres' son, and of Alcyone.

Fragment #63 -- Pausanias (40), ii. 26. 7: This oracle most clearly proves that Asclepius was not the son of Arsinoe, but that Hesiod or one of Hesiod's interpolators composed the verses to please the Messenians.

Scholiast on Pindar, Pyth. iii. 14: Some say (Asclepius) was the son of Arsinoe, others of Coronis. But Asclepiades says that Arsinoe was the daughter of Leucippus, Perieres' son, and that to her and Apollo Asclepius and a daughter, Eriopis, were born: `And she bare in the palace Asclepius, leader of men, and Eriopis with the lovely hair, being subject in love to Phoebus.'

And of Arsinoe likewise: `And Arsinoe was joined with the son of Zeus and Leto and bare a son Asclepius, blameless and strong.' (41)

Fragment #67 -- Scholiast on Euripides, Orestes 249: Steischorus says that while sacrificing to the gods Tyndareus forgot Aphrodite and that the goddess was angry and made his daughters twice and thrice wed and deserters of their husbands.... And Hesiod also says:

(ll. 1-7) `And laughter-loving Aphrodite felt jealous when she looked on them and cast them into evil report. Then Timandra deserted Echemus and went and came to Phyleus, dear to the deathless gods; and even so Clytaemnestra deserted god-like Agamemnon and lay with Aegisthus and chose a worse mate; and even so Helen dishonoured the couch of golden-haired Menelaus.'

Fragment #68 -- (42) Berlin Papyri, No. 9739: (ll. 1-10) `....Philoctetes sought her, a leader of spearmen, .... most famous of all men at shooting from afar and with the sharp spear. And he came to Tyndareus' bright city for the sake of the Argive maid who had the beauty of golden Aphrodite, and the sparkling eyes of the Graces; and the dark-faced daughter of Ocean, very lovely of form, bare her when she had shared the embraces of Zeus and the king Tyndareus in the bright palace.... (And.... sought her to wife offering as gifts)

((LACUNA))

(ll. 11-15) ....and as many women skilled in blameless arts, each holding a golden bowl in her hands. And truly Castor and strong Polydeuces would have made him (43) their brother perforce, but Agamemnon, being son-in-law to Tyndareus, wooed her for his brother Menelaus.

(ll. 16-19) And the two sons of Amphiaraus the lord, Oecleus' son, sought her to wife from Argos very near at hand; yet.... fear of the blessed gods and the indignation of men caused them also to fail.

((LACUNA))

(l. 20) ...but there was no deceitful dealing in the sons of Tyndareus.

(ll. 21-27) And from Ithaca the sacred might of Odysseus, Laertes son, who knew many-fashioned wiles, sought her to wife. He never sent gifts for the sake of the neat-ankled maid, for he knew in his heart that golden-haired Menelaus would win, since he was greatest of the Achaeans in possessions and was ever sending messages (44) to horse-taming Castor and prize-winning Polydeuces.

(ll. 28-30) And....on's son sought her to wife (and brought) ....bridal-gifts.... ....cauldrons....

((LACUNA))

(ll. 31-33) ...to horse-taming Castor and prize-winning Polydeuces, desiring to be the husband of rich-haired Helen, though he had never seen her beauty, but because he heard the report of others.

(ll. 34-41) And from Phylace two men of exceeding worth sought her to wife, Podarces son of Iphiclus, Phylacus' son, and Actor's noble son, overbearing Protesilaus. Both of them kept sending messages to Lacedaemon, to the house of wise Tyndareus, Oebalus' son, and they offered many bridal-gifts, for great was the girl's renown, brazen.... ....golden....

((LACUNA))

(l. 42) ...(desiring) to be the husband of rich-haired Helen.

(ll. 43-49) From Athens the son of Peteous, Menestheus, sought her to wife, and offered many bridal-gifts; for he possessed very many stored treasures, gold and cauldrons and tripods, fine things which lay hid in the house of the lord Peteous, and with them his heart urged him to win his bride by giving more gifts than any other; for he thought that no one of all the heroes would surpass him in possessions and gifts.

(ll. 50-51) There came also by ship from Crete to the house of the son of Oebalus strong Lycomedes for rich-haired Helen's sake.

Berlin Papyri, No. 10560: (ll. 52-54) ...sought her to wife. And after golden-haired Menelaus he offered the greatest gifts of all the suitors, and very much he desired in his heart to be the husband of Argive Helen with the rich hair.

(ll. 55-62) And from Salamis Aias, blameless warrior, sought her to wife, and offered fitting gifts, even wonderful deeds; for he said that he would drive together and give the shambling oxen and strong sheep of all those who lived in Troezen and Epidaurus near the sea, and in the island of Aegina and in Mases, sons of the Achaeans, and shadowy Megara and frowning Corinthus, and Hermione and Asine which lie along the sea; for he was famous with the long spear.

(ll. 63-66) But from Euboea Elephenor, leader of men, the son of Chalcodon, prince of the bold Abantes, sought her to wife. And he offered very many gifts, and greatly he desired in his heart to be the husband of rich-haired Helen.

(ll. 67-74) And from Crete the mighty Idomeneus sought her to wife, Deucalion's son, offspring of renowned Minos. He sent no one to woo her in his place, but came himself in his black ship of many thwarts over the Ogylian sea across the dark wave to the home of wise Tyndareus, to see Argive Helen and that no one else should bring back for him the girl whose renown spread all over the holy earth.

(l. 75) And at the prompting of Zeus the all-wise came.

((LACUNA -- Thirteen lines lost.))

(ll. 89-100) But of all who came for the maid's sake, the lord Tyndareus sent none away, nor yet received the gift of any, but asked of all the suitors sure oaths, and bade them swear and vow with unmixed libations that no one else henceforth should do aught apart from him as touching the marriage of the maid with shapely arms; but if any man should cast off fear and reverence and take her by force, he bade all the others together follow after and make him pay the penalty. And they, each of them hoping to accomplish his marriage, obeyed him without wavering. But warlike Menelaus, the son of Atreus, prevailed against them all together, because he gave the greatest gifts.

(ll. 100-106) But Chiron was tending the son of Peleus, swift- footed Achilles, pre-eminent among men, on woody Pelion; for he was still a boy. For neither warlike Menelaus nor any other of men on earth would have prevailed in suit for Helen, if fleet Achilles had found her unwed. But, as it was, warlike Menelaus won her before.

II. (45)

(ll. 1-2) And she (Helen) bare neat-ankled Hermione in the palace, a child unlooked for.

(ll. 2-13) Now all the gods were divided through strife; for at that very time Zeus who thunders on high was meditating marvellous deeds, even to mingle storm and tempest over the boundless earth, and already he was hastening to make an utter end of the race of mortal men, declaring that he would destroy the lives of the demi-gods, that the children of the gods should not mate with wretched mortals, seeing their fate with their own eyes; but that the blessed gods henceforth even as aforetime should have their living and their habitations apart from men. But on those who were born of immortals and of mankind verily Zeus laid toil and sorrow upon sorrow.

((LACUNA -- Two lines missing.))

(ll. 16-30) ....nor any one of men.... ....should go upon black ships.... ....to be strongest in the might of his hands.... ....of mortal men declaring to all those things that were, and those that are, and those that shall be, he brings to pass and glorifies the counsels of his father Zeus who drives the clouds. For no one, either of the blessed gods or of mortal men, knew surely that he would contrive through the sword to send to Hades full many a one of heroes fallen in strife. But at that time he know not as yet the intent of his father's mind, and how men delight in protecting their children from doom. And he delighted in the desire of his mighty father's heart who rules powerfully over men.

(ll. 31-43) From stately trees the fair leaves fell in abundance fluttering down to the ground, and the fruit fell to the ground because Boreas blew very fiercely at the behest of Zeus; the deep seethed and all things trembled at his blast: the strength of mankind consumed away and the fruit failed in the season consumed away and the fruit failed in the season of spring, at that time when the Hairless One (46) in a secret place in the mountains gets three young every three years. In spring he dwells upon the mountain among tangled thickets and brushwood, keeping afar from and hating the path of men, in the glens and wooded glades. But when winter comes on, he lies in a close cave beneath the earth and covers himself with piles of luxuriant leaves, a dread serpent whose back is speckled with awful spots.

(ll. 44-50) But when he becomes violent and fierce unspeakably, the arrows of Zeus lay him low.... Only his soul is left on the holy earth, and that fits gibbering about a small unformed den. And it comes enfeebled to sacrifices beneath the broad-pathed earth.... and it lies....'

((LACUNA -- Traces of 37 following lines.))

Fragment #69 -- Tzetzes (47), Exeg. Iliad. 68. 19H: Agamemnon and Menelaus likewise according to Hesiod and Aeschylus are regarded as the sons of Pleisthenes, Atreus' son. And according to Hesiod, Pleisthenes was a son of Atreus and Aerope, and Agamemnon, Menelaus and Anaxibia were the children of Pleisthenes and Cleolla the daughter of Dias.

Fragment #70 -- Laurentian Scholiast on Sophocles' Electra, 539: `And she (Helen) bare to Menelaus, famous with the spear, Hermione and her youngest-born, Nicostratus, a scion of Ares.'

Fragment #71 -- Pausanias, i. 43. 1: I know that Hesiod in the "Catalogue of Women" represented that Iphigeneia was not killed but, by the will of Artemis, became Hecate (48).

Fragment #72 -- Eustathius, Hom. 13. 44. sq: Butes, it is said, was a son of Poseidon: so Hesiod in the "Catalogue".

Fragment #73 -- Pausanias, ii. 6. 5: Hesiod represented Sicyon as the son of Erechtheus.

Fragment #74 -- Plato, Minos, p. 320. D: `(Minos) who was most kingly of mortal kings and reigned over very many people dwelling round about, holding the sceptre of Zeus wherewith he ruled many.'

Fragment #75 -- Hesychius (49): The athletic contest in memory of Eurygyes Melesagorus says that Androgeos the son of Minos was called Eurygyes, and that a contest in his honour is held near his tomb at Athens in the Ceramicus. And Hesiod writes: `And Eurygyes (50), while yet a lad in holy Athens...'

Fragment #76 -- Plutarch, Theseus 20: There are many tales.... about Ariadne...., how that she was deserted by Theseua for love of another woman: `For strong love for Aegle the daughter of Panopeus overpowered him.' For Hereas of Megara says that Peisistratus removed this verse from the works of Hesiod.

Athenaeus (51), xiii. 557 A: But Hesiod says that Theseus wedded both Hippe and Aegle lawfully.

Fragment #77 -- Strabo, ix. p. 393: The snake of Cychreus: Hesiod says that it was brought up by Cychreus, and was driven out by Eurylochus as defiling the island, but that Demeter received it into Eleusis, and that it became her attendant.

Fragment #78 -- Argument I. to the Shield of Heracles: But Apollonius of Rhodes says that it (the "Shield of Heracles") is Hesiod's both from the general character of the work and from the fact that in the "Catalogue" we again find Iolaus as charioteer of Heracles.

Fragment #79 -- Scholiast on Soph. Trach., 266: (ll. 1-6) `And fair-girdled Stratonica conceived and bare in the palace Eurytus her well-loved son. Of him sprang sons, Didaeon and Clytius and god-like Toxeus and Iphitus, a scion of Ares. And after these Antiope the queen, daughter of the aged son of Nauboius, bare her youngest child, golden-haired Iolea.'

Fragment #80 -- Herodian in Etymologicum Magnum: `Who bare Autolyeus and Philammon, famous in speech.... All things that he (Autolyeus) took in his hands, he made to disappear.'

Fragment #81 -- Apollonius, Hom. Lexicon: `Aepytus again, begot Tlesenor and Peirithous.'

Fragment #82 -- Strabo, vii. p. 322: `For Locrus truly was leader of the Lelegian people, whom Zeus the Son of Cronos, whose wisdom is unfailing, gave to Deucalion, stones gathered out of the earth. So out of stones mortal men were made, and they were called people.' (52)

Fragment #83 -- Tzetzes, Schol. in Exeg. Iliad. 126: `...Ileus whom the lord Apollo, son of Zeus, loved. And he named him by his name, because he found a nymph complaisant (53) and was joined with her in sweet love, on that day when Poseidon and Apollo raised high the wall of the well-built city.'

Fragment #84 -- Scholiast on Homer, Od. xi. 326: Clymene the daughter of Minyas the son of Poseidon and of Euryanassa, Hyperphas' daughter, was wedded to Phylacus the son of Deion, and bare Iphiclus, a boy fleet of foot. It is said of him that through his power of running he could race the winds and could move along upon the ears of corn (54).... The tale is in Hesiod: `He would run over the fruit of the asphodel and not break it; nay, he would run with his feet upon wheaten ears and not hurt the fruit.'

Fragment #85 -- Choeroboscus (55), i. 123, 22H: `And she bare a son Thoas.'

Fragment #86 -- Eustathius, Hom. 1623. 44: Maro (56), whose father, it is said, Hesiod relates to have been Euanthes the son of Oenopion, the son of Dionysus.

Fragment #87 -- Athenaeus, x. 428 B, C: `Such gifts as Dionysus gave to men, a joy and a sorrow both. Who ever drinks to fullness, in him wine becomes violent and binds together his hands and feet, his tongue also and his wits with fetters unspeakable: and soft sleep embraces him.'

Fragment #88 -- Strabo, ix. p. 442: `Or like her (Coronis) who lived by the holy Twin Hills in the plain of Dotium over against Amyrus rich in grapes, and washed her feet in the Boebian lake, a maid unwed.'

Fragment #89 -- Scholiast on Pindar, Pyth. iii. 48: `To him, then, there came a messenger from the sacred feast to goodly Pytho, a crow (57), and he told unshorn Phoebus of secret deeds, that Ischys son of Elatus had wedded Coronis the daughter of Phlegyas of birth divine.

Fragment #90 -- Athenagoras (58), Petition for the Christians, 29: Concerning Asclepius Hesiod says: `And the father of men and gods was wrath, and from Olympus he smote the son of Leto with a lurid thunderbolt and killed him, arousing the anger of Phoebus.'

Fragment #91 -- Philodemus, On Piety, 34: But Hesiod (says that Apollo) would have been cast by Zeus into Tartarus (59); but Leto interceded for him, and he became bondman to a mortal.

Fragment #92 -- Scholiast on Pindar, Pyth. ix. 6: `Or like her, beautiful Cyrene, who dwelt in Phthia by the water of Peneus and had the beauty of the Graces.'

Fragment #93 -- Servius on Vergil, Georg. i. 14: He invoked Aristaeus, that is, the son of Apollo and Cyrene, whom Hesiod calls `the shepherd Apollo.' (60)

Fragment #94 -- Scholiast on Vergil, Georg. iv. 361: `But the water stood all round him, bowed into the semblance of a mountain.' This verse he has taken over from Hesiod's "Catalogue of Women".

Fragment #95 -- Scholiast on Homer, Iliad ii. 469: `Or like her (Antiope) whom Boeotian Hyria nurtured as a maid.'

Fragment #96 -- Palaephatus (61), c. 42: Of Zethus and Amphion. Hesiod and some others relate that they built the walls of Thebes by playing on the lyre.

Fragment #97 -- Scholiast on Soph. Trach., 1167: (ll. 1-11) `There is a land Ellopia with much glebe and rich meadows, and rich in flocks and shambling kine. There dwell men who have many sheep and many oxen, and they are in number past telling, tribes of mortal men. And there upon its border is built a city, Dodona (62); and Zeus loved it and (appointed) it to be his oracle, reverenced by men.... ....And they (the doves) lived in the hollow of an oak. From them men of earth carry away all kinds of prophecy, -- whosoever fares to that spot and questions the deathless god, and comes bringing gifts with good omens.'

Fragment #98 -- Berlin Papyri, No. 9777: (63) (ll. 1-22) `....strife.... Of mortals who would have dared to fight him with the spear and charge against him, save only Heracles, the great-hearted offspring of Alcaeus? Such an one was (?) strong Meleager loved of Ares, the golden-haired, dear son of Oeneus and Althaea. From his fierce eyes there shone forth portentous fire: and once in high Calydon he slew the destroying beast, the fierce wild boar with gleaming tusks. In war and in dread strife no man of the heroes dared to face him and to approach and fight with him when he appeared in the forefront. But he was slain by the hands and arrows of Apollo (64), while he was fighting with the Curetes for pleasant Calydon. And these others (Althaea) bare to Oeneus, Porthaon's son; horse-taming Pheres, and Agelaus surpassing all others, Toxeus and Clymenus and godlike Periphas, and rich-haired Gorga and wise Deianeira, who was subject in love to mighty Heracles and bare him Hyllus and Glenus and Ctesippus and Odites. These she bare and in ignorance she did a fearful thing: when (she had received).... the poisoned robe that held black doom....'

Fragment #99A -- Scholiast on Homer, Iliad. xxiii. 679: And yet Hesiod says that after he had died in Thebes, Argeia the daughter of Adrastus together with others (cp. frag. 99) came to the lamentation over Oedipus.

Fragment #99 -- (65) Papyri greci e latine, No. 131 (2nd-3rd century): (66) (ll. 1-10) `And (Eriphyle) bare in the palace Alcmaon (67), shepherd of the people, to Amphiaraus. Him (Amphiaraus) did the Cadmean (Theban) women with trailing robes admire when they saw face to face his eyes and well-grown frame, as he was busied about the burying of Oedipus, the man of many woes. ....Once the Danai, servants of Ares, followed him to Thebes, to win renown.... ....for Polynices. But, though well he knew from Zeus all things ordained, the earth yawned and swallowed him up with his horses and jointed chariot, far from deep-eddying Alpheus.

(ll. 11-20) But Electyron married the all-beauteous daughter of Pelops and, going up into one bed with her, the son of Perses begat.... ....and Phylonomus and Celaeneus and Amphimachus and.... ....and Eurybius and famous.... All these the Taphians, famous shipmen, slew in fight for oxen with shambling hoofs,.... ....in ships across the sea's wide back. So Alcmena alone was left to delight her parents.... ....and the daughter of Electryon....

((LACUNA))

(l. 21) ....who was subject in love to the dark-clouded son of Cronos and bare (famous Heracles).'

Fragment #100 -- Argument to the Shield of Heracles, i: The beginning of the "Shield" as far as the 56th verse is current in the fourth "Catalogue".

Fragment #101 (UNCERTAIN POSITION) -- Oxyrhynchus Papyri 1359 fr. 1 (early 3rd cent. A.D.): ((LACUNA -- Slight remains of 3 lines))

(ll. 4-17) `...if indeed he (Teuthras) delayed, and if he feared to obey the word of the immortals who then appeared plainly to them. But her (Auge) he received and brought up well, and cherished in the palace, honouring her even as his own daughters.

And Auge bare Telephus of the stock of Areas, king of the Mysians, being joined in love with the mighty Heracles when he was journeying in quest of the horses of proud Laomedon -- horses the fleetest of foot that the Asian land nourished, -- and destroyed in battle the tribe of the dauntless Amazons and drove them forth from all that land. But Telephus routed the spearmen of the bronze-clad Achaeans and made them embark upon their black ships. Yet when he had brought down many to the ground which nourishes men, his own might and deadliness were brought low....'

Fragment #102 (UNCERTAIN POSITION) -- Oxyrhynchus Papyri 1359 fr. 2 (early 3rd cent. A.D.): ((LACUNA -- Remains of 4 lines))

(ll. 5-16) `....Electra.... was subject to the dark-clouded Son of Cronos and bare Dardanus.... and Eetion.... who once greatly loved rich-haired Demeter. And cloud-gathering Zeus was wroth and smote him, Eetion, and laid him low with a flaming thunderbolt, because he sought to lay hands upon rich- haired Demeter. But Dardanus came to the coast of the mainland -- from him Erichthonius and thereafter Tros were sprung, and Ilus, and Assaracus, and godlike Ganymede, -- when he had left holy Samothrace in his many-benched ship.

((LACUNA))

Oxyrhynchus Papyri 1359 fr. 3 (early 3rd cent. A.D.): (ll. 17-24) (68) ....Cleopatra ....the daughter of.... ....But an eagle caught up Ganymede for Zeus because he vied with the immortals in beauty.... ....rich-tressed Diomede; and she bare Hyacinthus, the blameless one and strong.... ....whom, on a time Phoebus himself slew unwittingly with a ruthless disk....

ENDNOTES:

(1) A catalogue of heroines each of whom was introduced with the words E OIE, `Or like her'.
(2) An antiquarian writer of Byzantium, c. 490-570 A.D.

(3) Constantine VII. `Born in the Porphyry Chamber', 905-959 A.D.

(4) "Berlin Papyri", 7497 (left-hand fragment) and "Oxyrhynchus Papyri", 421 (right-hand fragment). For the restoration see "Class. Quart." vii. 217-8.

(5) As the price to be given to her father for her: so in "Iliad" xviii. 593 maidens are called `earners of oxen'. Possibly Glaucus, like Aias (fr. 68, ll. 55 ff.), raided the cattle of others.

(6) i.e. Glaucus should father the children of others. The curse of Aphrodite on the daughters of Tyndareus (fr. 67) may be compared.

(7) Porphyry, scholar, mathematician, philosopher and historian, lived 233-305 (?) A.D. He was a pupil of the neo-Platonist Plotinus.
(8) Author of a geographical lexicon, produced after 400 A.D., and abridged under Justinian.
(9) Archbishop of Thessalonica 1175-1192 (?) A.D., author of commentaries on Pindar and on the "Iliad" and "Odyssey".
(10) In the earliest times a loin-cloth was worn by athletes, but was discarded after the 14th Olympiad.
(11) Slight remains of five lines precede line 1 in the original: after line 20 an unknown number of lines have been lost, and traces of a verse preceding line 21 are here omitted. Between lines 29 and 30 are fragments of six verses which do not suggest any definite restoration. (NOTE: Line enumeration is that according to Evelyn-White; a slightly different line numbering system is adopted in the original publication of this fragment. -- DBK)
(12) The end of Schoeneus' speech, the preparations and the beginning of the race are lost.
(13) Of the three which Aphrodite gave him to enable him to overcome Atalanta.
(14) The geographer; fl. c.24 B.C.
(15) Of Miletus, flourished about 520 B.C. His work, a mixture of history and geography, was used by Herodotus.
(16) The Hesiodic story of the daughters of Proetus can be reconstructed from these sources. They were sought in marriage by all the Greeks (Pauhellenes), but having offended Dionysus (or, according to Servius, Juno), were afflicted with a disease which destroyed their beauty (or were turned into cows). They were finally healed by Melampus.
(17) Fl. 56-88 A.D.: he is best known for his work on Vergil.
(18) This and the following fragment segment are meant to be read together. -- DBK.
(19) This fragment as well as fragments #40A, #101, and #102 were added by Mr. Evelyn-White in an appendix to the second edition (1919). They are here moved to the "Catalogues" proper for easier use by the reader. -- DBK.
(20) For the restoration of ll. 1-16 see "Ox. Pap." pt. xi. pp. 46-7: the supplements of ll. 17-31 are by the Translator (cp. "Class. Quart." x. (1916), pp. 65-67).
(21) The crocus was to attract Europa, as in the very similar story of Persephone: cp. "Homeric Hymns" ii. lines 8 ff.
(22) Apollodorus of Athens (fl. 144 B.C.) was a pupil of Aristarchus. He wrote a Handbook of Mythology, from which the extant work bearing his name is derived.
(23) Priest at Praeneste. He lived c. 170-230 A.D.
(24) Son of Apollonius Dyscolus, lived in Rome under Marcus Aurelius. His chief work was on accentuation.
(25) This and the next two fragment segments are meant to be read together. -- DBK.
(26) Sacred to Poseidon. For the custom observed there, cp. "Homeric Hymns" iii. 231 ff.
(27) The allusion is obscure.
(28) Apollonius `the Crabbed' was a grammarian of Alexandria under Hadrian. He wrote largely on Grammar and Syntax.
(29) 275-195 (?) B.C., mathematician, astronomer, scholar, and head of the Library of Alexandria.
(30) Of Cyme. He wrote a universal history covering the period between the Dorian Migration and 340 B.C.
(31) i.e. the nomad Scythians, who are described by Herodotus as feeding on mares' milk and living in caravans.
(32) The restorations are mainly those adopted or suggested in "Ox. Pap." pt. xi. pp. 48 ff.: for those of ll. 8-14 see "Class. Quart." x. (1916) pp. 67-69.
(33) i.e. those who seek to outwit the oracle, or to ask of it more than they ought, will be deceived by it and be led to ruin: cp. "Hymn to Hermes", 541 ff.
(34) Zetes and Calais, sons of Boreas, who were amongst the Argonauts, delivered Phineus from the Harpies. The Strophades (`Islands of Turning') are here supposed to have been so called because the sons of Boreas were there turned back by Iris from pursuing the Harpies.
(35) An Epicurean philosopher, fl. 50 B.C.
(36) `Charming-with-her-voice' (or `Charming-the-mind'), `Song', and `Lovely-sounding'.
(37) Diodorus Siculus, fl. 8 B.C., author of an universal history ending with Caesar's Gallic Wars.
(38) The first epic in the "Trojan Cycle"; like all ancient epics it was ascribed to Homer, but also, with more probability, to Stasinus of Cyprus.
(39) This fragment is placed by Spohn after "Works and Days" l. 120.
(40) A Greek of Asia Minor, author of the "Description of Greece" (on which he was still engaged in 173 A.D.).
(41) Wilamowitz thinks one or other of these citations belongs to the Catalogue.
(42) Lines 1-51 are from Berlin Papyri, 9739; lines 52-106 with B. 1-50 (and following fragments) are from Berlin Papyri, 10560. A reference by Pausanias (iii. 24. 10) to ll. 100 ff. proves that the two fragments together come from the "Catalogue of Women". The second book (the beginning of which is indicated after l. 106) can hardly be the second book of the "Catalogues" proper: possibly it should be assigned to the EOIAI, which were sometimes treated as part of the "Catalogues", and sometimes separated from it. The remains of thirty-seven lines following B. 50 in the Papyrus are too slight to admit of restoration.
(43) sc. the Suitor whose name is lost.
(44) Wooing was by proxy; so Agamemnon wooed Helen for his brother Menelaus (ll. 14-15), and Idomeneus, who came in person and sent no deputy, is specially mentioned as an exception, and the reasons for this -- if the restoration printed in the text be right -- is stated (ll. 69 ff.).
(45) The Papyrus here marks the beginning of a second book ("B"), possibly of the EOIAE. The passage (ll. 2-50) probably led up to an account of the Trojan (and Theban?) war, in which, according to "Works and Days" ll. 161-166, the Race of Heroes perished. The opening of the "Cypria" is somewhat similar. Somewhere in the fragmentary lines 13-19 a son of Zeus -- almost certainly Apollo -- was introduced, though for what purpose is not clear. With l. 31 the destruction of man (cp. ll. 4-5) by storms which spoil his crops begins: the remaining verses are parenthetical, describing the snake `which bears its young in the spring season'.
(46) i.e. the snake; as in "Works and Days" l. 524, the "Boneless One" is the cuttle-fish.
(47) c. 1110-1180 A.D. His chief work was a poem, "Chiliades", in accentual verse of nearly 13,000 lines.
(48) According to this account Iphigeneia was carried by Artemis to the Taurie Chersonnese (the Crimea). The Tauri (Herodotus iv. 103) identified their maiden-goddess with Iphigeneia; but Euripides ("Iphigeneia in Tauris") makes her merely priestess of the goddess.
(49) Of Alexandria. He lived in the 5th century, and compiled a Greek Lexicon.
(50) For his murder Minos exacted a yearly tribute of boys and girls, to be devoured by the Minotaur, from the Athenians.
(51) Of Naucratis. His "Deipnosophistae" ("Dons at Dinner") is an encyclopaedia of miscellaneous topics in the form of a dialogue. His date is c. 230 A.D.
(52) There is a fancied connection between LAAS (`stone') and LAOS (`people'). The reference is to the stones which Deucalion and Pyrrha transformed into men and women after the Flood.
(53) Eustathius identifies Ileus with Oileus, father of Aias. Here again is fanciful etymology, ILEUS being similar to ILEOS (complaisant, gracious).
(54) Imitated by Vergil, "Aeneid" vii. 808, describing Camilla.
(55) c. 600 A.D., a lecturer and grammarian of Constantinople.
(56) Priest of Apollo, and, according to Homer, discoverer of wine. Maronea in Thrace is said to have been called after him.
(57) The crow was originally white, but was turned black by Apollo in his anger at the news brought by the bird.
(58) A philosopher of Athens under Hadrian and Antonius. He became a Christian and wrote a defence of the Christians addressed to Antoninus Pius.
(59) Zeus slew Asclepus (fr. 90) because of his success as a healer, and Apollo in revenge killed the Cyclopes (fr. 64). In punishment Apollo was forced to serve Admetus as herdsman. (Cp. Euripides, "Alcestis", 1-8)
(60) For Cyrene and Aristaeus, cp. Vergil, "Georgics", iv. 315 ff.
(61) A writer on mythology of uncertain date.
(62) In Epirus. The oracle was first consulted by Deucalion and Pyrrha after the Flood. Later writers say that the god responded in the rustling of leaves in the oaks for which the place was famous.
(63) The fragment is part of a leaf from a papyrus book of the 4th century A.D.
(64) According to Homer and later writers Meleager wasted away when his mother Althea burned the brand on which his life depended, because he had slain her brothers in the dispute for the hide of the Calydonian boar. (Cp. Bacchylides, "Ode" v. 136 ff.)
(65) The fragment probably belongs to the "Catalogues" proper rather than to the Eoiae; but, as its position is uncertain, it may conveniently be associated with Frags. 99A and the "Shield of Heracles".
(66) Most of the smaller restorations appear in the original publication, but the larger are new: these last are highly conjectual, there being no definite clue to the general sense.
(67) Alcmaon (who took part in the second of the two heroic Theban expeditions) is perhaps mentioned only incidentally as the son of Amphiaraus, who seems to be clearly indicated in ll. 7-8, and whose story occupies ll. 5-10. At l. 11 the subject changes and Electryon is introduced as father of Alcmena. (68) The association of ll. 1-16 with ll. 17-24 is presumed from the apparent mention of Erichthonius in l. 19. A new section must then begin at l. 21. See "Ox. Pap." pt. xi. p. 55 (and for restoration of ll. 5-16, ib. p. 53). ll. 19-20 are restored by the Translator.

THE SHIELD OF HERACLES (480 lines)

THE MARRIAGE OF CEYX (fragments)

Fragment #1 -- Scholiast on Apollonius Rhodius, Arg. i. 128: Hesiod in the "Marriage of Ceyx" says that he (Heracles) landed (from the Argo) to look for water and was left behind in Magnesia near the place called Aphetae because of his desertion there.

Fragment #2 -- Zenobius (1), ii. 19: Hesiod used the proverb in the following way: Heracles is represented as having constantly visited the house of Ceyx of Trachis and spoken thus: `Of their own selves the good make for the feasts of good.'

Fragment #3 -- Scholiast on Homer, Il. xiv. 119: `And horse-driving Ceyx beholding...'

Fragment #4 -- Athenaeus, ii. p. 49b: Hesiod in the "Marriage of Ceyx" -- for though grammar-school boys alienate it from the poet, yet I consider the poem ancient -- calls the tables tripods.

Fragment #5 -- Gregory of Corinth, On Forms of Speech (Rhett. Gr. vii. 776): `But when they had done with desire for the equal-shared feast, even then they brought from the forest the mother of a mother (sc. wood), dry and parched, to be slain by her own children' (sc. to be burnt in the flames).

ENDNOTES:

(1) A Greek sophist who taught rhetoric at Rome in the time of Hadrian. He is the author of a collection of proverbs in three books.

THE GREAT EOIAE (fragments)

Fragment #1 -- Pausanius, ii. 26. 3: Epidaurus. According to the opinion of the Argives and the epic poem, the "Great Eoiae", Argos the son of Zeus was father of Epidaurus.

Fragment #2 -- Anonymous Comment. on Aristotle, Nicomachean Ethics, iii. 7: And, they say, Hesiod is sufficient to prove that the word PONEROS (bad) has the same sense as `laborious' or `ill-fated'; for in the "Great Eoiae" he represents Alcmene as saying to Heracles: `My son, truly Zeus your father begot you to be the most toilful as the most excellent...'; and again: `The Fates (made) you the most toilful and the most excellent...'

Fragment #3 -- Scholiast on Pindar, Isthm. v. 53: The story has been taken from the "Great Eoiae"; for there we find Heracles entertained by Telamon, standing dressed in his lion-skin and praying, and there also we find the eagle sent by Zeus, from which Aias took his name (1).

Fragment #4 -- Pausanias, iv. 2. 1: But I know that the so-called "Great Eoiae" say that Polycaon the son of Butes married Euaechme, daughter of Hyllus, Heracles' son.

Fragment #5 -- Pausanias, ix. 40. 6: `And Phylas wedded Leipephile the daughter of famous Iolaus: and she was like the Olympians in beauty. She bare him a son Hippotades in the palace, and comely Thero who was like the beams of the moon. And Thero lay in the embrace of Apollo and bare horse-taming Chaeron of hardy strength.'

Fragment #6 -- Scholiast on Pindar, Pyth. iv. 35: `Or like her in Hyria, careful-minded Mecionice, who was joined in the love of golden Aphrodite with the Earth-holder and Earth- Shaker, and bare Euphemus.'

Fragment #7 -- Pausanias, ix. 36. 7: `And Hyettus killed Molurus the dear son of Aristas in his house because he lay with his wife. Then he left his home and fled from horse-rearing Argos and came to Minyan Orchomenus. And the hero received him and gave him a portion of his goods, as was fitting.'

Fragment #8 -- Pausanias, ii. 2. 3: But in the "Great Eoiae" Peirene is represented to be the daughter of Oebalius.

Fragment #9 -- Pausanias, ii. 16. 4: The epic poem, which the Greek call the "Great Eoiae", says that she (Mycene) was the daughter of Inachus and wife of Arestor: from her, then, it is said, the city received its name.

Fragment #10 -- Pausanias, vi. 21. 10: According to the poem the "Great Eoiae", these were killed by Oenomaus (2): Alcathous the son of Porthaon next after Marmax, and after Alcathous, Euryalus, Eurymachus and Crotalus. The man killed next after them, Aerias, we should judge to have been a Lacedemonian and founder of Aeria. And after Acrias, they say, Capetus was done to death by Oenomaus, and Lycurgus, Lasius, Chalcodon and Tricolonus.... And after Tricolonus fate overtook Aristomachus and Prias on the course, as also Pelagon and Aeolius and Cronius.

Fragment #11 -- Scholiast on Apollonius Rhodius, Arg. iv. 57: In the "Great Eoiae" it is said that Endymion was transported by Zeus into heaven, but when he fell in love with Hera, was befooled with a shape of cloud, and was cast out and went down into Hades.

Fragment #12 -- Scholiast on Apollonius Rhodius, Arg. i. 118: In the "Great Eoiae" it is related that Melampus, who was very dear to Apollo, went abroad and stayed with Polyphantes. But when the king had sacrificed an ox, a serpent crept up to the sacrifice and destroyed his servants. At this the king was angry and killed the serpent, but Melampus took and buried it. And its offspring, brought up by him, used to lick his ears and inspire him with prophecy. And so, when he was caught while trying to steal the cows of Iphiclus and taken bound to the city of Aegina, and when the house, in which Iphiclus was, was about to fall, he told an old woman, one of the servants of Iphiclus, and in return was released.

Fragment #13 -- Scholiast on Apollonius Rhodius, Arg. iv. 828: In the "Great Eoiae" Scylla is the daughter of Phoebus and Hecate.

Fragment #14 -- Scholiast on Apollonius Rhodius, Arg. ii. 181: Hesiod in the "Great Eoiae" says that Phineus was blinded because he told Phrixus the way
(3).

Fragment #15 -- Scholiast on Apollonius Rhodius, Arg. ii. 1122: Argus. This is one of the children of Phrixus. These.... ....Hesiod in the "Great Eoiae" says were born of Iophossa the daughter of Aeetes. And he says there were four of them, Argus, Phrontis, Melas, and Cytisorus.

Fragment #16 -- Antoninus Liberalis, xxiii: Battus. Hesiod tells the story in the "Great Eoiae".... ....Magnes was the son of Argus, the son of Phrixus and Perimele, Admetus' daughter, and lived in the region of Thessaly, in the land which men called after him Magnesia. He had a son of remarkable beauty, Hymenaeus. And when Apollo saw the boy, he was seized with love for him, and would not leave the house of Magnes. Then Hermes made designs on Apollo's herd of cattle which were grazing in the same place as the cattle of Admetus. First he cast upon the dogs which were guarding them a stupor and strangles, so that the dogs forgot the cows and lost the power of barking. Then he drove away twelve heifers and a hundred cows never yoked, and the bull who mounted the cows, fastening to the tail of each one brushwood to wipe out the footmarks of the cows.

He drove them through the country of the Pelasgi, and Achaea in the land of Phthia, and through Locris, and Boeotia and Megaris, and thence into Peloponnesus by way of Corinth and Larissa, until he brought them to Tegea. From there he went on by the Lycaean mountains, and past Maenalus and what are called the watch-posts of Battus. Now this Battus used to live on the top of the rock and when he heard the voice of the heifers as they were being driven past, he came out from his own place, and knew that the cattle were stolen. So he asked for a reward to tell no one about them. Hermes promised to give it him on these terms, and Battus swore to say nothing to anyone about the cattle. But when Hermes had hidden them in the cliff by Coryphasium, and had driven them into a cave facing towards Italy and Sicily, he changed himself and came again to Battus and tried whether he would be true to him as he had vowed. So, offering him a robe as a reward, he asked of him whether he had noticed stolen cattle being driven past. And Battus took the robe and told him about the cattle. But Hermes was angry because he was double-tongued, and struck him with his staff and changed him into a rock. And either frost or heat never leaves him
(4).

ENDNOTES:

(1) When Heracles prayed that a son might be born to Telamon and Eriboea, Zeus sent forth an eagle in token that the prayer would be granted. Heracles then bade the parents call their son Aias after the eagle (`aietos').
(2) Oenomaus, king of Pisa in Elis, warned by an oracle that he should be killed by his son-in-law, offered his daughter Hippodamia to the man who could defeat him in a chariot race, on condition that the defeated suitors should be slain by him. Ultimately Pelops, through the treachery of the charioteer of Oenomaus, became victorious.
(3) sc. to Scythia.
(4) In the Homeric "Hymn to Hermes" Battus almost disappears from the story, and a somewhat different account of the stealing of the cattle is given.

THE MELAMPODIA (fragments)

Fragment #1 -- Strabo, xiv. p. 642: It is said that Calchis the seer returned from Troy with Amphilochus the son of Amphiaraus and came on foot to this place

(1). But happening to find near Clarus a seer greater than himself, Mopsus, the son of Manto, Teiresias' daughter, he died of vexation. Hesiod, indeed, works up the story in some form as this: Calchas set Mopsus the following problem:

`I am filled with wonder at the quantity of figs this wild fig- tree bears though it is so small. Can you tell their number?'

And Mopsus answered: `Ten thousand is their number, and their measure is a bushel: one fig is left over, which you would not be able to put into the measure.'

So said he; and they found the reckoning of the measure true. Then did the end of death shroud Calchas.

Fragment #2 -- Tzetzes on Lycophron, 682: But now he is speaking of Teiresias, since it is said that he lived seven generations -- though others say nine. He lived from the times of Cadmus down to those of Eteocles and Polyneices, as the author of "Melampodia" also says: for he introduces Teiresias speaking thus:

`Father Zeus, would that you had given me a shorter span of life to be mine and wisdom of heart like that of mortal men! But now you have honoured me not even a little, though you ordained me to have a long span of life, and to live through seven generations of mortal kind.'

Fragment #3 -- Scholiast on Homer, Odyssey, x. 494: They say that Teiresias saw two snakes mating on Cithaeron and that, when he killed the female, he was changed into a woman, and again, when he killed the male, took again his own nature. This same Teiresias was chosen by Zeus and Hera to decide the question whether the male or the female has most pleasure in intercourse. And he said:

`Of ten parts a man enjoys only one; but a woman's sense enjoys all ten in full.'

For this Hera was angry and blinded him, but Zeus gave him the seer's power.

Fragment #4 -- (2) Athenaeus, ii. p. 40: `For pleasant it is at a feast and rich banquet to tell delightful tales, when men have had enough of feasting;...'

Clement of Alexandria, Stromateis vi. 2 26: `...and pleasant also it is to know a clear token of ill or good amid all the signs that the deathless ones have given to mortal men.'

Fragment #5 -- Athenaeus, xi. 498. A: `And Mares, swift messenger, came to him through the house and brought a silver goblet which he had filled, and gave it to the lord.'

Fragment #6 -- Athenaeus, xi. 498. B: `And then Mantes took in his hands the ox's halter and Iphiclus lashed him upon the back. And behind him, with a cup in one hand and a raised sceptre in the other, walked Phylacus and spake amongst the bondmen.'

Fragment #7 -- Athenaeus, xiii. p. 609 e: Hesiod in the third book of the "Melampodia" called Chalcis in Euboea `the land of fair women'.

Fragment #8 -- Strabo, xiv. p. 676: But Hesiod says that Amphilochus was killed by Apollo at Soli.

Fragment #9 -- Clement of Alexandria, Stromateis, v. p. 259: `And now there is no seer among mortal men such as would know the mind of Zeus who holds the aegis.'

ENDNOTES:

(1) sc. Colophon. Proclus in his abstract of the "Returns" (sc. of the heroes from Troy) says Calchas and his party were present at the death of Teiresias at Colophon, perhaps indicating another version of this story.
(2) ll. 1-2 are quoted by Athenaeus, ii. p. 40; ll. 3-4 by Clement of Alexandria, Stromateis vi. 2. 26. Buttman saw that the two fragments should be joined. (NOTE: These two fragments should be read together. -- DBK)

AEGIMIUS (fragments)

Fragment #1 -- Scholiast on Apollonius Rhodius, Arg. iii. 587: But the author of the "Aegimius" says that he (Phrixus) was received without intermediary because of the fleece (1). He says that after the sacrifice he purified the fleece and so: `Holding the fleece he walked into the halls of Aeetes.'

Fragment #2 -- Scholiast on Apollonius Rhodius, Arg. iv. 816: The author of the "Aegimius" says in the second book that Thetis used to throw the children she had by Peleus into a cauldron of water, because she wished to learn where they were mortal.... ....And that after many had perished Peleus was annoyed, and prevented her from throwing Achilles into the cauldron.

Fragment #3 -- Apollodorus, ii. 1.3.1: Hesiod and Acusilaus say that she (Io) was the daughter of Peiren. While she was holding the office of priestess of Hera, Zeus seduced her, and being discovered by Hera, touched the girl and changed her into a white cow, while he swore that he had no intercourse with her. And so Hesiod says that oaths touching the matter of love do not draw down anger from the gods: `And thereafter he ordained that an oath concerning the secret deeds of the Cyprian should be without penalty for men.'

Fragment #4 -- Herodian in Stephanus of Byzantium: `(Zeus changed Io) in the fair island Abantis, which the gods, who are eternally, used to call Abantis aforetime, but Zeus then called it Euboea after the cow.' (2)

Fragment #5 -- Scholiast on Euripides, Phoen. 1116: `And (Hera) set a watcher upon her (Io), great and strong Argus, who with four eyes looks every way. And the goddess stirred in him unwearying strength: sleep never fell upon his eyes; but he kept sure watch always.'

Fragment #6 -- Scholiast on Homer, Il. xxiv. 24: `Slayer of Argus'. According to Hesiod's tale he (Hermes) slew (Argus) the herdsman of Io.

Fragment #7 -- Athenaeus, xi. p. 503: And the author of the "Aegimius", whether he is Hesiod or Cercops of Miletus (says): `There, some day, shall be my place of refreshment, O leader of the people.'

Fragment #8 -- Etym. Gen.: Hesiod (says there were so called) because they settled in three groups: `And they all were called the Three-fold people, because they divided in three the land far from their country.' For (he says) that three Hellenic tribes settled in Crete, the Pelasgi, Achaeans and Dorians. And these have been called Three-fold People.

ENDNOTES:

(1) sc. the golden fleece of the ram which carried Phrixus and Helle away from Athamas and Ino. When he reached Colchis Phrixus sacrificed the ram to Zeus.
(2) Euboea properly means the `Island of fine Cattle (or Cows)'.

FRAGMENTS OF UNKNOWN POSITION

Fragment #1 -- Diogenes Laertius, viii. 1. 26: (1) `So Urania bare Linus, a very lovely son: and him all men who are singers and harpers do bewail at feasts and dances, and as they begin and as they end they call on Linus....'

Clement of Alexandria, Strom. i. p. 121: `....who was skilled in all manner of wisdom.'

Fragment #2 -- Scholiast on Homer, Odyssey, iv. 232: `Unless Phoebus Apollo should save him from death, or Paean himself who knows the remedies for all things.'

Fragment #3 -- Clement of Alexandria, Protrept, c. vii. p. 21: `For he alone is king and lord of all the undying gods, and no other vies with him in power.'

Fragment #4 -- Anecd. Oxon (Cramer), i. p. 148: `(To cause?) the gifts of the blessed gods to come near to earth.'

Fragment #5 -- Clement of Alexandria, Strom. i. p. 123: `Of the Muses who make a man very wise, marvellous in utterance.'

Fragment #6 -- Strabo, x. p. 471: `But of them (sc. the daughters of Hecaterus) were born the divine mountain Nymphs and the tribe of worthless, helpless Satyrs, and the divine Curetes, sportive dancers.'

Fragment #7 -- Scholiast on Apollonius Rhodius, Arg. i. 824: `Beseeching the offspring of glorious Cleodaeus.'

Fragment #8 -- Suidas, s.v.: `For the Olympian gave might to the sons of Aeacus, and wisdom to the sons of Amythaon, and wealth to the sons of Atreus.'

Fragment #9 -- Scholiast on Homer, Iliad, xiii. 155: `For through his lack of wood the timber of the ships rotted.'

Fragment #10 -- Etymologicum Magnum: `No longer do they walk with delicate feet.'

Fragment #11 -- Scholiast on Homer, Iliad, xxiv. 624: `First of all they roasted (pieces of meat), and drew them carefully off the spits.'

Fragment #12 -- Chrysippus, Fragg. ii. 254. 11: `For his spirit increased in his dear breast.'

Fragment #13 -- Chrysippus, Fragg. ii. 254. 15: `With such heart grieving anger in her breast.'

Fragment #14 -- Strabo, vii. p. 327: `He went to Dodona and the oak-grove, the dwelling place of the Pelasgi.'

Fragment #15 -- Anecd. Oxon (Cramer), iii. p. 318. not.: `With the pitiless smoke of black pitch and of cedar.'

Fragment #16 -- Schliast on Apollonius Rhodius, Arg. i. 757: `But he himself in the swelling tide of the rain-swollen river.'

Fragment #17 -- Stephanus of Byzantium: (The river) Parthenius, `Flowing as softly as a dainty maiden goes.'

Fragment #18 -- Scholiast on Theocritus, xi. 75: `Foolish the man who leaves what he has, and follows after what he has not.'

Fragment #19 -- Harpocration: `The deeds of the young, the counsels of the middle-aged, and the prayers of the aged.'

Fragment #20 -- Porphyr, On Abstinence, ii. 18. p. 134: `Howsoever the city does sacrifice, the ancient custom is best.'

Fragment #21 -- Scholiast on Nicander, Theriaca, 452: `But you should be gentle towards your father.'

Fragment #22 -- Plato, Epist. xi. 358: `And if I said this, it would seem a poor thing and hard to understand.'

Fragment #23 -- Bacchylides, v. 191-3: Thus spake the Boeotian, even Hesiod (2), servant of the sweet Muses: `whomsoever the immortals honour, the good report of mortals also followeth him.'

ENDNOTES:

(1) This and the following fragment are meant to be read together. -- DBK
(2) cp. Hesiod "Theogony" 81 ff. But Theognis 169, `Whomso the god honour, even a man inclined to blame praiseth him', is much nearer.

DOUBTFUL FRAGMENTS

Fragment #1 -- Galen, de plac. Hipp. et Plat. i. 266: `And then it was Zeus took away sense from the heart of Athamas.'

Fragment #2 -- Scholiast on Homer, Od. vii. 104: `They grind the yellow grain at the mill.'

Fragment #3 -- Scholiast on Pindar, Nem. ii. 1: `Then first in Delos did I and Homer, singers both, raise our strain -- stitching song in new hymns -- Phoebus Apollo with the golden sword, whom Leto bare.'

Fragment #4 -- Julian, Misopogon, p. 369: `But starvation on a handful is a cruel thing.'

Fragment #5 -- Servius on Vergil, Aen. iv. 484: Hesiod says that these Hesperides.... ....daughters of Night, guarded the golden apples beyond Ocean: `Aegle and Erythea and ox-eyed Hesperethusa.' (1)

Fragment #6 -- Plato, Republic, iii. 390 E: `Gifts move the gods, gifts move worshipful princes.'

Fragment #7 -- (2) Clement of Alexandria, Strom. v. p. 256: `On the seventh day again the bright light of the sun....'

Fragment #8 -- Apollonius, Lex. Hom.: `He brought pure water and mixed it with Ocean's streams.'

Fragment #9 -- Stephanus of Byzantium: `Aspledon and Clymenus and god-like Amphidocus.' (sons of Orchomenus).

Fragment #10 -- Scholiast on Pindar, Nem. iii. 64: `Telemon never sated with battle first brought light to our comrades by slaying blameless Melanippe, destroyer of men, own sister of the golden-girdled queen.'

ENDNOTES:
(1) Cf. Scholion on Clement, "Protrept." i. p. 302.

(2) This line may once have been read in the text of "Works and Days" after l. 771.

WORKS ATTRIBUTED TO HOMER

THE HOMERIC HYMNS

I. TO DIONYSUS (21 lines) (1)

((LACUNA))

(ll. 1-9) For some say, at Dracanum; and some, on windy Icarus; and some, in Naxos, O Heaven-born, Insewn (2); and others by the deep-eddying river Alpheus that pregnant Semele bare you to Zeus the thunder-lover. And others yet, lord, say you were born in Thebes; but all these lie. The Father of men and gods gave you birth remote from men and secretly from white-armed Hera. There is a certain Nysa, a mountain most high and richly grown with woods, far off in Phoenice, near the streams of Aegyptus.

((LACUNA))

(ll. 10-12) `...and men will lay up for her
(3) many offerings in her shrines. And as these things are three
(4), so shall mortals ever sacrifice perfect hecatombs to you at your feasts each three years.'

(ll. 13-16) The Son of Cronos spoke and nodded with his dark brows. And the divine locks of the king flowed forward from his immortal head, and he made great Olympus reel. So spake wise Zeus and ordained it with a nod.

(ll. 17-21) Be favourable, O Insewn, Inspirer of frenzied women! we singers sing of you as we begin and as we end a strain, and none forgetting you may call holy song to mind. And so, farewell, Dionysus, Insewn, with your mother Semele whom men call Thyone.

II. TO DEMETER (495 lines)

(ll. 1-3) I begin to sing of rich-haired Demeter, awful goddess -- of her and her trim-ankled daughter whom Aidoneus rapt away, given to him by all-seeing Zeus the loud-thunderer.

(ll. 4-18) Apart from Demeter, lady of the golden sword and glorious fruits, she was playing with the deep-bosomed daughters of Oceanus and gathering flowers over a soft meadow, roses and crocuses and beautiful violets, irises also and hyacinths and the narcissus, which Earth made to grow at the will of Zeus and to please the Host of Many, to be a snare for the bloom-like girl -- a marvellous, radiant flower. It was a thing of awe whether for deathless gods or mortal men to see: from its root grew a hundred blooms and is smelled most sweetly, so that all wide heaven above and the whole earth and the sea's salt swell laughed for joy. And the girl was amazed and reached out with both hands to take the lovely toy; but the wide-pathed earth yawned there in the plain of Nysa, and the lord, Host of Many, with his immortal horses sprang out upon her -- the Son of Cronos, He who has many names
(5).

(ll. 19-32) He caught her up reluctant on his golden car and bare her away lamenting. Then she cried out shrilly with her voice, calling upon her father, the Son of Cronos, who is most high and excellent. But no one, either of the deathless gods or of mortal men, heard her voice, nor yet the olive-trees bearing rich fruit: only tender-hearted Hecate, bright-coiffed, the daughter of Persaeus, heard the girl from her cave, and the lord Helios, Hyperion's bright son, as she cried to her father, the Son of Cronos. But he was sitting aloof, apart from the gods, in his temple where many pray, and receiving sweet offerings from mortal men. So he, that Son of Cronos, of many names, who is Ruler of Many and Host of Many, was bearing her away by leave of Zeus on his immortal chariot -- his own brother's child and all unwilling.

(ll. 33-39) And so long as she, the goddess, yet beheld earth and starry heaven and the strong-flowing sea where fishes shoal, and the rays of the sun, and still hoped to see her dear mother and the tribes of the eternal gods, so long hope calmed her great heart for all her trouble.... ((LACUNA)) ....and the heights of the mountains and the depths of the sea rang with her immortal voice: and her queenly mother heard her.

(ll. 40-53) Bitter pain seized her heart, and she rent the covering upon her divine hair with her dear hands: her dark cloak she cast down from both her shoulders and sped, like a wild-bird, over the firm land and yielding sea, seeking her child. But no one would tell her the truth, neither god nor mortal men; and of the birds of omen none came with true news for her. Then for nine days queenly Deo wandered over the earth with flaming torches in her hands, so grieved that she never tasted ambrosia and the sweet draught of nectar, nor sprinkled her body with water. But when the tenth enlightening dawn had come, Hecate, with a torch in her hands, met her, and spoke to her and told her news:

(ll. 54-58) `Queenly Demeter, bringer of seasons and giver of good gifts, what god of heaven or what mortal man has rapt away Persephone and pierced with sorrow your dear heart? For I heard her voice, yet saw not with my eyes who it was. But I tell you truly and shortly all I know.'

(ll. 59-73) So, then, said Hecate. And the daughter of rich- haired Rhea answered her not, but sped swiftly with her, holding flaming torches in her hands. So they came to Helios, who is watchman of both gods and men, and stood in front of his horses: and the bright goddess enquired of him: `Helios, do you at least regard me, goddess as I am, if ever by word or deed of mine I have cheered your heart and spirit. Through the fruitless air I heard the thrilling cry of my daughter whom I bare, sweet scion of my body and lovely in form, as of one seized violently; though with my eyes I saw nothing. But you -- for with your beams you look down from the bright upper air Over all the earth and sea -- tell me truly of my dear child, if you have seen her anywhere, what god or mortal man has violently seized her against her will and mine, and so made off.'

(ll. 74-87) So said she. And the Son of Hyperion answered her: `Queen Demeter, daughter of rich-haired Rhea, I will tell you the truth; for I greatly reverence and pity you in your grief for your trim-ankled daughter. None other of the deathless gods is to blame, but only cloud-gathering Zeus who gave her to Hades, her father's brother, to be called his buxom wife. And Hades seized her and took her loudly crying in his chariot down to his realm of mist and gloom. Yet, goddess, cease your loud lament and keep not vain anger unrelentingly: Aidoneus, the Ruler of Many, is no unfitting husband among the deathless gods for your child, being your own brother and born of the same stock: also, for honour, he has that third share which he received when division was made at the first, and is appointed lord of those among whom he dwells.'

(ll. 88-89) So he spake, and called to his horses: and at his chiding they quickly whirled the swift chariot along, like long- winged birds.

(ll. 90-112) But grief yet more terrible and savage came into the heart of Demeter, and thereafter she was so angered with the dark-clouded Son of Cronos that she avoided the gathering of the gods and high Olympus, and went to the towns and rich fields of men, disfiguring her form a long while. And no one of men or deep-bosomed women knew her when they saw her, until she came to the house of wise Celeus who then was lord of fragrant Eleusis. Vexed in her dear heart, she sat near the wayside by the Maiden Well, from which the women of the place were used to draw water, in a shady place over which grew an olive shrub. And she was like an ancient woman who is cut off from childbearing and the gifts of garland-loving Aphrodite, like the nurses of king's children who deal justice, or like the house-keepers in their echoing halls. There the daughters of Celeus, son of Eleusis, saw her, as they were coming for easy-drawn water, to carry it in pitchers of bronze to their dear father's house: four were they and like goddesses in the flower of their girlhood, Callidice and Cleisidice and lovely Demo and Callithoe who was the eldest of them all. They knew her not, -- for the gods are not easily discerned by mortals -- but standing near by her spoke winged words:

(ll. 113-117) `Old mother, whence and who are you of folk born long ago? Why are you gone away from the city and do not draw near the houses? For there in the shady halls are women of just such age as you, and others younger; and they would welcome you both by word and by deed.'

(ll. 118-144) Thus they said. And she, that queen among goddesses answered them saying: `Hail, dear children, whosoever you are of woman-kind. I will tell you my story; for it is not unseemly that I should tell you truly what you ask. Doso is my name, for my stately mother gave it me. And now I am come from Crete over the sea's wide back, -- not willingly; but pirates brought be thence by force of strength against my liking. Afterwards they put in with their swift craft to Thoricus, and there the women landed on the shore in full throng and the men likewise, and they began to make ready a meal by the stern-cables of the ship. But my heart craved not pleasant food, and I fled secretly across the dark country and escaped by masters, that they should not take me unpurchased across the sea, there to win a price for me. And so I wandered and am come here: and I know not at all what land this is or what people are in it. But may all those who dwell on Olympus give you husbands and birth of children as parents desire, so you take pity on me, maidens, and show me this clearly that I may learn, dear children, to the house of what man and woman I may go, to work for them cheerfully at such tasks as belong to a woman of my age. Well could I nurse a new born child, holding him in my arms, or keep house, or spread my masters' bed in a recess of the well-built chamber, or teach the women their work.'

(ll. 145-146) So said the goddess. And straightway the unwed maiden Callidice, goodliest in form of the daughters of Celeus, answered her and said:

(ll. 147-168) `Mother, what the gods send us, we mortals bear perforce, although we suffer; for they are much stronger than we.

But now I will teach you clearly, telling you the names of men who have great power and honour here and are chief among the people, guarding our city's coif of towers by their wisdom and true judgements: there is wise Triptolemus and Dioclus and Polyxeinus and blameless Eumolpus and Dolichus and our own brave father. All these have wives who manage in the house, and no one of them, so soon as she has seen you, would dishonour you and turn you from the house, but they will welcome you; for indeed you are godlike. But if you will, stay here; and we will go to our father's house and tell Metaneira, our deep-bosomed mother, all this matter fully, that she may bid you rather come to our home than search after the houses of others. She has an only son, late-born, who is being nursed in our well-built house, a child of many prayers and welcome: if you could bring him up until he reached the full measure of youth, any one of womankind who should see you would straightway envy you, such gifts would our mother give for his upbringing.'

(ll. 169-183) So she spake: and the goddess bowed her head in assent. And they filled their shining vessels with water and carried them off rejoicing. Quickly they came to their father's great house and straightway told their mother according as they had heard and seen. Then she bade them go with all speed and invite the stranger to come for a measureless hire. As hinds or heifers in spring time, when sated with pasture, bound about a meadow, so they, holding up the folds of their lovely garments, darted down the hollow path, and their hair like a crocus flower streamed about their shoulders. And they found the good goddess near the wayside where they had left her before, and led her to the house of their dear father. And she walked behind, distressed in her dear heart, with her head veiled and wearing a dark cloak which waved about the slender feet of the goddess.

(ll. 184-211) Soon they came to the house of heaven-nurtured Celeus and went through the portico to where their queenly mother sat by a pillar of the close-fitted roof, holding her son, a tender scion, in her bosom. And the girls ran to her. But the goddess walked to the threshold: and her head reached the roof and she filled the doorway with a heavenly radiance. Then awe and reverence and pale fear took hold of Metaneira, and she rose up from her couch before Demeter, and bade her be seated. But Demeter, bringer of seasons and giver of perfect gifts, would not sit upon the bright couch, but stayed silent with lovely eyes cast down until careful Iambe placed a jointed seat for her and threw over it a silvery fleece. Then she sat down and held her veil in her hands before her face. A long time she sat upon the stool
(6) without speaking because of her sorrow, and greeted no one by word or by sign, but rested, never smiling, and tasting neither food nor drink, because she pined with longing for her deep-bosomed daughter, until careful Iambe -- who pleased her moods in aftertime also -- moved the holy lady with many a quip and jest to smile and laugh and cheer her heart. Then Metaneira filled a cup with sweet wine and offered it to her; but she refused it, for she said it was not lawful for her to drink red wine, but bade them mix meal and water with soft mint and give her to drink. And Metaneira mixed the draught and gave it to the goddess as she bade. So the great queen Deo received it to observe the sacrament....
(7)

((LACUNA))

(ll. 212-223) And of them all, well-girded Metaneira first began to speak: `Hail, lady! For I think you are not meanly but nobly born; truly dignity and grace are conspicuous upon your eyes as in the eyes of kings that deal justice. Yet we mortals bear perforce what the gods send us, though we be grieved; for a yoke is set upon our necks. But now, since you are come here, you shall have what I can bestow: and nurse me this child whom the gods gave me in my old age and beyond my hope, a son much prayed for. If you should bring him up until he reach the full measure of youth, any one of womankind that sees you will straightway envy you, so great reward would I give for his upbringing.'

(ll. 224-230) Then rich-haired Demeter answered her: `And to you, also, lady, all hail, and may the gods give you good! Gladly will I take the boy to my breast, as you bid me, and will nurse him. Never, I ween, through any heedlessness of his nurse shall witchcraft hurt him nor yet the Undercutter (8): for I know a charm far stronger than the Woodcutter, and I know an excellent safeguard against woeful witchcraft.'

(ll. 231-247) When she had so spoken, she took the child in her fragrant bosom with her divine hands: and his mother was glad in her heart. So the goddess nursed in the palace Demophoon, wise Celeus' goodly son whom well-girded Metaneira bare. And the child grew like some immortal being, not fed with food nor nourished at the breast: for by day rich-crowned Demeter would anoint him with ambrosia as if he were the offspring of a god and breathe sweetly upon him as she held him in her bosom. But at night she would hide him like a brand in the heard of the fire, unknown to his dear parents. And it wrought great wonder in these that he grew beyond his age; for he was like the gods face to face. And she would have made him deathless and unageing, had not well-girded Metaneira in her heedlessness kept watch by night from her sweet-smelling chamber and spied. But she wailed and smote her two hips, because she feared for her son and was greatly distraught in her heart; so she lamented and uttered winged words:

(ll. 248-249) `Demophoon, my son, the strange woman buries you deep in fire and works grief and bitter sorrow for me.'

(ll. 250-255) Thus she spoke, mourning. And the bright goddess, lovely-crowned Demeter, heard her, and was wroth with her. So with her divine hands she snatched from the fire the dear son whom Metaneira had born unhoped-for in the palace, and cast him from her to the ground; for she was terribly angry in her heart. Forthwith she said to well-girded Metaneira:

(ll. 256-274) `Witless are you mortals and dull to foresee your lot, whether of good or evil, that comes upon you. For now in your heedlessness you have wrought folly past healing; for -- be witness the oath of the gods, the relentless water of Styx -- I would have made your dear son deathless and unaging all his days and would have bestowed on him everlasting honour, but now he can in no way escape death and the fates. Yet shall unfailing honour always rest upon him, because he lay upon my knees and slept in my arms. But, as the years move round and when he is in his prime, the sons of the Eleusinians shall ever wage war and dread strife with one another continually. Lo! I am that Demeter who has share of honour and is the greatest help and cause of joy to the undying gods and mortal men. But now, let all the people build be a great temple and an altar below it and beneath the city and its sheer wall upon a rising hillock above Callichorus. And I myself will teach my rites, that hereafter you may reverently perform them and so win the favour of my heart.'

(ll. 275-281) When she had so said, the goddess changed her stature and her looks, thrusting old age away from her: beauty spread round about her and a lovely fragrance was wafted from her sweet-smelling robes, and from the divine body of the goddess a light shone afar, while golden tresses spread down over her shoulders, so that the strong house was filled with brightness as with lightning. And so she went out from the palace.

(ll. 281-291) And straightway Metaneira's knees were loosed and she remained speechless for a long while and did not remember to take up her late-born son from the ground. But his sisters heard his pitiful wailing and sprang down from their well-spread beds: one of them took up the child in her arms and laid him in her bosom, while another revived the fire, and a third rushed with soft feet to bring their mother from her fragrant chamber. And they gathered about the struggling child and washed him, embracing him lovingly; but he was not comforted, because nurses and handmaids much less skilful were holding him now.

(ll. 292-300) All night long they sought to appease the glorious goddess, quaking with fear. But, as soon as dawn began to show, they told powerful Celeus all things without fail, as the lovely- crowned goddess Demeter charged them. So Celeus called the countless people to an assembly and bade them make a goodly temple for rich-haired Demeter and an altar upon the rising hillock. And they obeyed him right speedily and harkened to his voice, doing as he commanded. As for the child, he grew like an immortal being.

(ll. 301-320) Now when they had finished building and had drawn back from their toil, they went every man to his house. But golden-haired Demeter sat there apart from all the blessed gods and stayed, wasting with yearning for her deep-bosomed daughter. Then she caused a most dreadful and cruel year for mankind over the all-nourishing earth: the ground would not make the seed sprout, for rich-crowned Demeter kept it hid. In the fields the oxen drew many a curved plough in vain, and much white barley was cast upon the land without avail. So she would have destroyed the whole race of man with cruel famine and have robbed them who dwell on Olympus of their glorious right of gifts and sacrifices, had not Zeus perceived and marked this in his heart. First he sent golden-winged Iris to call rich-haired Demeter, lovely in form. So he commanded. And she obeyed the dark-clouded Son of Cronos, and sped with swift feet across the space between. She came to the stronghold of fragrant Eleusis, and there finding dark-cloaked Demeter in her temple, spake to her and uttered winged words:

(ll. 321-323) `Demeter, father Zeus, whose wisdom is everlasting, calls you to come join the tribes of the eternal gods: come therefore, and let not the message I bring from Zeus pass unobeyed.'

(ll. 324-333) Thus said Iris imploring her. But Demeter's heart was not moved. Then again the father sent forth all the blessed and eternal gods besides: and they came, one after the other, and kept calling her and offering many very beautiful gifts and whatever right she might be pleased to choose among the deathless gods. Yet no one was able to persuade her mind and will, so wrath was she in her heart; but she stubbornly rejected all their words: for she vowed that she would never set foot on fragrant Olympus nor let fruit spring out of the ground, until she beheld with her eyes her own fair-faced daughter.

(ll. 334-346) Now when all-seeing Zeus the loud-thunderer heard this, he sent the Slayer of Argus whose wand is of gold to Erebus, so that having won over Hades with soft words, he might lead forth chaste Persephone to the light from the misty gloom to join the gods, and that her mother might see her with her eyes and cease from her anger. And Hermes obeyed, and leaving the house of Olympus, straightway sprang down with speed to the hidden places of the earth. And he found the lord Hades in his house seated upon a couch, and his shy mate with him, much reluctant, because she yearned for her mother. But she was afar off, brooding on her fell design because of the deeds of the blessed gods. And the strong Slayer of Argus drew near and said:

(ll. 347-356) `Dark-haired Hades, ruler over the departed, father Zeus bids me bring noble Persephone forth from Erebus unto the gods, that her mother may see her with her eyes and cease from her dread anger with the immortals; for now she plans an awful deed, to destroy the weakly tribes of earthborn men by keeping seed hidden beneath the earth, and so she makes an end of the honours of the undying gods. For she keeps fearful anger and does not consort with the gods, but sits aloof in her fragrant temple, dwelling in the rocky hold of Eleusis.'

(ll. 357-359) So he said. And Aidoneus, ruler over the dead, smiled grimly and obeyed the behest of Zeus the king. For he straightway urged wise Persephone, saying:

(ll. 360-369) `Go now, Persephone, to your dark-robed mother, go, and feel kindly in your heart towards me: be not so exceedingly cast down; for I shall be no unfitting husband for you among the deathless gods, that am own brother to father Zeus. And while you are here, you shall rule all that lives and moves and shall have the greatest rights among the deathless gods: those who defraud you and do not appease your power with offerings, reverently performing rites and paying fit gifts, shall be punished for evermore.'

(ll. 370-383) When he said this, wise Persephone was filled with joy and hastily sprang up for gladness. But he on his part secretly gave her sweet pomegranate seed to eat, taking care for himself that she might not remain continually with grave, dark- robed Demeter. Then Aidoneus the Ruler of Many openly got ready his deathless horses beneath the golden chariot. And she mounted on the chariot, and the strong Slayer of Argos took reins and whip in his dear hands and drove forth from the hall, the horses speeding readily. Swiftly they traversed their long course, and neither the sea nor river-waters nor grassy glens nor mountain- peaks checked the career of the immortal horses, but they clave the deep air above them as they went. And Hermes brought them to the place where rich-crowned Demeter was staying and checked them before her fragrant temple.

(ll. 384-404) And when Demeter saw them, she rushed forth as does a Maenad down some thick-wooded mountain, while Persephone on the other side, when she saw her mother's sweet eyes, left the chariot and horses, and leaped down to run to her, and falling upon her neck, embraced her. But while Demeter was still holding her dear child in her arms, her heart suddenly misgave her for some snare, so that she feared greatly and ceased fondling her daughter and asked of her at once: `My child, tell me, surely you have not tasted any food while you were below? Speak out and hide nothing, but let us both know. For if you have not, you shall come back from loathly Hades and live with me and your father, the dark-clouded Son of Cronos and be honoured by all the deathless gods; but if you have tasted food, you must go back again beneath the secret places of the earth, there to dwell a third part of the seasons every year: yet for the two parts you shall be with me and the other deathless gods. But when the earth shall bloom with the fragrant flowers of spring in every kind, then from the realm of darkness and gloom thou shalt come up once more to be a wonder for gods and mortal men. And now tell me how he rapt you away to the realm of darkness and gloom, and by what trick did the strong Host of Many beguile you?'

(ll. 405-433) Then beautiful Persephone answered her thus: 'Mother, I will tell you all without error. When luck-bringing Hermes came, swift messenger from my father the Son of Cronos and the other Sons of Heaven, bidding me come back from Erebus that you might see me with your eyes and so cease from your anger and fearful wrath against the gods, I sprang up at once for joy; but he secretly put in my mouth sweet food, a pomegranate seed, and forced me to taste against my will. Also I will tell how he rapt me away by the deep plan of my father the Son of Cronos and carried me off beneath the depths of the earth, and will relate the whole matter as you ask. All we were playing in a lovely meadow, Leucippe (9) and Phaeno and Electra and Ianthe, Melita also and Iache with Rhodea and Callirhoe and Melobosis and Tyche and Ocyrhoe, fair as a flower, Chryseis, Ianeira, Acaste and Admete and Rhodope and Pluto and charming Calypso; Styx too was there and Urania and lovely Galaxaura with Pallas who rouses battles and Artemis delighting in arrows: we were playing and gathering sweet flowers in our hands, soft crocuses mingled with irises and hyacinths, and rose-blooms and lilies, marvellous to see, and the narcissus which the wide earth caused to grow yellow as a crocus. That I plucked in my joy; but the earth parted beneath, and there the strong lord, the Host of Many, sprang forth and in his golden chariot he bore me away, all unwilling, beneath the earth: then I cried with a shrill cry. All this is true, sore though it grieves me to tell the tale.'

(ll. 434-437) So did they turn, with hearts at one, greatly cheer each the other's soul and spirit with many an embrace: their heart had relief from their griefs while each took and gave back joyousness.

(ll. 438-440) Then bright-coiffed Hecate came near to them, and often did she embrace the daughter of holy Demeter: and from that time the lady Hecate was minister and companion to Persephone.

(ll. 441-459) And all-seeing Zeus sent a messenger to them, rich- haired Rhea, to bring dark-cloaked Demeter to join the families of the gods: and he promised to give her what right she should choose among the deathless gods and agreed that her daughter should go down for the third part of the circling year to darkness and gloom, but for the two parts should live with her mother and the other deathless gods. Thus he commanded. And the goddess did not disobey the message of Zeus; swiftly she rushed down from the peaks of Olympus and came to the plain of Rharus, rich, fertile corn-land once, but then in nowise fruitful, for it lay idle and utterly leafless, because the white grains was hidden by design of trim-ankled Demeter. But afterwards, as springtime waxed, it was soon to be waving with long ears of corn, and its rich furrows to be loaded with grain upon the ground, while others would already be bound in sheaves. There first she landed from the fruitless upper air: and glad were the goddesses to see each other and cheered in heart. Then bright- coiffed Rhea said to Demeter:

(ll. 460-469) `Come, my daughter; for far-seeing Zeus the loud- thunderer calls you to join the families of the gods, and has promised to give you what rights you please among the deathless gods, and has agreed that for a third part of the circling year your daughter shall go down to darkness and gloom, but for the two parts shall be with you and the other deathless gods: so has he declared it shall be and has bowed his head in token. But come, my child, obey, and be not too angry unrelentingly with the dark-clouded Son of Cronos; but rather increase forthwith for men the fruit that gives them life.'

(ll. 470-482) So spake Rhea. And rich-crowned Demeter did not refuse but straightway made fruit to spring up from the rich lands, so that the whole wide earth was laden with leaves and flowers. Then she went, and to the kings who deal justice, Triptolemus and Diocles, the horse-driver, and to doughty Eumolpus and Celeus, leader of the people, she showed the conduct of her rites and taught them all her mysteries, to Triptolemus and Polyxeinus and Diocles also, -- awful mysteries which no one may in any way transgress or pry into or utter, for deep awe of the gods checks the voice. Happy is he among men upon earth who has seen these mysteries; but he who is uninitiate and who has no part in them, never has lot of like good things once he is dead, down in the darkness and gloom.

(ll. 483-489) But when the bright goddess had taught them all, they went to Olympus to the gathering of the other gods. And there they dwell beside Zeus who delights in thunder, awful and reverend goddesses. Right blessed is he among men on earth whom they freely love: soon they do send Plutus as guest to his great house, Plutus who gives wealth to mortal men.

(ll. 490-495) And now, queen of the land of sweet Eleusis and sea-girt Paros and rocky Antron, lady, giver of good gifts, bringer of seasons, queen Deo, be gracious, you and your daughter all beauteous Persephone, and for my song grant me heart-cheering substance. And now I will remember you and another song also.

III. TO APOLLO (546 lines)

TO DELIAN APOLLO --

(ll. 1-18) I will remember and not be unmindful of Apollo who shoots afar. As he goes through the house of Zeus, the gods tremble before him and all spring up from their seats when he draws near, as he bends his bright bow. But Leto alone stays by the side of Zeus who delights in thunder; and then she unstrings his bow, and closes his quiver, and takes his archery from his strong shoulders in her hands and hangs them on a golden peg against a pillar of his father's house. Then she leads him to a seat and makes him sit: and the Father gives him nectar in a golden cup welcoming his dear son, while the other gods make him sit down there, and queenly Leto rejoices because she bare a mighty son and an archer. Rejoice, blessed Leto, for you bare glorious children, the lord Apollo and Artemis who delights in arrows; her in Ortygia, and him in rocky Delos, as you rested against the great mass of the Cynthian hill hard by a palm-tree by the streams of Inopus.

(ll. 19-29) How, then, shall I sing of you who in all ways are a worthy theme of song? For everywhere, O Phoebus, the whole range of song is fallen to you, both over the mainland that rears heifers and over the isles. All mountain-peaks and high headlands of lofty hills and rivers flowing out to the deep and beaches sloping seawards and havens of the sea are your delight. Shall I sing how at the first Leto bare you to be the joy of men, as she rested against Mount Cynthus in that rocky isle, in sea- girt Delos -- while on either hand a dark wave rolled on landwards driven by shrill winds -- whence arising you rule over all mortal men?

(ll. 30-50) Among those who are in Crete, and in the township of Athens, and in the isle of Aegina and Euboea, famous for ships, in Aegae and Eiresiae and Peparethus near the sea, in Thracian Athos and Pelion's towering heights and Thracian Samos and the shady hills of Ida, in Scyros and Phocaea and the high hill of Autocane and fair-lying Imbros and smouldering Lemnos and rich Lesbos, home of Macar, the son of Aeolus, and Chios, brightest of all the isles that lie in the sea, and craggy Mimas and the heights of Corycus and gleaming Claros and the sheer hill of Aesagea and watered Samos and the steep heights of Mycale, in Miletus and Cos, the city of Meropian men, and steep Cnidos and windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far roamed Leto in travail with the god who shoots afar, to see if any land would be willing to make a dwelling for her son. But they greatly trembled and feared, and none, not even the richest of them, dared receive Phoebus, until queenly Leto set foot on Delos and uttered winged words and asked her:

(ll. 51-61) `Delos, if you would be willing to be the abode of my son "Phoebus Apollo and make him a rich temple --; for no other will touch you, as you will find: and I think you will never be rich in oxen and sheep, nor bear vintage nor yet produce plants abundantly. But if you have the temple of far-shooting Apollo, all men will bring you hecatombs and gather here, and incessant savour of rich sacrifice will always arise, and you will feed those who dwell in you from the hand of strangers; for truly your own soil is not rich.'

(ll. 62-82) So spake Leto. And Delos rejoiced and answered and said: `Leto, most glorious daughter of great Coeus, joyfully would I receive your child the far-shooting lord; for it is all too true that I am ill-spoken of among men, whereas thus I should become very greatly honoured. But this saying I fear, and I will not hide it from you, Leto. They say that Apollo will be one that is very haughty and will greatly lord it among gods and men all over the fruitful earth. Therefore, I greatly fear in heart and spirit that as soon as he sets the light of the sun, he will scorn this island -- for truly I have but a hard, rocky soil -- and overturn me and thrust me down with his feet in the depths of the sea; then will the great ocean wash deep above my head for ever, and he will go to another land such as will please him, there to make his temple and wooded groves. So, many-footed creatures of the sea will make their lairs in me and black seals their dwellings undisturbed, because I lack people. Yet if you will but dare to sware a great oath, goddess, that here first he will build a glorious temple to be an oracle for men, then let him afterwards make temples and wooded groves amongst all men; for surely he will be greatly renowned.

(ll. 83-88) So said Delos. And Leto sware the great oath of the gods: `Now hear this, Earth and wide Heaven above, and dropping water of Styx (this is the strongest and most awful oath for the blessed gods), surely Phoebus shall have here his fragrant altar and precinct, and you he shall honour above all.'

(ll. 89-101) Now when Leto had sworn and ended her oath, Delos was very glad at the birth of the far-shooting lord. But Leto was racked nine days and nine nights with pangs beyond wont. And there were with her all the chiefest of the goddesses, Dione and Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the other deathless goddesses save white-armed Hera, who sat in the halls of cloud-gathering Zeus. Only Eilithyia, goddess of sore travail, had not heard of Leto's trouble, for she sat on the top of Olympus beneath golden clouds by white-armed Hera's contriving, who kept her close through envy, because Leto with the lovely tresses was soon to bear a son faultless and strong.

(ll. 102-114) But the goddesses sent out Iris from the well-set isle to bring Eilithyia, promising her a great necklace strung with golden threads, nine cubits long. And they bade Iris call her aside from white-armed Hera, lest she might afterwards turn her from coming with her words. When swift Iris, fleet of foot as the wind, had heard all this, she set to run; and quickly finishing all the distance she came to the home of the gods, sheer Olympus, and forthwith called Eilithyia out from the hall to the door and spoke winged words to her, telling her all as the goddesses who dwell on Olympus had bidden her. So she moved the heart of Eilithyia in her dear breast; and they went their way, like shy wild-doves in their going.

(ll. 115-122) And as soon as Eilithyia the goddess of sore travail set foot on Delos, the pains of birth seized Leto, and she longed to bring forth; so she cast her arms about a palm tree and kneeled on the soft meadow while the earth laughed for joy beneath. Then the child leaped forth to the light, and all the goddesses washed you purely and cleanly with sweet water, and swathed you in a white garment of fine texture, new-woven, and fastened a golden band about you.

(ll. 123-130) Now Leto did not give Apollo, bearer of the golden blade, her breast; but Themis duly poured nectar and ambrosia with her divine hands: and Leto was glad because she had borne a strong son and an archer. But as soon as you had tasted that divine heavenly food, O Phoebus, you could no longer then be held by golden cords nor confined with bands, but all their ends were undone. Forthwith Phoebus Apollo spoke out among the deathless goddesses:

(ll. 131-132) `The lyre and the curved bow shall ever be dear to me, and I will declare to men the unfailing will of Zeus.'

(ll. 133-139) So said Phoebus, the long-haired god who shoots afar and began to walk upon the wide-pathed earth; and all goddesses were amazed at him. Then with gold all Delos was laden, beholding the child of Zeus and Leto, for joy because the god chose her above the islands and shore to make his dwelling in her: and she loved him yet more in her heart, and blossomed as does a mountain-top with woodland flowers.

(ll. 140-164) And you, O lord Apollo, god of the silver bow, shooting afar, now walked on craggy Cynthus, and now kept wandering about the island and the people in them. Many are your temples and wooded groves, and all peaks and towering bluffs of lofty mountains and rivers flowing to the sea are dear to you, Phoebus, yet in Delos do you most delight your heart; for there the long robed Ionians gather in your honour with their children and shy wives: mindful, they delight you with boxing and dancing and song, so often as they hold their gathering. A man would say that they were deathless and unageing if he should then come upon the Ionians so met together. For he would see the graces of them all, and would be pleased in heart gazing at the men and well- girded women with their swift ships and great wealth. And there is this great wonder besides -- and its renown shall never perish -- the girls of Delos, hand-maidens of the Far-shooter; for when they have praised Apollo first, and also Leto and Artemis who delights in arrows, they sing a strain-telling of men and women of past days, and charm the tribes of men. Also they can imitate the tongues of all men and their clattering speech: each would say that he himself were singing, so close to truth is their sweet song.

(ll. 165-178) And now may Apollo be favourable and Artemis; and farewell all you maidens. Remember me in after time whenever any one of men on earth, a stranger who has seen and suffered much, comes here and asks of you: `Whom think ye, girls, is the sweetest singer that comes here, and in whom do you most delight?' Then answer, each and all, with one voice: `He is a blind man, and dwells in rocky Chios: his lays are evermore supreme.' As for me, I will carry your renown as far as I roam over the earth to the well-placed this thing is true. And I will never cease to praise far-shooting Apollo, god of the silver bow, whom rich-haired Leto bare.

TO PYTHIAN APOLLO --

(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and Miletus, charming city by the sea, but over wave-girt Delos you greatly reign your own self.

(ll. 182-206) Leto's all-glorious son goes to rocky Pytho, playing upon his hollow lyre, clad in divine, perfumed garments; and at the touch of the golden key his lyre sings sweet. Thence, swift as thought, he speeds from earth to Olympus, to the house of Zeus, to join the gathering of the other gods: then straightway the undying gods think only of the lyre and song, and all the Muses together, voice sweetly answering voice, hymn the unending gifts the gods enjoy and the sufferings of men, all that they endure at the hands of the deathless gods, and how they live witless and helpless and cannot find healing for death or defence against old age. Meanwhile the rich-tressed Graces and cheerful Seasons dance with Harmonia and Hebe and Aphrodite, daughter of Zeus, holding each other by the wrist. And among them sings one, not mean nor puny, but tall to look upon and enviable in mien, Artemis who delights in arrows, sister of Apollo. Among them sport Ares and the keen-eyed Slayer of Argus, while Apollo plays his lyre stepping high and featly and a radiance shines around him, the gleaming of his feet and close-woven vest. And they, even gold-tressed Leto and wise Zeus, rejoice in their great hearts as they watch their dear son playing among the undying gods.

(ll. 207-228) How then shall I sing of you -- though in all ways you are a worthy theme for song? Shall I sing of you as wooer and in the fields of love, how you went wooing the daughter of Azan along with god-like Ischys the son of well-horsed Elatius, or with Phorbas sprung from Triops, or with Ereutheus, or with Leucippus and the wife of Leucippus.... ((LACUNA)) ....you on foot, he with his chariot, yet he fell not short of Triops. Or shall I sing how at the first you went about the earth seeking a place of oracle for men, O far-shooting Apollo? To Pieria first you went down from Olympus and passed by sandy Lectus and Enienae and through the land of the Perrhaebi. Soon you came to Iolcus and set foot on Cenaeum in Euboea, famed for ships: you stood in the Lelantine plain, but it pleased not your heart to make a temple there and wooded groves. From there you crossed the Euripus, far-shooting Apollo, and went up the green, holy hills, going on to Mycalessus and grassy-bedded Teumessus, and so came to the wood-clad abode of Thebe; for as yet no man lived in holy Thebe, nor were there tracks or ways about Thebe's wheat-bearing plain as yet.

(ll. 229-238) And further still you went, O far-shooting Apollo, and came to Onchestus, Poseidon's bright grove: there the new- broken cold distressed with drawing the trim chariot gets spirit again, and the skilled driver springs from his car and goes on his way. Then the horses for a while rattle the empty car, being rid of guidance; and if they break the chariot in the woody grove, men look after the horses, but tilt the chariot and leave it there; for this was the rite from the very first. And the drivers pray to the lord of the shrine; but the chariot falls to the lot of the god.

(ll. 239-243) Further yet you went, O far-shooting Apollo, and reached next Cephissus' sweet stream which pours forth its sweet- flowing water from Lilaea, and crossing over it, O worker from afar, you passed many-towered Ocalea and reached grassy Haliartus.

(ll. 244-253) Then you went towards Telphusa: and there the pleasant place seemed fit for making a temple and wooded grove. You came very near and spoke to her: `Telphusa, here I am minded to make a glorious temple, an oracle for men, and hither they will always bring perfect hecatombs, both those who live in rich Peloponnesus and those of Europe and all the wave-washed isles, coming to seek oracles. And I will deliver to them all counsel that cannot fail, giving answer in my rich temple.'

(ll. 254-276) So said Phoebus Apollo, and laid out all the foundations throughout, wide and very long. But when Telphusa saw this, she was angry in heart and spoke, saying: `Lord Phoebus, worker from afar, I will speak a word of counsel to your heart, since you are minded to make here a glorious temple to be an oracle for men who will always bring hither perfect hecatombs for you; yet I will speak out, and do you lay up my words in your heart. The trampling of swift horses and the sound of mules watering at my sacred springs will always irk you, and men will like better to gaze at the well-made chariots and stamping, swift-footed horses than at your great temple and the many treasures that are within. But if you will be moved by me -- for you, lord, are stronger and mightier than I, and your strength is very great -- build at Crisa below the glades of Parnassus: there no bright chariot will clash, and there will be no noise of swift-footed horses near your well-built altar. But so the glorious tribes of men will bring gifts to you as Iepaeon (`Hail- Healer'), and you will receive with delight rich sacrifices from the people dwelling round about.' So said Telphusa, that she alone, and not the Far-Shooter, should have renown there; and she persuaded the Far-Shooter.

(ll. 277-286) Further yet you went, far-shooting Apollo, until you came to the town of the presumptuous Phlegyae who dwell on this earth in a lovely glade near the Cephisian lake, caring not for Zeus. And thence you went speeding swiftly to the mountain ridge, and came to Crisa beneath snowy Parnassus, a foothill turned towards the west: a cliff hangs over if from above, and a hollow, rugged glade runs under. There the lord Phoebus Apollo resolved to make his lovely temple, and thus he said:

(ll. 287-293) `In this place I am minded to build a glorious temple to be an oracle for men, and here they will always bring perfect hecatombs, both they who dwell in rich Peloponnesus and the men of Europe and from all the wave-washed isles, coming to question me. And I will deliver to them all counsel that cannot fail, answering them in my rich temple.'

(ll. 294-299) When he had said this, Phoebus Apollo laid out all the foundations throughout, wide and very long; and upon these the sons of Erginus, Trophonius and Agamedes, dear to the deathless gods, laid a footing of stone. And the countless tribes of men built the whole temple of wrought stones, to be sung of for ever.

(ll. 300-310) But near by was a sweet flowing spring, and there with his strong bow the lord, the son of Zeus, killed the bloated, great she-dragon, a fierce monster wont to do great mischief to men upon earth, to men themselves and to their thin- shanked sheep; for she was a very bloody plague. She it was who once received from gold-throned Hera and brought up fell, cruel Typhaon to be a plague to men. Once on a time Hera bare him because she was angry with father Zeus, when the Son of Cronos bare all-glorious Athena in his head. Thereupon queenly Hera was angry and spoke thus among the assembled gods:

(ll. 311-330) `Hear from me, all gods and goddesses, how cloud- gathering Zeus begins to dishonour me wantonly, when he has made me his true-hearted wife. See now, apart from me he has given birth to bright-eyed Athena who is foremost among all the blessed gods. But my son Hephaestus whom I bare was weakly among all the blessed gods and shrivelled of foot, a shame and disgrace to me in heaven, whom I myself took in my hands and cast out so that he fell in the great sea. But silver-shod Thetis the daughter of Nereus took and cared for him with her sisters: would that she had done other service to the blessed gods! O wicked one and crafty! What else will you now devise? How dared you by yourself give birth to bright-eyed Athena? Would not I have borne you a child -- I, who was at least called your wife among the undying gods who hold wide heaven. Beware now lest I devise some evil thing for you hereafter: yes, now I will contrive that a son be born me to be foremost among the undying gods -- and that without casting shame on the holy bond of wedlock between you and me. And I will not come to your bed, but will consort with the blessed gods far off from you.'

(ll. 331-333) When she had so spoken, she went apart from the gods, being very angry. Then straightway large-eyed queenly Hera prayed, striking the ground flatwise with her hand, and speaking thus:

(ll. 334-362) `Hear now, I pray, Earth and wide Heaven above, and you Titan gods who dwell beneath the earth about great Tartarus, and from whom are sprung both gods and men! Harken you now to me, one and all, and grant that I may bear a child apart from Zeus, no wit lesser than him in strength -- nay, let him be as much stronger than Zeus as all-seeing Zeus than Cronos.' Thus she cried and lashed the earth with her strong hand. Then the life-giving earth was moved: and when Hera saw it she was glad in heart, for she thought her prayer would be fulfilled. And thereafter she never came to the bed of wise Zeus for a full year, not to sit in her carved chair as aforetime to plan wise counsel for him, but stayed in her temples where many pray, and delighted in her offerings, large-eyed queenly Hera. But when the months and days were fulfilled and the seasons duly came on as the earth moved round, she bare one neither like the gods nor mortal men, fell, cruel Typhaon, to be a plague to men. Straightway large-eyed queenly Hera took him and bringing one evil thing to another such, gave him to the dragoness; and she received him. And this Typhaon used to work great mischief among the famous tribes of men. Whosoever met the dragoness, the day of doom would sweep him away, until the lord Apollo, who deals death from afar, shot a strong arrow at her. Then she, rent with bitter pangs, lay drawing great gasps for breath and rolling about that place. An awful noise swelled up unspeakable as she writhed continually this way and that amid the wood: and so she left her life, breathing it forth in blood. Then Phoebus Apollo boasted over her:

(ll. 363-369) `Now rot here upon the soil that feeds man! You at least shall live no more to be a fell bane to men who eat the fruit of the all-nourishing earth, and who will bring hither perfect hecatombs. Against cruel death neither Typhoeus shall avail you nor ill-famed Chimera, but here shall the Earth and shining Hyperion make you rot.'

(ll. 370-374) Thus said Phoebus, exulting over her: and darkness covered her eyes. And the holy strength of Helios made her rot away there; wherefore the place is now called Pytho, and men call the lord Apollo by another name, Pythian; because on that spot the power of piercing Helios made the monster rot away.

(ll. 375-378) Then Phoebus Apollo saw that the sweet-flowing spring had beguiled him, and he started out in anger against Telphusa; and soon coming to her, he stood close by and spoke to her:

(ll. 379-381) `Telphusa, you were not, after all, to keep to yourself this lovely place by deceiving my mind, and pour forth your clear flowing water: here my renown shall also be and not yours alone?'

(ll. 382-387) Thus spoke the lord, far-working Apollo, and pushed over upon her a crag with a shower of rocks, hiding her streams: and he made himself an altar in a wooded grove very near the clear-flowing stream. In that place all men pray to the great one by the name Telphusian, because he humbled the stream of holy Telphusa.

(ll. 388-439) Then Phoebus Apollo pondered in his heart what men he should bring in to be his ministers in sacrifice and to serve him in rocky Pytho. And while he considered this, he became aware of a swift ship upon the wine-like sea in which were many men and goodly, Cretans from Cnossos (10), the city of Minos, they who do sacrifice to the prince and announce his decrees, whatsoever Phoebus Apollo, bearer of the golden blade, speaks in answer from his laurel tree below the dells of Parnassus. These men were sailing in their black ship for traffic and for profit to sandy Pylos and to the men of Pylos. But Phoebus Apollo met them: in the open sea he sprang upon their swift ship, like a dolphin in shape, and lay there, a great and awesome monster, and none of them gave heed so as to understand (11); but they sought to cast the dolphin overboard. But he kept shaking the black ship every way and make the timbers quiver. So they sat silent in their craft for fear, and did not loose the sheets throughout the black, hollow ship, nor lowered the sail of their dark-prowed vessel, but as they had set it first of all with oxhide ropes, so they kept sailing on; for a rushing south wind hurried on the swift ship from behind. First they passed by Malea, and then along the Laconian coast they came to Taenarum, sea-garlanded town and country of Helios who gladdens men, where the thick- fleeced sheep of the lord Helios feed continually and occupy a glad-some country. There they wished to put their ship to shore, and land and comprehend the great marvel and see with their eyes whether the monster would remain upon the deck of the hollow ship, or spring back into the briny deep where fishes shoal. But the well-built ship would not obey the helm, but went on its way all along Peloponnesus: and the lord, far-working Apollo, guided it easily with the breath of the breeze. So the ship ran on its course and came to Arena and lovely Argyphea and Thryon, the ford of Alpheus, and well-placed Aepy and sandy Pylos and the men of Pylos; past Cruni it went and Chalcis and past Dyme and fair Elis, where the Epei rule. And at the time when she was making for Pherae, exulting in the breeze from Zeus, there appeared to them below the clouds the steep mountain of Ithaca, and Dulichium and Same and wooded Zacynthus. But when they were passed by all the coast of Peloponnesus, then, towards Crisa, that vast gulf began to heave in sight which through all its length cuts off the rich isle of Pelops. There came on them a strong, clear west- wind by ordinance of Zeus and blew from heaven vehemently, that with all speed the ship might finish coursing over the briny water of the sea. So they began again to voyage back towards the dawn and the sun: and the lord Apollo, son of Zeus, led them on until they reached far-seen Crisa, land of vines, and into haven: there the sea-coursing ship grounded on the sands.

(ll. 440-451) Then, like a star at noonday, the lord, far-working Apollo, leaped from the ship: flashes of fire flew from him thick and their brightness reached to heaven. He entered into his shrine between priceless tripods, and there made a flame to flare up bright, showing forth the splendour of his shafts, so that their radiance filled all Crisa, and the wives and well-girded daughters of the Crisaeans raised a cry at that outburst of Phoebus; for he cast great fear upon them all. From his shrine he sprang forth again, swift as a thought, to speed again to the ship, bearing the form of a man, brisk and sturdy, in the prime of his youth, while his broad shoulders were covered with his hair: and he spoke to the Cretans, uttering winged words:

(ll. 452-461) `Strangers, who are you? Whence come you sailing along the paths of the sea? Are you for traffic, or do you wander at random over the sea as pirates do who put their own lives to hazard and bring mischief to men of foreign parts as they roam? Why rest you so and are afraid, and do not go ashore nor stow the gear of your black ship? For that is the custom of men who live by bread, whenever they come to land in their dark ships from the main, spent with toil; at once desire for sweet food catches them about the heart.'

(ll. 462-473) So speaking, he put courage in their hearts, and the master of the Cretans answered him and said: `Stranger -- though you are nothing like mortal men in shape or stature, but are as the deathless gods -- hail and all happiness to you, and may the gods give you good. Now tell me truly that I may surely know it: what country is this, and what land, and what men live herein? As for us, with thoughts set otherwards, we were sailing over the great sea to Pylos from Crete (for from there we declare that we are sprung), but now are come on shipboard to this place by no means willingly -- another way and other paths -- and gladly would we return. But one of the deathless gods brought us here against our will.'

(ll. 474-501) Then far-working Apollo answered then and said: `Strangers who once dwelt about wooded Cnossos but now shall return no more each to his loved city and fair house and dear wife; here shall you keep my rich temple that is honoured by many men. I am the son of Zeus; Apollo is my name: but you I brought here over the wide gulf of the sea, meaning you no hurt; nay, here you shall keep my rich temple that is greatly honoured among men, and you shall know the plans of the deathless gods, and by their will you shall be honoured continually for all time. And now come, make haste and do as I say. First loose the sheets and lower the sail, and then draw the swift ship up upon the land. Take out your goods and the gear of the straight ship, and make an altar upon the beach of the sea: light fire upon it and make an offering of white meal. Next, stand side by side around the altar and pray: and in as much as at the first on the hazy sea I sprang upon the swift ship in the form of a dolphin, pray to me as Apollo Delphinius; also the altar itself shall be called Delphinius and overlooking (12) for ever. Afterwards, sup beside your dark ship and pour an offering to the blessed gods who dwell on Olympus. But when you have put away craving for sweet food, come with me singing the hymn Ie Paean (Hail, Healer!), until you come to the place where you shall keep my rich temple.'

(ll. 502-523) So said Apollo. And they readily harkened to him and obeyed him. First they unfastened the sheets and let down the sail and lowered the mast by the forestays upon the mast- rest. Then, landing upon the beach of the sea, they hauled up the ship from the water to dry land and fixed long stays under it. Also they made an altar upon the beach of the sea, and when they had lit a fire, made an offering of white meal, and prayed standing around the altar as Apollo had bidden them. Then they took their meal by the swift, black ship, and poured an offering to the blessed gods who dwell on Olympus. And when they had put away craving for drink and food, they started out with the lord Apollo, the son of Zeus, to lead them, holding a lyre in his hands, and playing sweetly as he stepped high and featly. So the Cretans followed him to Pytho, marching in time as they chanted the Ie Paean after the manner of the Cretan paean-singers and of those in whose hearts the heavenly Muse has put sweet-voiced song. With tireless feet they approached the ridge and straightway came to Parnassus and the lovely place where they were to dwell honoured by many men. There Apollo brought them and showed them his most holy sanctuary and rich temple.

(ll. 524-525) But their spirit was stirred in their dear breasts, and the master of the Cretans asked him, saying:

(ll. 526-530) `Lord, since you have brought us here far from our dear ones and our fatherland, -- for so it seemed good to your heart, -- tell us now how we shall live. That we would know of you. This land is not to be desired either for vineyards or for pastures so that we can live well thereon and also minister to men.'

(ll. 531-544) Then Apollo, the son of Zeus, smiled upon them and said: `Foolish mortals and poor drudges are you, that you seek cares and hard toils and straits! Easily will I tell you a word and set it in your hearts. Though each one of you with knife in hand should slaughter sheep continually, yet would you always have abundant store, even all that the glorious tribes of men bring here for me. But guard you my temple and receive the tribes of men that gather to this place, and especially show mortal men my will, and do you keep righteousness in your heart. But if any shall be disobedient and pay no heed to my warning, of if there shall be any idle word or deed and outrage as is common among mortal men, then other men shall be your masters and with a strong hand shall make you subject for ever. All has been told you: do you keep it in your heart.'

(ll. 545-546) And so, farewell, son of Zeus and Leto; but I will remember you and another hymn also.

IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord of Cyllene and Arcadia rich in flocks, the luck-bringing messenger of the immortals whom Maia bare, the rich-tressed nymph, when she was joined in love with Zeus, -- a shy goddess, for she avoided the company of the blessed gods, and lived within a deep, shady cave. There the son of Cronos used to lie with the rich-tressed nymph, unseen by deathless gods and mortal men, at dead of night while sweet sleep should hold white-armed Hera fast. And when the purpose of great Zeus was fixed in heaven, she was delivered and a notable thing was come to pass. For then she bare a son, of many shifts, blandly cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods. Born with the dawning, at mid-day he played on the lyre, and in the evening he stole the cattle of far-shooting Apollo on the fourth day of the month; for on that day queenly Maia bare him. So soon as he had leaped from his mother's heavenly womb, he lay not long waiting in his holy cradle, but he sprang up and sought the oxen of Apollo. But as he stepped over the threshold of the high-roofed cave, he found a tortoise there and gained endless delight. For it was Hermes who first made the tortoise a singer. The creature fell in his way at the courtyard gate, where it was feeding on the rich grass before the dwelling, waddling along. When be saw it, the luck- bringing son of Zeus laughed and said:

(ll. 30-38) `An omen of great luck for me so soon! I do not slight it. Hail, comrade of the feast, lovely in shape, sounding at the dance! With joy I meet you! Where got you that rich gaud for covering, that spangled shell -- a tortoise living in the mountains? But I will take and carry you within: you shall help me and I will do you no disgrace, though first of all you must profit me. It is better to be at home: harm may come out of doors. Living, you shall be a spell against mischievous witchcraft (13); but if you die, then you shall make sweetest song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands and went back into the house carrying his charming toy. Then he cut off its limbs and scooped out the marrow of the mountain- tortoise with a scoop of grey iron. As a swift thought darts through the heart of a man when thronging cares haunt him, or as bright glances flash from the eye, so glorious Hermes planned both thought and deed at once. He cut stalks of reed to measure and fixed them, fastening their ends across the back and through the shell of the tortoise, and then stretched ox hide all over it by his skill. Also he put in the horns and fitted a cross-piece upon the two of them, and stretched seven strings of sheep-gut. But when he had made it he proved each string in turn with the key, as he held the lovely thing. At the touch of his hand it sounded marvellously; and, as he tried it, the god sang sweet random snatches, even as youths bandy taunts at festivals. He sang of Zeus the son of Cronos and neat-shod Maia, the converse which they had before in the comradeship of love, telling all the glorious tale of his own begetting. He celebrated, too, the handmaids of the nymph, and her bright home, and the tripods all about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was bent on other matters. And he took the hollow lyre and laid it in his sacred cradle, and sprang from the sweet-smelling hall to a watch-place, pondering sheet trickery in his heart -- deeds such as knavish folk pursue in the dark night-time; for he longed to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards Ocean with his horses and chariot when Hermes came hurrying to the shadowy mountains of Pieria, where the divine cattle of the blessed gods had their steads and grazed the pleasant, unmown meadows. Of these the Son of Maia, the sharp-eyed slayer of Argus then cut off from the herd fifty loud-lowing kine, and drove them straggling-wise across a sandy place, turning their hoof-prints aside. Also, he bethought him of a crafty ruse and reversed the marks of their hoofs, making the front behind and the hind before, while he himself walked the other way (14). Then he wove sandals with wicker-work by the sand of the sea, wonderful things, unthought of, unimagined; for he mixed together tamarisk and myrtle-twigs, fastening together an armful of their fresh, young wood, and tied them, leaves and all securely under his feet as light sandals. The brushwood the glorious Slayer of Argus plucked in Pieria as he was preparing for his journey, making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him as he was hurrying down the plain through grassy Onchestus. So the Son of Maia began and said to him:

(ll. 90-93) `Old man, digging about your vines with bowed shoulders, surely you shall have much wine when all these bear fruit, if you obey me and strictly remember not to have seen what you have seen, and not to have heard what you have heard, and to keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong cattle on together: through many shadowy mountains and echoing gorges and flowery plains glorious Hermes drove them. And now the divine night, his dark ally, was mostly passed, and dawn that sets folk to work was quickly coming on, while bright Selene, daughter of the lord Pallas, Megamedes' son, had just climbed her watch-post, when the strong Son of Zeus drove the wide-browed cattle of Phoebus Apollo to the river Alpheus. And they came unwearied to the high-roofed byres and the drinking-troughs that were before the noble meadow. Then, after he had well-fed the loud-bellowing cattle with fodder and driven them into the byre, close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife.... ((LACUNA)) (16) ....held firmly in his hand: and the hot smoke rose up. For it was Hermes who first invented fire-sticks and fire. Next he took many dried sticks and piled them thick and plenty in a sunken trench: and flame began to glow, spreading afar the blast of fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was beginning to kindle the fire, he dragged out two lowing, horned cows close to the fire; for great strength was with him. He threw them both panting upon their backs on the ground, and rolled them on their sides, bending their necks over (17), and pierced their vital chord. Then he went on from task to task: first he cut up the rich, fatted meat, and pierced it with wooden spits, and roasted flesh and the honourable chine and the paunch full of dark blood all together. He laid them there upon the ground, and spread out the hides on a rugged rock: and so they are still there many ages afterwards, a long, long time after all this, and are continually (18). Next glad-hearted Hermes dragged the rich meats he had prepared and put them on a smooth, flat stone, and divided them into twelve portions distributed by lot, making each portion wholly honourable. Then glorious Hermes longed for the sacrificial meat, for the sweet savour wearied him, god though he was; nevertheless his proud heart was not prevailed upon to devour the flesh, although he greatly desired (19). But he put away the fat and all the flesh in the high- roofed byre, placing them high up to be a token of his youthful theft. And after that he gathered dry sticks and utterly destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw his sandals into deep-eddying Alpheus, and quenched the embers, covering the black ashes with sand, and so spent the night while Selene's soft light shone down. Then the god went straight back again at dawn to the bright crests of Cyllene, and no one met him on the long journey either of the blessed gods or mortal men, nor did any dog bark. And luck-bringing Hermes, the son of Zeus, passed edgeways through the key-hole of the hall like the autumn breeze, even as mist: straight through the cave he went and came to the rich inner chamber, walking softly, and making no noise as one might upon the floor. Then glorious Hermes went hurriedly to his cradle, wrapping his swaddling clothes about his shoulders as though he were a feeble babe, and lay playing with the covering about his knees; but at his left hand he kept close his sweet lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his mother; but she said to him: `How now, you rogue! Whence come you back so at night-time, you that wear shamelessness as a garment? And now I surely believe the son of Leto will soon have you forth out of doors with unbreakable cords about your ribs, or you will live a rogue's life in the glens robbing by whiles. Go to, then; your father got you to be a great worry to mortal men and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words: `Mother, why do you seek to frighten me like a feeble child whose heart knows few words of blame, a fearful babe that fears its mother's scolding? Nay, but I will try whatever plan is best, and so feed myself and you continually. We will not be content to remain here, as you bid, alone of all the gods unfee'd with offerings and prayers. Better to live in fellowship with the deathless gods continually, rich, wealthy, and enjoying stories of grain, than to sit always in a gloomy cave: and, as regards honour, I too will enter upon the rite that Apollo has. If my father will not give it to me, I will seek -- and I am able -- to be a prince of robbers. And if Leto's most glorious son shall seek me out, I think another and a greater loss will befall him. For I will go to Pytho to break into his great house, and will plunder therefrom splendid tripods, and cauldrons, and gold, and plenty of bright iron, and much apparel; and you shall see it if you will.'

(ll. 182-189) With such words they spoke together, the son of Zeus who holds the aegis, and the lady Maia. Now Eros the early born was rising from deep-flowing Ocean, bringing light to men, when Apollo, as he went, came to Onchestus, the lovely grove and sacred place of the loud-roaring Holder of the Earth. There he found an old man grazing his beast along the pathway from his court-yard fence, and the all-glorious Son of Leto began and said to him.

(ll. 190-200) `Old man, weeder (20) of grassy Onchestus, I am come here from Pieria seeking cattle, cows all of them, all with curving horns, from my herd. The black bull was grazing alone away from the rest, but fierce-eyed hounds followed the cows, four of them, all of one mind, like men. These were left behind, the dogs and the bull -- which is great marvel; but the cows strayed out of the soft meadow, away from the pasture when the sun was just going down. Now tell me this, old man born long ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: `My son, it is hard to tell all that one's eyes see; for many wayfarers pass to and fro this way, some bent on much evil, and some on good: it is difficult to know each one. However, I was digging about my plot of vineyard all day long until the sun went down, and I thought, good sir, but I do not know for certain, that I marked a child, whoever the child was, that followed long-horned cattle -- an infant who had a staff and kept walking from side to side: he was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man. And when Apollo heard this report, he went yet more quickly on his way, and presently, seeing a long-winged bird, he knew at once by that omen that thief was the child of Zeus the son of Cronos. So the lord Apollo, son of Zeus, hurried on to goodly Pylos seeking his shambling oxen, and he had his broad shoulders covered with a dark cloud. But when the Far-Shooter perceived the tracks, he cried:

(ll. 219-226) `Oh, oh! Truly this is a great marvel that my eyes behold! These are indeed the tracks of straight-horned oxen, but they are turned backwards towards the flowery meadow. But these others are not the footprints of man or woman or grey wolves or bears or lions, nor do I think they are the tracks of a rough- maned Centaur -- whoever it be that with swift feet makes such monstrous footprints; wonderful are the tracks on this side of the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of Zeus hastened on and came to the forest-clad mountain of Cyllene and the deep-shadowed cave in the rock where the divine nymph brought forth the child of Zeus who is the son of Cronos. A sweet odour spread over the lovely hill, and many thin-shanked sheep were grazing on the grass. Then far-shooting Apollo himself stepped down in haste over the stone threshold into the dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a rage about his cattle, he snuggled down in his fragrant swaddling-clothes; and as wood-ash covers over the deep embers of tree-stumps, so Hermes cuddled himself up when he saw the Far- Shooter. He squeezed head and hands and feet together in a small space, like a new born child seeking sweet sleep, though in truth he was wide awake, and he kept his lyre under his armpit. But the Son of Leto was aware and failed not to perceive the beautiful mountain-nymph and her dear son, albeit a little child and swathed so craftily. He peered in ever corner of the great dwelling and, taking a bright key, he opened three closets full of nectar and lovely ambrosia. And much gold and silver was stored in them, and many garments of the nymph, some purple and some silvery white, such as are kept in the sacred houses of the blessed gods. Then, after the Son of Leto had searched out the recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) `Child, lying in the cradle, make haste and tell me of my cattle, or we two will soon fall out angrily. For I will take and cast you into dusty Tartarus and awful hopeless darkness, and neither your mother nor your father shall free you or bring you up again to the light, but you will wander under the earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: `Son of Leto, what harsh words are these you have spoken? And is it cattle of the field you are come here to seek? I have not seen them: I have not heard of them: no one has told me of them. I cannot give news of them, nor win the reward for news. Am I like a cattle-liter, a stalwart person? This is no task for me: rather I care for other things: I care for sleep, and milk of my mother's breast, and wrappings round my shoulders, and warm baths. Let no one hear the cause of this dispute; for this would be a great marvel indeed among the deathless gods, that a child newly born should pass in through the forepart of the house with cattle of the field: herein you speak extravagantly. I was born yesterday, and my feet are soft and the ground beneath is rough; nevertheless, if you will have it so, I will swear a great oath by my father's head and vow that neither am I guilty myself, neither have I seen any other who stole your cows -- whatever cows may be; for I know them only by hearsay.'

(ll. 278-280) So, then, said Hermes, shooting quick glances from his eyes: and he kept raising his brows and looking this way and that, whistling long and listening to Apollo's story as to an idle tale.

(ll. 281-292) But far-working Apollo laughed softly and said to him: `O rogue, deceiver, crafty in heart, you talk so innocently that I most surely believe that you have broken into many a well- built house and stripped more than one poor wretch bare this night (22), gathering his goods together all over the house without noise. You will plague many a lonely herdsman in mountain glades, when you come on herds and thick-fleeced sheep, and have a hankering after flesh. But come now, if you would not sleep your last and latest sleep, get out of your cradle, you comrade of dark night. Surely hereafter this shall be your title amongst the deathless gods, to be called the prince of robbers continually.'

(ll. 293-300) So said Phoebus Apollo, and took the child and began to carry him. But at that moment the strong Slayer of Argus had his plan, and, while Apollo held him in his hands, sent forth an omen, a hard-worked belly-serf, a rude messenger, and sneezed directly after. And when Apollo heard it, he dropped glorious Hermes out of his hands on the ground: then sitting down before him, though he was eager to go on his way, he spoke mockingly to Hermes:

(ll. 301-303) `Fear not, little swaddling baby, son of Zeus and Maia. I shall find the strong cattle presently by these omens, and you shall lead the way.'

(ll. 304-306) When Apollo had so said, Cyllenian Hermes sprang up quickly, starting in haste. With both hands he pushed up to his ears the covering that he had wrapped about his shoulders, and said:

(ll. 307-312) `Where are you carrying me, Far-Worker, hastiest of all the gods? Is it because of your cattle that you are so angry and harass me? O dear, would that all the sort of oxen might perish; for it is not I who stole your cows, nor did I see another steal them -- whatever cows may be, and of that I have only heard report. Nay, give right and take it before Zeus, the Son of Cronos.'

(ll. 313-326) So Hermes the shepherd and Leto's glorious son kept stubbornly disputing each article of their quarrel: Apollo, speaking truly.... ((LACUNA)) ....not fairly sought to seize glorious Hermes because of the cows; but he, the Cyllenian, tried to deceive the God of the Silver Bow with tricks and cunning words. But when, though he had many wiles, he found the other had as many shifts, he began to walk across the sand, himself in front, while the Son of Zeus and Leto came behind. Soon they came, these lovely children of Zeus, to the top of fragrant Olympus, to their father, the Son of Cronos; for there were the scales of judgement set for them both.

There was an assembly on snowy Olympus, and the immortals who perish not were gathering after the hour of gold-throned Dawn.

(ll. 327-329) Then Hermes and Apollo of the Silver Bow stood at the knees of Zeus: and Zeus who thunders on high spoke to his glorious son and asked him:

(ll. 330-332) `Phoebus, whence come you driving this great spoil, a child new born that has the look of a herald? This is a weighty matter that is come before the council of the gods.'

(ll. 333-364) Then the lord, far-working Apollo, answered him: `O my father, you shall soon hear no triffling tale though you reproach me that I alone am fond of spoil. Here is a child, a burgling robber, whom I found after a long journey in the hills of Cyllene: for my part I have never seen one so pert either among the gods or all men that catch folk unawares throughout the world. He strole away my cows from their meadow and drove them off in the evening along the shore of the loud-roaring sea, making straight for Pylos. There were double tracks, and wonderful they were, such as one might marvel at, the doing of a clever sprite; for as for the cows, the dark dust kept and showed their footprints leading towards the flowery meadow; but he himself -- bewildering creature -- crossed the sandy ground outside the path, not on his feet nor yet on his hands; but, furnished with some other means he trudged his way -- wonder of wonders! -- as though one walked on slender oak-trees. Now while he followed the cattle across sandy ground, all the tracks showed quite clearly in the dust; but when he had finished the long way across the sand, presently the cows' track and his own could not be traced over the hard ground. But a mortal man noticed him as he drove the wide-browed kine straight towards Pylos. And as soon as he had shut them up quietly, and had gone home by crafty turns and twists, he lay down in his cradle in the gloom of a dim cave, as still as dark night, so that not even an eagle keenly gazing would have spied him. Much he rubbed his eyes with his hands as he prepared falsehood, and himself straightway said roundly: "I have not seen them: I have not heard of them: no man has told me of them. I could not tell you of them, nor win the reward of telling."'

(ll. 365-367) When he had so spoken, Phoebus Apollo sat down. But Hermes on his part answered and said, pointing at the Son of Cronos, the lord of all the gods:

(ll. 368-386) `Zeus, my father, indeed I will speak truth to you; for I am truthful and I cannot tell a lie. He came to our house to-day looking for his shambling cows, as the sun was newly rising. He brought no witnesses with him nor any of the blessed gods who had seen the theft, but with great violence ordered me to confess, threatening much to throw me into wide Tartarus. For he has the rich bloom of glorious youth, while I was born but yesterday -- as he too knows -- nor am I like a cattle-lifter, a sturdy fellow. Believe my tale (for you claim to be my own father), that I did not drive his cows to my house -- so may I prosper -- nor crossed the threshold: this I say truly. I reverence Helios greatly and the other gods, and you I love and him I dread. You yourself know that I am not guilty: and I will swear a great oath upon it: -- No! by these rich-decked porticoes of the gods. And some day I will punish him, strong as he is, for this pitiless inquisition; but now do you help the younger.'

(ll. 387-396) So spake the Cyllenian, the Slayer of Argus, while he kept shooting sidelong glances and kept his swaddling-clothes upon his arm, and did not cast them away. But Zeus laughed out loud to see his evil-plotting child well and cunningly denying guilt about the cattle. And he bade them both to be of one mind and search for the cattle, and guiding Hermes to lead the way and, without mischievousness of heart, to show the place where now he had hidden the strong cattle. Then the Son of Cronos bowed his head: and goodly Hermes obeyed him; for the will of Zeus who holds the aegis easily prevailed with him.

(ll. 397-404) Then the two all-glorious children of Zeus hastened both to sandy Pylos, and reached the ford of Alpheus, and came to the fields and the high-roofed byre where the beasts were cherished at night-time. Now while Hermes went to the cave in the rock and began to drive out the strong cattle, the son of Leto, looking aside, saw the cowhides on the sheer rock. And he asked glorious Hermes at once:

(ll. 405-408) `How were you able, you crafty rogue, to flay two cows, new-born and babyish as you are? For my part, I dread the strength that will be yours: there is no need you should keep growing long, Cyllenian, son of Maia!'

(ll. 409-414) So saying, Apollo twisted strong withes with his hands meaning to bind Hermes with firm bands; but the bands would not hold him, and the withes of osier fell far from him and began to grow at once from the ground beneath their feet in that very place. And intertwining with one another, they quickly grew and covered all the wild-roving cattle by the will of thievish Hermes, so that Apollo was astonished as he gazed.

(ll. 414-435) Then the strong slayer of Argus looked furtively upon the ground with eyes flashing fire.... desiring to hide.... ((LACUNA)) ....Very easily he softened the son of all-glorious Leto as he would, stern though the Far-shooter was. He took the lyre upon his left arm and tried each string in turn with the key, so that it sounded awesomely at his touch. And Phoebus Apollo laughed for joy; for the sweet throb of the marvellous music went to his heart, and a soft longing took hold on his soul as he listened. Then the son of Maia, harping sweetly upon his lyre, took courage and stood at the left hand of Phoebus Apollo; and soon, while he played shrilly on his lyre, he lifted up his voice and sang, and lovely was the sound of his voice that followed. He sang the story of the deathless gods and of the dark earth, how at the first they came to be, and how each one received his portion. First among the gods he honoured Mnemosyne, mother of the Muses, in his song; for the son of Maia was of her following. And next the goodly son of Zeus hymned the rest of the immortals according to their order in age, and told how each was born, mentioning all in order as he struck the lyre upon his arm. But Apollo was seized with a longing not to be allayed, and he opened his mouth and spoke winged words to Hermes:

(ll. 436-462) `Slayer of oxen, trickster, busy one, comrade of the feast, this song of yours is worth fifty cows, and I believe that presently we shall settle our quarrel peacefully. But come now, tell me this, resourceful son of Maia: has this marvellous thing been with you from your birth, or did some god or mortal man give it you -- a noble gift -- and teach you heavenly song? For wonderful is this new-uttered sound I hear, the like of which I vow that no man nor god dwelling on Olympus ever yet has known but you, O thievish son of Maia. What skill is this? What song for desperate cares? What way of song? For verily here are three things to hand all at once from which to choose, -- mirth, and love, and sweet sleep. And though I am a follower of the Olympian Muses who love dances and the bright path of song -- the full-toned chant and ravishing thrill of flutes -- yet I never cared for any of those feats of skill at young men's revels, as I do now for this: I am filled with wonder, O son of Zeus, at your sweet playing. But now, since you, though little, have such glorious skill, sit down, dear boy, and respect the words of your elders. For now you shall have renown among the deathless gods, you and your mother also. This I will declare to you exactly: by this shaft of cornel wood I will surely make you a leader renowned among the deathless gods, and fortunate, and will give you glorious gifts and will not deceive you from first to last.'

(ll. 463-495) Then Hermes answered him with artful words: `You question me carefully, O Far-worker; yet I am not jealous that you should enter upon my art: this day you shall know it. For I seek to be friendly with you both in thought and word. Now you well know all things in your heart, since you sit foremost among the deathless gods, O son of Zeus, and are goodly and strong. And wise Zeus loves you as all right is, and has given you splendid gifts. And they say that from the utterance of Zeus you have learned both the honours due to the gods, O Far-worker, and oracles from Zeus, even all his ordinances. Of all these I myself have already learned that you have great wealth. Now, you are free to learn whatever you please; but since, as it seems, your heart is so strongly set on playing the lyre, chant, and play upon it, and give yourself to merriment, taking this as a gift from me, and do you, my friend, bestow glory on me. Sing well with this clear-voiced companion in your hands; for you are skilled in good, well-ordered utterance. From now on bring it confidently to the rich feast and lovely dance and glorious revel, a joy by night and by day. Whoso with wit and wisdom enquires of it cunningly, him it teaches through its sound all manner of things that delight the mind, being easily played with gentle familiarities, for it abhors toilsome drudgery; but whoso in ignorance enquires of it violently, to him it chatters mere vanity and foolishness. But you are able to learn whatever you please. So then, I will give you this lyre, glorious son of Zeus, while I for my part will graze down with wild-roving cattle the pastures on hill and horse-feeding plain: so shall the cows covered by the bulls calve abundantly both males and females. And now there is no need for you, bargainer though you are, to be furiously angry.'

(ll. 496-502) When Hermes had said this, he held out the lyre: and Phoebus Apollo took it, and readily put his shining whip in Hermes' hand, and ordained him keeper of herds. The son of Maia received it joyfully, while the glorious son of Leto, the lord far-working Apollo, took the lyre upon his left arm and tried each string with the key. Awesomely it sounded at the touch of the god, while he sang sweetly to its note.

(ll. 503-512) Afterwards they two, the all-glorious sons of Zeus turned the cows back towards the sacred meadow, but themselves hastened back to snowy Olympus, delighting in the lyre. Then wise Zeus was glad and made them both friends. And Hermes loved the son of Leto continually, even as he does now, when he had given the lyre as token to the Far-shooter, who played it skilfully, holding it upon his arm. But for himself Hermes found out another cunning art and made himself the pipes whose sound is heard afar.

(ll. 513-520) Then the son of Leto said to Hermes: `Son of Maia, guide and cunning one, I fear you may steal form me the lyre and my curved bow together; for you have an office from Zeus, to establish deeds of barter amongst men throughout the fruitful earth. Now if you would only swear me the great oath of the gods, either by nodding your head, or by the potent water of Styx, you would do all that can please and ease my heart.'

(ll. 521-549) Then Maia's son nodded his head and promised that he would never steal anything of all the Far-shooter possessed, and would never go near his strong house; but Apollo, son of Leto, swore to be fellow and friend to Hermes, vowing that he would love no other among the immortals, neither god nor man sprung from Zeus, better than Hermes: and the Father sent forth an eagle in confirmation. And Apollo sware also: `Verily I will make you only to be an omen for the immortals and all alike, trusted and honoured by my heart. Moreover, I will give you a splendid staff of riches and wealth: it is of gold, with three branches, and will keep you scatheless, accomplishing every task, whether of words or deeds that are good, which I claim to know through the utterance of Zeus. But as for sooth-saying, noble, heaven-born child, of which you ask, it is not lawful for you to learn it, nor for any other of the deathless gods: only the mind of Zeus knows that. I am pledged and have vowed and sworn a strong oath that no other of the eternal gods save I should know the wise-hearted counsel of Zeus. And do not you, my brother, bearer of the golden wand, bid me tell those decrees which all- seeing Zeus intends. As for men, I will harm one and profit another, sorely perplexing the tribes of unenviable men. Whosoever shall come guided by the call and flight of birds of sure omen, that man shall have advantage through my voice, and I will not deceive him. But whoso shall trust to idly-chattering birds and shall seek to invoke my prophetic art contrary to my will, and to understand more than the eternal gods, I declare that he shall come on an idle journey; yet his gifts I would take.

(ll. 550-568) `But I will tell you another thing, Son of all- glorious Maia and Zeus who holds the aegis, luck-bringing genius of the gods. There are certain holy ones, sisters born -- three virgins (23) gifted with wings: their heads are besprinkled with white meal, and they dwell under a ridge of Parnassus. These are teachers of divination apart from me, the art which I practised while yet a boy following herds, though my father paid no heed to it. From their home they fly now here, now there, feeding on honey-comb and bringing all things to pass. And when they are inspired through eating yellow honey, they are willing to speak truth; but if they be deprived of the gods' sweet food, then they speak falsely, as they swarm in and out together. These, then, I give you; enquire of them strictly and delight your heart: and if you should teach any mortal so to do, often will he hear your response -- if he have good fortune. Take these, Son of Maia, and tend the wild roving, horned oxen and horses and patient mules.'

(ll. 568a-573) So he spake. And from heaven father Zeus himself gave confirmation to his words, and commanded that glorious Hermes should be lord over all birds of omen and grim-eyed lions, and boars with gleaming tusks, and over dogs and all flocks that the wide earth nourishes, and over all sheep; also that he only should be the appointed messenger to Hades, who, though he takes no gift, shall give him no mean prize.

(ll. 574-578) Thus the lord Apollo showed his kindness for the Son of Maia by all manner of friendship: and the Son of Cronos gave him grace besides. He consorts with all mortals and immortals: a little he profits, but continually throughout the dark night he cozens the tribes of mortal men.

(ll. 579-580) And so, farewell, Son of Zeus and Maia; but I will remember you and another song also.

V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the Cyprian, who stirs up sweet passion in the gods and subdues the tribes of mortal men and birds that fly in air and all the many creatures that the dry land rears, and all the sea: all these love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor yet ensnare. First is the daughter of Zeus who holds the aegis, bright-eyed Athene; for she has no pleasure in the deeds of golden Aphrodite, but delights in wars and in the work of Ares, in strifes and battles and in preparing famous crafts. She first taught earthly craftsmen to make chariots of war and cars variously wrought with bronze, and she, too, teaches tender maidens in the house and puts knowledge of goodly arts in each one's mind. Nor does laughter-loving Aphrodite ever tame in love Artemis, the huntress with shafts of gold; for she loves archery and the slaying of wild beasts in the mountains, the lyre also and dancing and thrilling cries and shady woods and the cities of upright men. Nor yet does the pure maiden Hestia love Aphrodite's works. She was the first-born child of wily Cronos and youngest too (24), by will of Zeus who holds the aegis, -- a queenly maid whom both Poseidon and Apollo sought to wed. But she was wholly unwilling, nay, stubbornly refused; and touching the head of father Zeus who holds the aegis, she, that fair goddess, sware a great oath which has in truth been fulfilled, that she would be a maiden all her days. So Zeus the Father gave her an high honour instead of marriage, and she has her place in the midst of the house and has the richest portion. In all the temples of the gods she has a share of honour, and among all mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the hearts. But of all others there is nothing among the blessed gods or among mortal men that has escaped Aphrodite. Even the heart of Zeus, who delights in thunder, is led astray by her; though he is greatest of all and has the lot of highest majesty, she beguiles even his wise heart whensoever she pleases, and mates him with mortal women, unknown to Hera, his sister and his wife, the grandest far in beauty among the deathless goddesses -- most glorious is she whom wily Cronos with her mother Rhea did beget: and Zeus, whose wisdom is everlasting, made her his chaste and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to be joined in love with a mortal man, to the end that, very soon, not even she should be innocent of a mortal's love; lest laughter-loving Aphrodite should one day softly smile and say mockingly among all the gods that she had joined the gods in love with mortal women who bare sons of death to the deathless gods, and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises who was tending cattle at that time among the steep hills of many-fountained Ida, and in shape was like the immortal gods. Therefore, when laughter-loving Aphrodite saw him, she loved him, and terribly desire seized her in her heart. She went to Cyprus, to Paphos, where her precinct is and fragrant altar, and passed into her sweet-smelling temple. There she went in and put to the glittering doors, and there the Graces bathed her with heavenly oil such as blooms upon the bodies of the eternal gods -- oil divinely sweet, which she had by her, filled with fragrance. And laughter-loving Aphrodite put on all her rich clothes, and when she had decked herself with gold, she left sweet-smelling Cyprus and went in haste towards Troy, swiftly travelling high up among the clouds. So she came to many-fountained Ida, the mother of wild creatures and went straight to the homestead across the mountains. After her came grey wolves, fawning on her, and grim- eyed lions, and bears, and fleet leopards, ravenous for deer: and she was glad in heart to see them, and put desire in their breasts, so that they all mated, two together, about the shadowy coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters, and him she found left quite alone in the homestead -- the hero Anchises who was comely as the gods. All the others were following the herds over the grassy pastures, and he, left quite alone in the homestead, was roaming hither and thither and playing thrillingly upon the lyre. And Aphrodite, the daughter of Zeus stood before him, being like a pure maiden in height and mien, that he should not be frightened when he took heed of her with his eyes. Now when Anchises saw her, he marked her well and wondered at her mien and height and shining garments. For she was clad in a robe out-shining the brightness of fire, a splendid robe of gold, enriched with all manner of needlework, which shimmered like the moon over her tender breasts, a marvel to see.

Also she wore twisted brooches and shining earrings in the form of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her: `Hail, lady, whoever of the blessed ones you are that are come to this house, whether Artemis, or Leto, or golden Aphrodite, or high-born Themis, or bright-eyed Athene. Or, maybe, you are one of the Graces come hither, who bear the gods company and are called immortal, or else one of those who inhabit this lovely mountain and the springs of rivers and grassy meads. I will make you an altar upon a high peak in a far seen place, and will sacrifice rich offerings to you at all seasons. And do you feel kindly towards me and grant that I may become a man very eminent among the Trojans, and give me strong offspring for the time to come. As for my own self, let me live long and happily, seeing the light of the sun, and come to the threshold of old age, a man prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered him: `Anchises, most glorious of all men born on earth, know that I am no goddess: why do you liken me to the deathless ones? Nay, I am but a mortal, and a woman was the mother that bare me. Otreus of famous name is my father, if so be you have heard of him, and he reigns over all Phrygia rich in fortresses. But I know your speech well beside my own, for a Trojan nurse brought me up at home: she took me from my dear mother and reared me thenceforth when I was a little child. So comes it, then, that I well know you tongue also. And now the Slayer of Argus with the golden wand has caught me up from the dance of huntress Artemis, her with the golden arrows. For there were many of us, nymphs and marriageable (26) maidens, playing together; and an innumerable company encircled us: from these the Slayer of Argus with the golden wand rapt me away. He carried me over many fields of mortal men and over much land untilled and unpossessed, where savage wild-beasts roam through shady coombes, until I thought never again to touch the life-giving earth with my feet. And he said that I should be called the wedded wife of Anchises, and should bear you goodly children. But when he had told and advised me, he, the strong Slayer of Argos, went back to the families of the deathless gods, while I am now come to you: for unbending necessity is upon me. But I beseech you by Zeus and by your noble parents -- for no base folk could get such a son as you -- take me now, stainless and unproved in love, and show me to your father and careful mother and to your brothers sprung from the same stock. I shall be no ill-liking daughter for them, but a likely. Moreover, send a messenger quickly to the swift- horsed Phrygians, to tell my father and my sorrowing mother; and they will send you gold in plenty and woven stuffs, many splendid gifts; take these as bride-piece. So do, and then prepare the sweet marriage that is honourable in the eyes of men and deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet desire in his heart. And Anchises was seized with love, so that he opened his mouth and said:

(ll. 145-154) `If you are a mortal and a woman was the mother who bare you, and Otreus of famous name is your father as you say, and if you are come here by the will of Hermes the immortal Guide, and are to be called my wife always, then neither god nor mortal man shall here restrain me till I have lain with you in love right now; no, not even if far-shooting Apollo himself should launch grievous shafts from his silver bow. Willingly would I go down into the house of Hades, O lady, beautiful as the goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand. And laughter-loving Aphrodite, with face turned away and lovely eyes downcast, crept to the well-spread couch which was already laid with soft coverings for the hero; and upon it lay skins of bears and deep-roaring lions which he himself had slain in the high mountains. And when they had gone up upon the well-fitted bed, first Anchises took off her bright jewelry of pins and twisted brooches and earrings and necklaces, and loosed her girdle and stripped off her bright garments and laid them down upon a silver-studded seat. Then by the will of the gods and destiny he lay with her, a mortal man with an immortal goddess, not clearly knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen and hardy sheep back to the fold from the flowery pastures, even then Aphrodite poured soft sleep upon Anchises, but herself put on her rich raiment. And when the bright goddess had fully clothed herself, she stood by the couch, and her head reached to the well-hewn roof-tree; from her cheeks shone unearthly beauty such as belongs to rich-crowned Cytherea. Then she aroused him from sleep and opened her mouth and said:

(ll. 177-179) `Up, son of Dardanus! -- why sleep you so heavily? -- and consider whether I look as I did when first you saw me with your eyes.'

(ll. 180-184) So she spake. And he awoke in a moment and obeyed her. But when he saw the neck and lovely eyes of Aphrodite, he was afraid and turned his eyes aside another way, hiding his comely face with his cloak. Then he uttered winged words and entreated her:

(ll. 185-190) `So soon as ever I saw you with my eyes, goddess, I knew that you were divine; but you did not tell me truly. Yet by Zeus who holds the aegis I beseech you, leave me not to lead a palsied life among men, but have pity on me; for he who lies with a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him: `Anchises, most glorious of mortal men, take courage and be not too fearful in your heart. You need fear no harm from me nor from the other blessed ones, for you are dear to the gods: and you shall have a dear son who shall reign among the Trojans, and children's children after him, springing up continually. His name shall be Aeneas (27), because I felt awful grief in that I laid me in the bed of mortal man: yet are those of your race always the most like to gods of all mortal men in beauty and in stature (28).

(ll. 202-217) `Verily wise Zeus carried off golden-haired Ganymedes because of his beauty, to be amongst the Deathless Ones and pour drink for the gods in the house of Zeus -- a wonder to see -- honoured by all the immortals as he draws the red nectar from the golden bowl. But grief that could not be soothed filled the heart of Tros; for he knew not whither the heaven-sent whirlwind had caught up his dear son, so that he mourned him always, unceasingly, until Zeus pitied him and gave him high- stepping horses such as carry the immortals as recompense for his son. These he gave him as a gift. And at the command of Zeus, the Guide, the slayer of Argus, told him all, and how his son would be deathless and unageing, even as the gods. So when Tros heard these tidings from Zeus, he no longer kept mourning but rejoiced in his heart and rode joyfully with his storm-footed horses.

(ll. 218-238) `So also golden-throned Eos rapt away Tithonus who was of your race and like the deathless gods. And she went to ask the dark-clouded Son of Cronos that he should be deathless and live eternally; and Zeus bowed his head to her prayer and fulfilled her desire. Too simply was queenly Eos: she thought not in her heart to ask youth for him and to strip him of the slough of deadly age. So while he enjoyed the sweet flower of life he lived rapturously with golden-throned Eos, the early- born, by the streams of Ocean, at the ends of the earth; but when the first grey hairs began to ripple from his comely head and noble chin, queenly Eos kept away from his bed, though she cherished him in her house and nourished him with food and ambrosia and gave him rich clothing. But when loathsome old age pressed full upon him, and he could not move nor lift his limbs, this seemed to her in her heart the best counsel: she laid him in a room and put to the shining doors. There he babbles endlessly, and no more has strength at all, such as once he had in his supple limbs.

(ll. 239-246) `I would not have you be deathless among the deathless gods and live continually after such sort. Yet if you could live on such as now you are in look and in form, and be called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you -- ruthless age which stands someday at the side of every man, deadly, wearying, dreaded even by the gods.

(ll. 247-290) `And now because of you I shall have great shame among the deathless gods henceforth, continually. For until now they feared my jibes and the wiles by which, or soon or late, I mated all the immortals with mortal women, making them all subject to my will. But now my mouth shall no more have this power among the gods; for very great has been my madness, my miserable and dreadful madness, and I went astray out of my mind who have gotten a child beneath my girdle, mating with a mortal man. As for the child, as soon as he sees the light of the sun, the deep-breasted mountain Nymphs who inhabit this great and holy mountain shall bring him up. They rank neither with mortals nor with immortals: long indeed do they live, eating heavenly food and treading the lovely dance among the immortals, and with them the Sileni and the sharp-eyed Slayer of Argus mate in the depths of pleasant caves; but at their birth pines or high-topped oaks spring up with them upon the fruitful earth, beautiful, flourishing trees, towering high upon the lofty mountains (and men call them holy places of the immortals, and never mortal lops them with the axe); but when the fate of death is near at hand, first those lovely trees wither where they stand, and the bark shrivels away about them, and the twigs fall down, and at last the life of the Nymph and of the tree leave the light of the sun together. These Nymphs shall keep my son with them and rear him, and as soon as he is come to lovely boyhood, the goddesses will bring him here to you and show you your child. But, that I may tell you all that I have in mind, I will come here again towards the fifth year and bring you my son. So soon as ever you have seen him -- a scion to delight the eyes -- you will rejoice in beholding him; for he shall be most godlike: then bring him at once to windy Ilion. And if any mortal man ask you who got your dear son beneath her girdle, remember to tell him as I bid you: say he is the offspring of one of the flower-like Nymphs who inhabit this forest-clad hill. But if you tell all and foolishly boast that you lay with rich-crowned Aphrodite, Zeus will smite you in his anger with a smoking thunderbolt. Now I have told you all. Take heed: refrain and name me not, but have regard to the anger of the gods.'

(l. 291) When the goddess had so spoken, she soared up to windy heaven.

(ll. 292-293) Hail, goddess, queen of well-builded Cyprus! With you have I begun; now I will turn me to another hymn.

VI. TO APHRODITE (21 lines)

(ll. 1-18) I will sing of stately Aphrodite, gold-crowned and beautiful, whose dominion is the walled cities of all sea-set Cyprus. There the moist breath of the western wind wafted her over the waves of the loud-moaning sea in soft foam, and there the gold-filleted Hours welcomed her joyously. They clothed her with heavenly garments: on her head they put a fine, well-wrought crown of gold, and in her pierced ears they hung ornaments of orichalc and precious gold, and adorned her with golden necklaces over her soft neck and snow-white breasts, jewels which the gold- filleted Hours wear themselves whenever they go to their father's house to join the lovely dances of the gods. And when they had fully decked her, they brought her to the gods, who welcomed her when they saw her, giving her their hands. Each one of them prayed that he might lead her home to be his wedded wife, so greatly were they amazed at the beauty of violet-crowned Cytherea.

(ll. 19-21) Hail, sweetly-winning, coy-eyed goddess! Grant that I may gain the victory in this contest, and order you my song. And now I will remember you and another song also.

VII. TO DIONYSUS (59 lines)

(ll. 1-16) I will tell of Dionysus, the son of glorious Semele, how he appeared on a jutting headland by the shore of the fruitless sea, seeming like a stripling in the first flush of manhood: his rich, dark hair was waving about him, and on his strong shoulders he wore a purple robe. Presently there came swiftly over the sparkling sea Tyrsenian (30) pirates on a well- decked ship -- a miserable doom led them on. When they saw him they made signs to one another and sprang out quickly, and seizing him straightway, put him on board their ship exultingly; for they thought him the son of heaven-nurtured kings. They sought to bind him with rude bonds, but the bonds would not hold him, and the withes fell far away from his hands and feet: and he sat with a smile in his dark eyes. Then the helmsman understood all and cried out at once to his fellows and said:

(ll. 17-24) `Madmen! What god is this whom you have taken and bind, strong that he is? Not even the well-built ship can carry him. Surely this is either Zeus or Apollo who has the silver bow, or Poseidon, for he looks not like mortal men but like the gods who dwell on Olympus. Come, then, let us set him free upon the dark shore at once: do not lay hands on him, lest he grow angry and stir up dangerous winds and heavy squalls.'

(ll. 25-31) So said he: but the master chid him with taunting words: `Madman, mark the wind and help hoist sail on the ship: catch all the sheets. As for this fellow we men will see to him: I reckon he is bound for Egypt or for Cyprus or to the Hyperboreans or further still. But in the end he will speak out and tell us his friends and all his wealth and his brothers, now that providence has thrown him in our way.'

(ll. 32-54) When he had said this, he had mast and sail hoisted on the ship, and the wind filled the sail and the crew hauled taut the sheets on either side. But soon strange things were seen among them. First of all sweet, fragrant wine ran streaming throughout all the black ship and a heavenly smell arose, so that all the seamen were seized with amazement when they saw it. And all at once a vine spread out both ways along the top of the sail with many clusters hanging down from it, and a dark ivy-plant twined about the mast, blossoming with flowers, and with rich berries growing on it; and all the thole-pins were covered with garlands. When the pirates saw all this, then at last they bade the helmsman to put the ship to land. But the god changed into a dreadful lion there on the ship, in the bows, and roared loudly: amidships also he showed his wonders and created a shaggy bear which stood up ravening, while on the forepeak was the lion glaring fiercely with scowling brows. And so the sailors fled into the stern and crowded bemused about the right-minded helmsman, until suddenly the lion sprang upon the master and seized him; and when the sailors saw it they leapt out overboard one and all into the bright sea, escaping from a miserable fate, and were changed into dolphins. But on the helmsman Dionysus had mercy and held him back and made him altogether happy, saying to him:

(ll. 55-57) `Take courage, good...; you have found favour with my heart. I am loud-crying Dionysus whom Cadmus' daughter Semele bare of union with Zeus.'

(ll. 58-59) Hail, child of fair-faced Semele! He who forgets you can in no wise order sweet song.

VIII. TO ARES (17 lines)

(ll. 1-17) Ares, exceeding in strength, chariot-rider, golden- helmed, doughty in heart, shield-bearer, Saviour of cities, harnessed in bronze, strong of arm, unwearying, mighty with the spear, O defence of Olympus, father of warlike Victory, ally of Themis, stern governor of the rebellious, leader of righteous men, sceptred King of manliness, who whirl your fiery sphere among the planets in their sevenfold courses through the aether wherein your blazing steeds ever bear you above the third firmament of heaven; hear me, helper of men, giver of dauntless youth! Shed down a kindly ray from above upon my life, and strength of war, that I may be able to drive away bitter cowardice from my head and crush down the deceitful impulses of my soul. Restrain also the keen fury of my heart which provokes me to tread the ways of blood-curdling strife. Rather, O blessed one, give you me boldness to abide within the harmless laws of peace, avoiding strife and hatred and the violent fiends of death.

IX. TO ARTEMIS (9 lines)

(ll. 1-6) Muse, sing of Artemis, sister of the Far-shooter, the virgin who delights in arrows, who was fostered with Apollo. She waters her horses from Meles deep in reeds, and swiftly drives her all-golden chariot through Smyrna to vine-clad Claros where Apollo, god of the silver bow, sits waiting for the far-shooting goddess who delights in arrows.

(ll. 7-9) And so hail to you, Artemis, in my song and to all goddesses as well. Of you first I sing and with you I begin; now that I have begun with you, I will turn to another song.

X. TO APHRODITE (6 lines)

(ll. 1-3) Of Cytherea, born in Cyprus, I will sing. She gives kindly gifts to men: smiles are ever on her lovely face, and lovely is the brightness that plays over it.

(ll. 4-6) Hail, goddess, queen of well-built Salamis and sea-girt Cyprus; grant me a cheerful song. And now I will remember you and another song also.

XI. TO ATHENA (5 lines)

(ll. 1-4) Of Pallas Athene, guardian of the city, I begin to sing. Dread is she, and with Ares she loves deeds of war, the sack of cities and the shouting and the battle. It is she who saves the people as they go out to war and come back.

(l. 5) Hail, goddess, and give us good fortune with happiness!

XII. TO HERA (5 lines)

(ll. 1-5) I sing of golden-throned Hera whom Rhea bare. Queen of the immortals is she, surpassing all in beauty: she is the sister and the wife of loud-thundering Zeus, -- the glorious one whom all the blessed throughout high Olympus reverence and honour even as Zeus who delights in thunder.

XIII. TO DEMETER (3 lines)

(ll. 1-2) I begin to sing of rich-haired Demeter, awful goddess, of her and of her daughter lovely Persephone.

(l. 3) Hail, goddess! Keep this city safe, and govern my song.

XIV. TO THE MOTHER OF THE GODS (6 lines)

(ll. 1-5) I prithee, clear-voiced Muse, daughter of mighty Zeus, sing of the mother of all gods and men. She is well-pleased with the sound of rattles and of timbrels, with the voice of flutes and the outcry of wolves and bright-eyed lions, with echoing hills and wooded coombes.

(l. 6) And so hail to you in my song and to all goddesses as well!

XV. TO HERACLES THE LION-HEARTED (9 lines)

(ll. 1-8) I will sing of Heracles, the son of Zeus and much the mightiest of men on earth. Alcmena bare him in Thebes, the city of lovely dances, when the dark-clouded Son of Cronos had lain with her. Once he used to wander over unmeasured tracts of land and sea at the bidding of King Eurystheus, and himself did many deeds of violence and endured many; but now he lives happily in the glorious home of snowy Olympus, and has neat-ankled Hebe for his wife.

(l. 9) Hail, lord, son of Zeus! Give me success and prosperity.

XVI. TO ASCLEPIUS (5 lines)

(ll. 1-4) I begin to sing of Asclepius, son of Apollo and healer of sicknesses. In the Dotian plain fair Coronis, daughter of King Phlegyas, bare him, a great joy to men, a soother of cruel pangs.

(l. 5) And so hail to you, lord: in my song I make my prayer to thee!

XVII. TO THE DIOSCURI (5 lines)

(ll. 1-4) Sing, clear-voiced Muse, of Castor and Polydeuces, the Tyndaridae, who sprang from Olympian Zeus. Beneath the heights fo Taygetus stately Leda bare them, when the dark-clouded Son of Cronos had privily bent her to his will.

(l. 5) Hail, children of Tyndareus, riders upon swift horses!

XVIII. TO HERMES (12 lines)

(ll. 1-9) I sing of Cyllenian Hermes, the Slayer of Argus, lord of Cyllene and Arcadia rich in flocks, luck-bringing messenger of the deathless gods. He was born of Maia, the daughter of Atlas, when she had made with Zeus, -- a shy goddess she. Ever she avoided the throng of the blessed gods and lived in a shadowy cave, and there the Son of Cronos used to lie with the rich- tressed nymph at dead of night, while white-armed Hera lay bound in sweet sleep: and neither deathless god nor mortal man knew it.

(ll. 10-11) And so hail to you, Son of Zeus and Maia; with you I have begun: now I will turn to another song!

(l. 12) Hail, Hermes, giver of grace, guide, and giver of good things! (31)

XIX. TO PAN (49 lines)

(ll. 1-26) Muse, tell me about Pan, the dear son of Hermes, with his goat's feet and two horns -- a lover of merry noise. Through wooded glades he wanders with dancing nymphs who foot it on some sheer cliff's edge, calling upon Pan, the shepherd-god, long- haired, unkempt. He has every snowy crest and the mountain peaks and rocky crests for his domain; hither and thither he goes through the close thickets, now lured by soft streams, and now he presses on amongst towering crags and climbs up to the highest peak that overlooks the flocks. Often he courses through the glistening high mountains, and often on the shouldered hills he speeds along slaying wild beasts, this keen-eyed god. Only at evening, as he returns from the chase, he sounds his note, playing sweet and low on his pipes of reed: not even she could excel him in melody -- that bird who in flower-laden spring pouring forth her lament utters honey-voiced song amid the leaves. At that hour the clear-voiced nymphs are with him and move with nimble feet, singing by some spring of dark water, while Echo wails about the mountain-top, and the god on this side or on that of the choirs, or at times sidling into the midst, plies it nimbly with his feet. On his back he wears a spotted lynx-pelt, and he delights in high-pitched songs in a soft meadow where crocuses and sweet-smelling hyacinths bloom at random in the grass.

(ll. 27-47) They sing of the blessed gods and high Olympus and choose to tell of such an one as luck-bringing Hermes above the rest, how he is the swift messenger of all the gods, and how he came to Arcadia, the land of many springs and mother of flocks, there where his sacred place is as god fo Cyllene. For there, though a god, he used to tend curly-fleeced sheep in the service of a mortal man, because there fell on him and waxed strong melting desire to wed the rich-tressed daughter of Dryops, and there be brought about the merry marriage. And in the house she bare Hermes a dear son who from his birth was marvellous to look upon, with goat's feet and two horns -- a noisy, merry-laughing child. But when the nurse saw his uncouth face and full beard, she was afraid and sprang up and fled and left the child. Then luck-bringing Hermes received him and took him in his arms: very glad in his heart was the god. And he went quickly to the abodes of the deathless gods, carrying the son wrapped in warm skins of mountain hares, and set him down beside Zeus and showed him to the rest of the gods. Then all the immortals were glad in heart and Bacchie Dionysus in especial; and they called the boy Pan (32) because he delighted all their hearts.

(ll. 48-49) And so hail to you, lord! I seek your favour with a song. And now I will remember you and another song also.

XX. TO HEPHAESTUS (8 lines)

(ll. 1-7) Sing, clear-voiced Muses, of Hephaestus famed for inventions. With bright-eyed Athene he taught men glorious gifts throughout the world, -- men who before used to dwell in caves in the mountains like wild beasts. But now that they have learned crafts through Hephaestus the famed worker, easily they live a peaceful life in their own houses the whole year round.

(l. 8) Be gracious, Hephaestus, and grant me success and prosperity!

XXI. TO APOLLO (5 lines)

(ll. 1-4) Phoebus, of you even the swan sings with clear voice to the beating of his wings, as he alights upon the bank by the eddying river Peneus; and of you the sweet-tongued minstrel, holding his high-pitched lyre, always sings both first and last.

(l. 5) And so hail to you, lord! I seek your favour with my song.

XXII. TO POSEIDON (7 lines)

(ll. 1-5) I begin to sing about Poseidon, the great god, mover of the earth and fruitless sea, god of the deep who is also lord of Helicon and wide Aegae. A two-fold office the gods allotted you, O Shaker of the Earth, to be a tamer of horses and a saviour of ships!

(ll. 6-7) Hail, Poseidon, Holder of the Earth, dark-haired lord! O blessed one, be kindly in heart and help those who voyage in ships!

XXIII. TO THE SON OF CRONOS, MOST HIGH (4 lines)

(ll. 1-3) I will sing of Zeus, chiefest among the gods and greatest, all-seeing, the lord of all, the fulfiller who whispers words of wisdom to Themis as she sits leaning towards him.

(l. 4) Be gracious, all-seeing Son of Cronos, most excellent and great!

XXIV. TO HESTIA (5 lines)

(ll. 1-5) Hestia, you who tend the holy house of the lord Apollo, the Far-shooter at goodly Pytho, with soft oil dripping ever from your locks, come now into this house, come, having one mind with Zeus the all-wise -- draw near, and withal bestow grace upon my song.

XXV. TO THE MUSES AND APOLLO (7 lines)

(ll. 1-5) I will begin with the Muses and Apollo and Zeus. For it is through the Muses and Apollo that there are singers upon the earth and players upon the lyre; but kings are from Zeus. Happy is he whom the Muses love: sweet flows speech from his lips.

(ll. 6-7) Hail, children of Zeus! Give honour to my song! And now I will remember you and another song also.

XXVI. TO DIONYSUS (13 lines)

(ll. 1-9) I begin to sing of ivy-crowned Dionysus, the loud- crying god, splendid son of Zeus and glorious Semele. The rich- haired Nymphs received him in their bosoms from the lord his father and fostered and nurtured him carefully in the dells of Nysa, where by the will of his father he grew up in a sweet- smelling cave, being reckoned among the immortals. But when the goddesses had brought him up, a god oft hymned, then began he to wander continually through the woody coombes, thickly wreathed with ivy and laurel. And the Nymphs followed in his train with him for their leader; and the boundless forest was filled with their outcry.

(ll. 10-13) And so hail to you, Dionysus, god of abundant clusters! Grant that we may come again rejoicing to this season, and from that season onwards for many a year.

XXVII. TO ARTEMIS (22 lines)

(ll. 1-20) I sing of Artemis, whose shafts are of gold, who cheers on the hounds, the pure maiden, shooter of stags, who delights in archery, own sister to Apollo with the golden sword. Over the shadowy hills and windy peaks she draws her golden bow, rejoicing in the chase, and sends out grievous shafts. The tops of the high mountains tremble and the tangled wood echoes awesomely with the outcry of beasts: earthquakes and the sea also where fishes shoal. But the goddess with a bold heart turns every way destroying the race of wild beasts: and when she is satisfied and has cheered her heart, this huntress who delights in arrows slackens her supple bow and goes to the great house of her dear brother Phoebus Apollo, to the rich land of Delphi, there to order the lovely dance of the Muses and Graces. There she hangs up her curved bow and her arrows, and heads and leads the dances, gracefully arrayed, while all they utter their heavenly voice, singing how neat-ankled Leto bare children supreme among the immortals both in thought and in deed.

(ll. 21-22) Hail to you, children of Zeus and rich-haired Leto! And now I will remember you and another song also.

XXVIII. TO ATHENA (18 lines)

(ll. 1-16) I begin to sing of Pallas Athene, the glorious goddess, bright-eyed, inventive, unbending of heart, pure virgin, saviour of cities, courageous, Tritogeneia. From his awful head wise Zeus himself bare her arrayed in warlike arms of flashing gold, and awe seized all the gods as they gazed. But Athena sprang quickly from the immortal head and stood before Zeus who holds the aegis, shaking a sharp spear: great Olympus began to reel horribly at the might of the bright-eyed goddess, and earth round about cried fearfully, and the sea was moved and tossed with dark waves, while foam burst forth suddenly: the bright Son of Hyperion stopped his swift-footed horses a long while, until the maiden Pallas Athene had stripped the heavenly armour from her immortal shoulders. And wise Zeus was glad.

(ll. 17-18) And so hail to you, daughter of Zeus who holds the aegis! Now I will remember you and another song as well.

XXIX. TO HESTIA (13 lines)

(ll. 1-6) Hestia, in the high dwellings of all, both deathless gods and men who walk on earth, you have gained an everlasting abode and highest honour: glorious is your portion and your right. For without you mortals hold no banquet, -- where one does not duly pour sweet wine in offering to Hestia both first and last.

(ll. 7-10) (33) And you, slayer of Argus, Son of Zeus and Maia, messenger of the blessed gods, bearer of the golden rod, giver of good, be favourable and help us, you and Hestia, the worshipful and dear. Come and dwell in this glorious house in friendship together; for you two, well knowing the noble actions of men, aid on their wisdom and their strength.

(ll. 12-13) Hail, Daughter of Cronos, and you also, Hermes, bearer of the golden rod! Now I will remember you and another song also.

XXX. TO EARTH THE MOTHER OF ALL (19 lines)

(ll. 1-16) I will sing of well-founded Earth, mother of all, eldest of all beings. She feeds all creatures that are in the world, all that go upon the goodly land, and all that are in the paths of the seas, and all that fly: all these are fed of her store. Through you, O queen, men are blessed in their children and blessed in their harvests, and to you it belongs to give means of life to mortal men and to take it away. Happy is the man whom you delight to honour! He has all things abundantly: his fruitful land is laden with corn, his pastures are covered with cattle, and his house is filled with good things. Such men rule orderly in their cities of fair women: great riches and wealth follow them: their sons exult with ever-fresh delight, and their daughters in flower-laden bands play and skip merrily over the soft flowers of the field. Thus is it with those whom you honour O holy goddess, bountiful spirit.

(ll. 17-19) Hail, Mother of the gods, wife of starry Heaven; freely bestow upon me for this my song substance that cheers the heart! And now I will remember you and another song also.

XXXI. TO HELIOS (20 lines)

(ll. 1-16) (34) And now, O Muse Calliope, daughter of Zeus, begin to sing of glowing Helios whom mild-eyed Euryphaessa, the far- shining one, bare to the Son of Earth and starry Heaven. For Hyperion wedded glorious Euryphaessa, his own sister, who bare him lovely children, rosy-armed Eos and rich-tressed Selene and tireless Helios who is like the deathless gods. As he rides in his chariot, he shines upon men and deathless gods, and piercingly he gazes with his eyes from his golden helmet. Bright rays beam dazzlingly from him, and his bright locks streaming form the temples of his head gracefully enclose his far-seen face: a rich, fine-spun garment glows upon his body and flutters in the wind: and stallions carry him. Then, when he has stayed his golden-yoked chariot and horses, he rests there upon the highest point of heaven, until he marvellously drives them down again through heaven to Ocean.

(ll. 17-19) Hail to you, lord! Freely bestow on me substance that cheers the heart. And now that I have begun with you, I will celebrate the race of mortal men half-divine whose deeds the Muses have showed to mankind.

XXXII. TO SELENE (20 lines)

(ll. 1-13) And next, sweet voiced Muses, daughters of Zeus, well- skilled in song, tell of the long-winged (35) Moon. From her immortal head a radiance is shown from heaven and embraces earth; and great is the beauty that ariseth from her shining light. The air, unlit before, glows with the light of her golden crown, and her rays beam clear, whensoever bright Selene having bathed her lovely body in the waters of Ocean, and donned her far-gleaming, shining team, drives on her long-maned horses at full speed, at eventime in the mid-month: then her great orbit is full and then her beams shine brightest as she increases. So she is a sure token and a sign to mortal men.

(ll. 14-16) Once the Son of Cronos was joined with her in love; and she conceived and bare a daughter Pandia, exceeding lovely amongst the deathless gods.

(ll. 17-20) Hail, white-armed goddess, bright Selene, mild, bright-tressed queen! And now I will leave you and sing the glories of men half-divine, whose deeds minstrels, the servants of the Muses, celebrate with lovely lips.

XXXIII. TO THE DIOSCURI (19 lines)

(ll. 1-17) Bright-eyed Muses, tell of the Tyndaridae, the Sons of Zeus, glorious children of neat-ankled Leda, Castor the tamer of horses, and blameless Polydeuces. When Leda had lain with the dark-clouded Son of Cronos, she bare them beneath the peak of the great hill Taygetus, -- children who are delivers of men on earth and of swift-going ships when stormy gales rage over the ruthless sea. Then the shipmen call upon the sons of great Zeus with vows of white lambs, going to the forepart of the prow; but the strong wind and the waves of the sea lay the ship under water, until suddenly these two are seen darting through the air on tawny wings. Forthwith they allay the blasts of the cruel winds and still the waves upon the surface of the white sea: fair signs are they and deliverance from toil. And when the shipmen see them they are glad and have rest from their pain and labour.

(ll. 18-19) Hail, Tyndaridae, riders upon swift horses! Now I will remember you and another song also.

ENDNOTES:

(1) ll. 1-9 are preserved by Diodorus Siculus iii. 66. 3; ll. 10-21 are extant only in M.

(2) Dionysus, after his untimely birth from Semele, was sewn into the thigh of Zeus.
(3) sc. Semele. Zeus is here speaking.
(4) The reference is apparently to something in the body of the hymn, now lost.
(5) The Greeks feared to name Pluto directly and mentioned him by one of many descriptive titles, such as `Host of Many': compare the Christian use of O DIABOLOS or our `Evil One'.
(6) Demeter chooses the lowlier seat, supposedly as being more suitable to her assumed condition, but really because in her sorrow she refuses all comforts.
(7) An act of communion -- the drinking of the potion here described -- was one of the most important pieces of ritual in the Eleusinian mysteries, as commemorating the sorrows of the goddess.
(8) Undercutter and Woodcutter are probably popular names (after the style of Hesiod's `Boneless One') for the worm thought to be the cause of teething and toothache.
(9) The list of names is taken -- with five additions -- from Hesiod, "Theogony" 349 ff.: for their general significance see note on that passage.
(10) Inscriptions show that there was a temple of Apollo Delphinius (cp. ii. 495-6) at Cnossus and a Cretan month bearing the same name.
(11) sc. that the dolphin was really Apollo.
(12) The epithets are transferred from the god to his altar `Overlooking' is especially an epithet of Zeus, as in Apollonius Rhodius ii. 1124.
(13) Pliny notices the efficacy of the flesh of a tortoise against withcraft. In "Geoponica" i. 14. 8 the living tortoise is prescribed as a charm to preserve vineyards from hail.
(14) Hermes makes the cattle walk backwards way, so that they seem to be going towards the meadow instead of leaving it (cp. l. 345); he himself walks in the normal manner, relying on his sandals as a disguise.
(15) Such seems to be the meaning indicated by the context, though the verb is taken by Allen and Sikes to mean, `to be like oneself', and so `to be original'.
(16) Kuhn points out that there is a lacuna here. In l. 109 the borer is described, but the friction of this upon the fireblock (to which the phrase `held firmly' clearly belongs) must also have been mentioned.
(17) The cows being on their sides on the ground, Hermes bends their heads back towards their flanks and so can reach their backbones.
(18) O. Muller thinks the `hides' were a stalactite formation in the `Cave of Nestor' near Messenian Pylos, -- though the cave of Hermes is near the Alpheus (l. 139). Others suggest that actual skins were shown as relics before some cave near Triphylian Pylos.
(19) Gemoll explains that Hermes, having offered all the meat as sacrifice to the Twelve Gods, remembers that he himself as one of them must be content with the savour instead of the substance of the sacrifice. Can it be that by eating he would have forfeited the position he claimed as one of the Twelve Gods?
(20) Lit. `thorn-plucker'.
(21) Hermes is ambitious (l. 175), but if he is cast into Hades he will have to be content with the leadership of mere babies like himself, since those in Hades retain the state of growth -- whether childhood or manhood -- in which they are at the moment of leaving the upper world.
(22) Literally, `you have made him sit on the floor', i.e. `you have stolen everything down to his last chair.'
(23) The Thriae, who practised divination by means of pebbles (also called THRIAE). In this hymn they are represented as aged maidens (ll. 553-4), but are closely associated with bees (ll. 559-563) and possibly are here conceived as having human heads and breasts with the bodies and wings of bees. See the edition of Allen and Sikes, Appendix III.
(24) Cronos swallowed each of his children the moment that they were born, but ultimately was forced to disgorge them. Hestia, being the first to be swallowed, was the last to be disgorged, and so was at once the first and latest born of the children of Cronos. Cp. Hesiod "Theogony", ll. 495-7.
(25) Mr. Evelyn-White prefers a different order for lines #87-90 than that preserved in the MSS. This translation is based upon the following sequence: ll. 89,90,87,88. -- DBK.
(26) `Cattle-earning', because an accepted suitor paid for his bride in cattle.
(27) The name Aeneas is here connected with the epithet AIEOS (awful): similarly the name Odysseus is derived (in "Odyssey" i.62) from ODYSSMAI (I grieve).
(28) Aphrodite extenuates her disgrace by claiming that the race of Anchises is almost divine, as is shown in the persons of Ganymedes and Tithonus.
(29) So Christ connecting the word with OMOS. L. and S. give = OMOIOS, `common to all'.
(30) Probably not Etruscans, but the non-Hellenic peoples of Thrace and (according to Thucydides) of Lemnos and Athens. Cp. Herodotus i. 57; Thucydides iv. 109.
(31) This line appears to be an alternative to ll. 10-11.
(32) The name Pan is here derived from PANTES, `all'. Cp. Hesiod, "Works and Days" ll. 80-82, "Hymn to Aphrodite" (v) l. 198. for the significance of personal names.
(33) Mr. Evelyn-White prefers to switch l. 10 and 11, reading 11 first then 10. -- DBK.
(34) An extra line is inserted in some MSS. after l. 15. -- DBK.
(35) The epithet is a usual one for birds, cp. Hesiod, "Works and Days", l. 210; as applied to Selene it may merely indicate her passage, like a bird, through the air, or mean `far flying'.

HOMER'S EPIGRAMS (1)

I. (5 lines)
(ll. 1-5) Have reverence for him who needs a home and stranger's dole, all ye who dwell in the high city of Cyme, the lovely maiden, hard by the foothills of lofty Sardene, ye who drink the heavenly water of the divine stream, eddying Hermus, whom deathless Zeus begot.

II. (2 lines)
(ll. 1-2) Speedily may my feet bear me to some town of righteous men; for their hearts are generous and their wit is best.

III. (6 lines)
(ll. 1-6) I am a maiden of bronze and am set upon the tomb of Midas. While the waters flow and tall trees flourish, and the sun rises and shines and the bright moon also; while rivers run and the sea breaks on the shore, ever remaining on this mournful tomb, I tell the passer-by that Midas here lies buried.

IV. (17 lines)
(ll. 1-17) To what a fate did Zeus the Father give me a prey even while he made me to grow, a babe at my mother's knee! By the will of Zeus who holds the aegis the people of Phricon, riders on wanton horses, more active than raging fire in the test of war, once built the towers of Aeolian Smyrna, wave-shaken neighbour to the sea, through which glides the pleasant stream of sacred Meles; thence (2) arose the daughters of Zeus, glorious children, and would fain have made famous that fair country and the city of its people. But in their folly those men scorned the divine voice and renown of song, and in trouble shall one of them remember this hereafter -- he who with scornful words to them (3) contrived my fate. Yet I will endure the lot which heaven gave me even at my birth, bearing my disappointment with a patient heart. My dear limbs yearn not to stay in the sacred streets of Cyme, but rather my great heart urges me to go unto another country, small though I am.

V. (2 lines)
(ll. 1-2) Thestorides, full many things there are that mortals cannot sound; but there is nothing more unfathomable than the heart of man.

VI. (8 lines)
(ll. 1-8) Hear me, Poseidon, strong shaker of the earth, ruler of wide-spread, tawny Helicon! Give a fair wind and sight of safe return to the shipmen who speed and govern this ship. And grant that when I come to the nether slopes of towering Mimas I may find honourable, god-fearing men. Also may I avenge me on the wretch who deceived me and grieved Zeus the lord of guests and his own guest-table.

VII. (3 lines)
(ll. 1-3) Queen Earth, all bounteous giver of honey-hearted wealth, how kindly, it seems, you are to some, and how intractable and rough for those with whom you are angry.

VIII. (4 lines)
(ll. 1-4) Sailors, who rove the seas and whom a hateful fate has made as the shy sea-fowl, living an unenviable life, observe the reverence due to Zeus who rules on high, the god of strangers; for terrible is the vengeance of this god afterwards for whosoever has sinned.

IX. (2 lines)
(ll. 1-2) Strangers, a contrary wind has caught you: but even now take me aboard and you shall make your voyage.

X. (4 lines)
(ll. 1-4) Another sort of pine shall bear a better fruit (4) than you upon the heights of furrowed, windy Ida. For there shall mortal men get the iron that Ares loves so soon as the Cebrenians shall hold the land.

XI. (4 lines)
(ll. 1-4) Glaucus, watchman of flocks, a word will I put in your heart. First give the dogs their dinner at the courtyard gate, for this is well. The dog first hears a man approaching and the wild-beast coming to the fence.

XII. (4 lines) (ll. 1-4) Goddess-nurse of the young
(5), give ear to my prayer, and grant that this woman may reject the love-embraces of youth and dote on grey-haired old men whose powers are dulled, but whose hearts still desire.

XIII. (6 lines) (ll. 1-6) Children are a man's crown, towers of a city; horses are the glory of a plain, and so are ships of the sea; wealth will make a house great, and reverend princes seated in assembly are a goodly sight for the folk to see. But a blazing fire makes a house look more comely upon a winter's day, when the Son of Cronos sends down snow.

XIV. (23 lines) (ll. 1-23) Potters, if you will give me a reward, I will sing for you. Come, then, Athena, with hand upraised
(6) over the kiln. Let the pots and all the dishes turn out well and be well fired: let them fetch good prices and be sold in plenty in the market, and plenty in the streets. Grant that the potters may get great gain and grant me so to sing to them. But if you turn shameless and make false promises, then I call together the destroyers of kilns, Shatter and Smash and Charr and Crash and Crudebake who can work this craft much mischief. Come all of you and sack the kiln-yard and the buildings: let the whole kiln be shaken up to the potter's loud lament. As a horse's jaw grinds, so let the kiln grind to powder all the pots inside. And you, too, daughter of the Sun, Circe the witch, come and cast cruel spells; hurt both these men and their handiwork. Let Chiron also come and bring many Centaurs -- all that escaped the hands of Heracles and all that were destroyed: let them make sad havoc of the pots and overthrow the kiln, and let the potters see the mischief and be grieved; but I will gloat as I behold their luckless craft. And if anyone of them stoops to peer in, let all his face be burned up, that all men may learn to deal honestly.

XV. (13 lines)
(7) (ll. 1-7) Let us betake us to the house fo some man of great power, -- one who bears great power and is greatly prosperous always. Open of yourselves, you doors, for mighty Wealth will enter in, and with Wealth comes jolly Mirth and gentle Peace. May all the corn-bins be full and the mass of dough always overflow the kneading-trough. Now (set before us) cheerful barley-pottage, full of sesame....

((LACUNA))

(ll. 8-10) Your son's wife, driving to this house with strong- hoofed mules, shall dismount from her carriage to greet you; may she be shod with golden shoes as she stands weaving at the loom.

(ll. 11-13) I come, and I come yearly, like the swallow that perches light-footed in the fore-part of your house. But quickly bring....

XVI. (2 lines) (ll. 1-2) If you will give us anything (well). But if not, we will not wait, for we are not come here to dwell with you.

XVII. HOMER: Hunters of deep sea prey, have we caught anything?

FISHERMAN: All that we caught we left behind, and all that we did not catch we carry home. (8)

HOMER: Ay, for of such fathers you are sprung as neither hold rich lands nor tend countless sheep.

ENDNOTES:

(1) "The Epigrams" are preserved in the pseudo-Herodotean "Life of Homer". Nos. III, XIII, and XVII are also found in the "Contest of Homer and Hesiod", and No. I is also extant at the end of some MSS. of the "Homeric Hymns".

(2) sc. from Smyrna, Homer's reputed birth-place.
(3) The councillors at Cyme who refused to support Homer at the public expense.
(4) The `better fruit' is apparently the iron smelted out in fires of pine-wood.
(5) Hecate: cp. Hesiod, "Theogony", l. 450.
(6) i.e. in protection.
(7) This song is called by pseudo-Herodotus EIRESIONE. The word properly indicates a garland wound with wool which was worn at harvest-festivals, but came to be applied first to the harvest song and then to any begging song. The present is akin the Swallow-Song (XELIDONISMA), sung at the beginning of spring, and answered to the still surviving English May- Day songs. Cp. Athenaeus, viii. 360 B. (8) The lice which they caught in their clothes they left behind, but carried home in their clothes those which they could not catch.

FRAGMENTS OF THE EPIC CYCLE

THE WAR OF THE TITANS (fragments)

Fragment #1 -- Photius, Epitome of the Chrestomathy of Proclus: The Epic Cycle begins with the fabled union of Heaven and Earth, by which they make three hundred-handed sons and three Cyclopes to be born to him.

Fragment #2 -- Anecdota Oxon. (Cramer) i. 75: According to the writer of the "War of the Titans" Heaven was the son of Aether.

Fragment #3 -- Scholiast on Apollonius Rhodius, Arg. i. 1165: Eumelus says that Aegaeon was the son of Earth and Sea and, having his dwelling in the sea, was an ally of the Titans.

Fragment #4 -- Athenaeus, vii. 277 D: The poet of the "War of the Titans", whether Eumelus of Corinth or Arctinus, writes thus in his second book: `Upon the shield were dumb fish afloat, with golden faces, swimming and sporting through the heavenly water.'

Fragment #5 -- Athenaeus, i. 22 C: Eumelus somewhere introduces Zeus dancing: he says -- `In the midst of them danced the Father of men and gods.'

Fragment #6 -- Scholiast on Apollonius Rhodius, Arg. i. 554: The author of the "War of the Giants" says that Cronos took the shape of a horse and lay with Philyra, the daughter of Ocean. Through this cause Cheiron was born a centaur: his wife was Chariclo.

Fragment #7 -- Athenaeus, xi. 470 B: Theolytus says that he (Heracles) sailed across the sea in a cauldron (1); but the first to give this story is the author of the "War of the Titans".

Fragment #8 -- Philodemus, On Piety: The author of the "War of the Titans" says that the apples (of the Hesperides) were guarded.

ENDNOTES:

(1) See the cylix reproduced by Gerhard, Abhandlungen, taf. 5,4.

Cp. Stesichorus, Frag. 3 (Smyth).

THE STORY OF OEDIPUS (fragments)

Fragment #1 -- C.I.G. Ital. et Sic. 1292. ii. 11: ....the "Story of Oedipus" by Cinaethon in six thousand six hundred verses.

Fragment #2 -- Pausanias, ix. 5.10: Judging by Homer I do not believe that Oedipus had children by Iocasta: his sons were born of Euryganeia as the writer of the Epic called the "Story of Oedipus" clearly shows.

Fragment #3 -- Scholiast on Euripides Phoen., 1750: The authors of the "Story of Oedipus" (say) of the Sphinx: `But furthermore (she killed) noble Haemon, the dear son of blameless Creon, the comeliest and loveliest of boys.'

THE THEBAID (fragments)

Fragment #1 -- Contest of Homer and Hesiod: Homer travelled about reciting his epics, first the "Thebaid", in seven thousand verses, which begins: `Sing, goddess, of parched Argos, whence lords...'

Fragment #2 -- Athenaeus, xi. 465 E: `Then the heaven-born hero, golden-haired Polyneices, first set beside Oedipus a rich table of silver which once belonged to Cadmus the divinely wise: next he filled a fine golden cup with sweet wine. But when Oedipus perceived these treasures of his father, great misery fell on his heart, and he straight-way called down bitter curses there in the presence of both his sons.

And the avenging Fury of the gods failed not to hear him as he prayed that they might never divide their father's goods in loving brotherhood, but that war and fighting might be ever the portion of them both.'

Fragment #3 -- Laurentian Scholiast on Sophocles, O.C. 1375: `And when Oedipus noticed the haunch (1) he threw it on the ground and said: "Oh! Oh! my sons have sent this mocking me..."

So he prayed to Zeus the king and the other deathless gods that each might fall by his brother's hand and go down into the house of Hades.'

Fragment #4 -- Pausanias, viii. 25.8: Adrastus fled from Thebes `wearing miserable garments, and took black-maned Areion (2) with him.'

Fragment #5 -- Pindar, Ol. vi. 15:
(3) `But when the seven dead had received their last rites in Thebes, the Son of Talaus lamented and spoke thus among them: "Woe is me, for I miss the bright eye of my host, a good seer and a stout spearman alike."'

Fragment #6 -- Apollodorus, i. 74: Oeneus married Periboea the daughter of Hipponous. The author of the "Thebais" says that when Olenus had been stormed, Oeneus received her as a prize.

Fragment #7 -- Pausanias, ix. 18.6: Near the spring is the tomb of Asphodicus. This Asphodicus killed Parthenopaeus the son of Talaus in the battle against the Argives, as the Thebans say; though that part of the "Thebais" which tells of the death of Parthenopaeus says that it was Periclymenus who killed him.

ENDNOTES:

(1) The haunch was regarded as a dishonourable portion.
(2) The horse of Adrastus, offspring of Poseidon and Demeter, who had charged herself into a mare to escape Poseidon.
(3) Restored from Pindar Ol. vi. 15 who, according to Asclepiades, derives the passage from the "Thebais".

THE EPIGONI (fragments)

Fragment #1 -- Contest of Homer and Hesiod: Next (Homer composed) the "Epigoni" in seven thousand verses, beginning, `And now, Muses, let us begin to sing of younger men.'

Fragment #2 -- Photius, Lexicon: Teumesia. Those who have written on Theban affairs have given a full account of the Teumesian fox. (1) They relate that the creature was sent by the gods to punish the descendants of Cadmus, and that the Thebans therefore excluded those of the house of Cadmus from kingship. But (they say) a certain Cephalus, the son of Deion, an Athenian, who owned a hound which no beast ever escaped, had accidentally killed his wife Procris, and being purified of the homicide by the Cadmeans, hunted the fox with his hound, and when they had overtaken it both hound and fox were turned into stones near Teumessus. These writers have taken the story from the Epic Cycle.

Fragment #3 -- Scholiast on Apollonius Rhodius, Arg. i. 308: The authors of the "Thebais" say that Manto the daughter of Teiresias was sent to Delphi by the Epigoni as a first fruit of their spoil, and that in accordance with an oracle of Apollo she went out and met Rhacius, the son of Lebes, a Mycenaean by race. This man she married -- for the oracle also contained the command that she should marry whomsoever she might meet -- and coming to Colophon, was there much cast down and wept over the destruction of her country.

ENDNOTES:

(1) So called from Teumessus, a hill in Boeotia. For the derivation of Teumessus cp. Antimachus "Thebais" fr. 3 (Kinkel).

THE CYPRIA (fragments)

Fragment #1 -- Proclus, Chrestomathia, i: This (1) is continued by the epic called "Cypria" which is current is eleven books. Its contents are as follows.

Zeus plans with Themis to bring about the Trojan war. Strife arrives while the gods are feasting at the marriage of Peleus and starts a dispute between Hera, Athena, and Aphrodite as to which of them is fairest. The three are led by Hermes at the command of Zeus to Alexandrus (2) on Mount Ida for his decision, and Alexandrus, lured by his promised marriage with Helen, decides in favour of Aphrodite.

Then Alexandrus builds his ships at Aphrodite's suggestion, and Helenus foretells the future to him, and Aphrodite order Aeneas to sail with him, while Cassandra prophesies as to what will happen afterwards. Alexandrus next lands in Lacedaemon and is entertained by the sons of Tyndareus, and afterwards by Menelaus in Sparta, where in the course of a feast he gives gifts to Helen.

After this, Menelaus sets sail for Crete, ordering Helen to furnish the guests with all they require until they depart. Meanwhile, Aphrodite brings Helen and Alexandrus together, and they, after their union, put very great treasures on board and sail away by night. Hera stirs up a storm against them and they are carried to Sidon, where Alexandrus takes the city. From there he sailed to Troy and celebrated his marriage with Helen.

In the meantime Castor and Polydeuces, while stealing the cattle of Idas and Lynceus, were caught in the act, and Castor was killed by Idas, and Lynceus and Idas by Polydeuces. Zeus gave them immortality every other day.

Iris next informs Menelaus of what has happened at his home. Menelaus returns and plans an expedition against Ilium with his brother, and then goes on to Nestor. Nestor in a digression tells him how Epopeus was utterly destroyed after seducing the daughter of Lycus, and the story of Oedipus, the madness of Heracles, and the story of Theseus and Ariadne. Then they travel over Hellas and gather the leaders, detecting Odysseus when he pretends to be mad, not wishing to join the expedition, by seizing his son Telemachus for punishment at the suggestion of Palamedes.

All the leaders then meet together at Aulis and sacrifice. The incident of the serpent and the sparrows (2) takes place before them, and Calchas foretells what is going to befall. After this, they put out to sea, and reach Teuthrania and sack it, taking it for Ilium. Telephus comes out to the rescue and kills Thersander and son of Polyneices, and is himself wounded by Achilles. As they put out from Mysia a storm comes on them and scatters them, and Achilles first puts in at Scyros and married Deidameia, the daughter of Lycomedes, and then heals Telephus, who had been led by an oracle to go to Argos, so that he might be their guide on the voyage to Ilium.

When the expedition had mustered a second time at Aulis, Agamemnon, while at the chase, shot a stag and boasted that he surpassed even Artemis. At this the goddess was so angry that she sent stormy winds and prevented them from sailing. Calchas then told them of the anger of the goddess and bade them sacrifice Iphigeneia to Artemis. This they attempt to do, sending to fetch Iphigeneia as though for marriage with Achilles.

Artemis, however, snatched her away and transported her to the Tauri, making her immortal, and putting a stag in place of the girl upon the altar.

Next they sail as far as Tenedos: and while they are feasting, Philoctetes is bitten by a snake and is left behind in Lemnos because of the stench of his sore. Here, too, Achilles quarrels with Agamemnon because he is invited late. Then the Greeks tried to land at Ilium, but the Trojans prevent them, and Protesilaus is killed by Hector. Achilles then kills Cycnus, the son of Poseidon, and drives the Trojans back. The Greeks take up their dead and send envoys to the Trojans demanding the surrender of Helen and the treasure with her. The Trojans refusing, they first assault the city, and then go out and lay waste the country and cities round about. After this, Achilles desires to see Helen, and Aphrodite and Thetis contrive a meeting between them. The Achaeans next desire to return home, but are restrained by Achilles, who afterwards drives off the cattle of Aeneas, and sacks Lyrnessus and Pedasus and many of the neighbouring cities, and kills Troilus. Patroclus carries away Lycaon to Lemnos and sells him as a slave, and out of the spoils Achilles receives Briseis as a prize, and Agamemnon Chryseis. Then follows the death of Palamedes, the plan of Zeus to relieve the Trojans by detaching Achilles from the Hellenic confederacy, and a catalogue of the Trojan allies.

Fragment #2 -- Tzetzes, Chil. xiii. 638: Stasinus composed the "Cypria" which the more part say was Homer's work and by him given to Stasinus as a dowry with money besides.

Fragment #3 -- Scholiast on Homer, Il. i. 5: `There was a time when the countless tribes of men, though wide- dispersed, oppressed the surface of the deep-bosomed earth, and Zeus saw it and had pity and in his wise heart resolved to relieve the all-nurturing earth of men by causing the great struggle of the Ilian war, that the load of death might empty the world. And so the heroes were slain in Troy, and the plan of Zeus came to pass.'

Fragment #4 -- Volumina Herculan, II. viii. 105: The author of the "Cypria" says that Thetis, to please Hera, avoided union with Zeus, at which he was enraged and swore that she should be the wife of a mortal.

Fragment #5 -- Scholiast on Homer, Il. xvii. 140: For at the marriage of Peleus and Thetis, the gods gathered together on Pelion to feast and brought Peleus gifts. Cheiron gave him a stout ashen shaft which he had cut for a spear, and Athena, it is said, polished it, and Hephaestus fitted it with a head. The story is given by the author of the "Cypria".

Fragment #6 -- Athenaeus, xv. 682 D, F: The author of the "Cypria", whether Hegesias or Stasinus, mentions flowers used for garlands. The poet, whoever he was, writes as follows in his first book:

(ll. 1-7) `She clothed herself with garments which the Graces and Hours had made for her and dyed in flowers of spring -- such flowers as the Seasons wear -- in crocus and hyacinth and flourishing violet and the rose's lovely bloom, so sweet and delicious, and heavenly buds, the flowers of the narcissus and lily. In such perfumed garments is Aphrodite clothed at all seasons.

((LACUNA))

(ll. 8-12) Then laughter-loving Aphrodite and her handmaidens wove sweet-smelling crowns of flowers of the earth and put them upon their heads -- the bright-coiffed goddesses, the Nymphs and Graces, and golden Aphrodite too, while they sang sweetly on the mount of many-fountained Ida.'

Fragment #7 -- Clement of Alexandria, Protrept ii. 30. 5: `Castor was mortal, and the fate of death was destined for him; but Polydeuces, scion of Ares, was immortal.'

Fragment #8 -- Athenaeus, viii. 334 B: `And after them she bare a third child, Helen, a marvel to men. Rich-tressed Nemesis once gave her birth when she had been joined in love with Zeus the king of the gods by harsh violence. For Nemesis tried to escape him and liked not to lie in love with her father Zeus the Son of Cronos; for shame and indignation vexed her heart: therefore she fled him over the land and fruitless dark water. But Zeus ever pursued and longed in his heart to catch her. Now she took the form of a fish and sped over the waves of the loud-roaring sea, and now over Ocean's stream and the furthest bounds of Earth, and now she sped over the furrowed land, always turning into such dread creatures as the dry land nurtures, that she might escape him.'

Fragment #9 -- Scholiast on Euripides, Andr. 898: The writer
(3) of the Cyprian histories says that (Helen's third child was) Pleisthenes and that she took him with her to Cyprus, and that the child she bore Alexandrus was Aganus.

Fragment #10 -- Herodotus, ii. 117: For it is said in the "Cypria" that Alexandrus came with Helen to Ilium from Sparta in three days, enjoying a favourable wind and calm sea.

Fragment #11 -- Scholiast on Homer, Il. iii. 242: For Helen had been previously carried off by Theseus, and it was in consequence of this earlier rape that Aphidna, a town in Attica, was sacked and Castor was wounded in the right thigh by Aphidnus who was king at that time. Then the Dioscuri, failing to find Theseus, sacked Athens. The story is in the Cyclic writers.

Plutarch, Thes. 32: Hereas relates that Alycus was killed by Theseus himself near Aphidna, and quotes the following verses in evidence: `In spacious Aphidna Theseus slew him in battle long ago for rich- haired Helen's sake.'
(4)

Fragment #12 -- Scholiast on Pindar, Nem. x. 114: (ll. 1-6) `Straightway Lynceus, trusting in his swift feet, made for Taygetus. He climbed its highest peak and looked throughout the whole isle of Pelops, son of Tantalus; and soon the glorious hero with his dread eyes saw horse-taming Castor and athlete Polydeuces both hidden within a hollow oak.'

Philodemus, On Piety: (Stasinus?) writes that Castor was killed with a spear shot by Idas the son of Aphareus.

Fragment #13 -- Athenaeus, 35 C: `Menelaus, know that the gods made wine the best thing for mortal man to scatter cares.'

Fragment #14 -- Laurentian Scholiast on Sophocles, Elect. 157: Either he follows Homer who spoke of the three daughters of Agamemnon, or -- like the writer of the "Cypria" -- he makes them four, (distinguishing) Iphigeneia and Iphianassa.

Fragment #15 --
(5) Contest of Homer and Hesiod: `So they feasted all day long, taking nothing from their own houses; for Agamemnon, king of men, provided for them.'

Fragment #16 -- Louvre Papyrus: `I never thought to enrage so terribly the stout heart of Achilles, for very well I loved him.'

Fragment #17 -- Pausanias, iv. 2. 7: The poet of the "Cypria" says that the wife of Protesilaus -- who, when the Hellenes reached the Trojan shore, first dared to land -- was called Polydora, and was the daughter of Meleager, the son of Oeneus.

Fragment #18 -- Eustathius, 119. 4: Some relate that Chryseis was taken from Hypoplacian
(6) Thebes, and that she had not taken refuge there nor gone there to sacrifice to Artemis, as the author of the "Cypria" states, but was simply a fellow townswoman of Andromache.

Fragment #19 -- Pausanias, x. 31. 2: I know, because I have read it in the epic "Cypria", that Palamedes was drowned when he had gone out fishing, and that it was Diomedes and Odysseus who caused his death.

Fragment #20 -- Plato, Euthyphron, 12 A: `That it is Zeus who has done this, and brought all these things to pass, you do not like to say; for where fear is, there too is shame.'

Fragment #21 -- Herodian, On Peculiar Diction: `By him she conceived and bare the Gorgons, fearful monsters who lived in Sarpedon, a rocky island in deep-eddying Oceanus.'

Fragment #22 -- Clement of Alexandria, Stromateis vii. 2. 19: Again, Stasinus says: `He is a simple man who kills the father and lets the children live.'

ENDNOTES:

(1) The preceding part of the Epic Cycle (?).
(2) While the Greeks were sacrificing at Aulis, a serpent appeared and devoured eight young birds from their nest and lastly the mother of the brood. This was interpreted by Calchas to mean that the war would swallow up nine full years. Cp. "Iliad" ii, 299 ff.
(3) i.e. Stasinus (or Hegesias: cp. fr. 6): the phrase `Cyprian histories' is equivalent to "The Cypria".
(4) Cp. Allen "C.R." xxvii. 190.
(5) These two lines possibly belong to the account of the feast given by Agamemnon at Lemnos.
(6) sc. the Asiatic Thebes at the foot of Mt. Placius.

THE AETHIOPIS (fragments)

Fragment #1 -- Proclus, Chrestomathia, ii: The "Cypria", described in the preceding book, has its sequel in the "Iliad" of Homer, which is followed in turn by the five books of the "Aethiopis", the work of Arctinus of Miletus. Their contents are as follows. The Amazon Penthesileia, the daughter of Ares and of Thracian race, comes to aid the Trojans, and after showing great prowess, is killed by Achilles and buried by the Trojans. Achilles then slays Thersites for abusing and reviling him for his supposed love for Penthesileia. As a result a dispute arises amongst the Achaeans over the killing of Thersites, and Achilles sails to Lesbos and after sacrificing to Apollo, Artemis, and Leto, is purified by Odysseus from bloodshed.

Then Memnon, the son of Eos, wearing armour made by Hephaestus, comes to help the Trojans, and Thetis tells her son about Memnon.

A battle takes place in which Antilochus is slain by Memnon and Memnon by Achilles. Eos then obtains of Zeus and bestows upon her son immortality; but Achilles routs the Trojans, and, rushing into the city with them, is killed by Paris and Apollo. A great struggle for the body then follows, Aias taking up the body and carrying it to the ships, while Odysseus drives off the Trojans behind. The Achaeans then bury Antilochus and lay out the body of Achilles, while Thetis, arriving with the Muses and her sisters, bewails her son, whom she afterwards catches away from the pyre and transports to the White Island. After this, the Achaeans pile him a cairn and hold games in his honour. Lastly a dispute arises between Odysseus and Aias over the arms of Achilles.

Fragment #2 -- Scholiast on Homer, Il. xxiv. 804: Some read: `Thus they performed the burial of Hector. Then came the Amazon, the daughter of great-souled Ares the slayer of men.'

Fragment #3 -- Scholiast on Pindar, Isth. iii. 53: The author of the "Aethiopis" says that Aias killed himself about dawn.

THE LITTLE ILIAD (fragments)

Fragment #1 -- Proclus, Chrestomathia, ii: Next comes the "Little Iliad" in four books by Lesches of Mitylene: its contents are as follows. The adjudging of the arms of Achilles takes place, and Odysseus, by the contriving of Athena, gains them. Aias then becomes mad and destroys the herd of the Achaeans and kills himself. Next Odysseus lies in wait and catches Helenus, who prophesies as to the taking of Troy, and Diomede accordingly brings Philoctetes from Lemnos. Philoctetes is healed by Machaon, fights in single combat with Alexandrus and kills him: the dead body is outraged by Menelaus, but the Trojans recover and bury it. After this Deiphobus marries Helen, Odysseus brings Neoptolemus from Scyros and gives him his father's arms, and the ghost of Achilles appears to him.

Eurypylus the son of Telephus arrives to aid the Trojans, shows his prowess and is killed by Neoptolemus. The Trojans are now closely beseiged, and Epeius, by Athena's instruction, builds the wooden horse. Odysseus disfigures himself and goes in to Ilium as a spy, and there being recognized by Helen, plots with her for the taking of the city; after killing certain of the Trojans, he returns to the ships. Next he carries the Palladium out of Troy with help of Diomedes. Then after putting their best men in the wooden horse and burning their huts, the main body of the Hellenes sail to Tenedos. The Trojans, supposing their troubles over, destroy a part of their city wall and take the wooden horse into their city and feast as though they had conquered the Hellenes.

Fragment #2 -- Pseudo-Herodotus, Life of Homer: `I sing of Ilium and Dardania, the land of fine horses, wherein the Danai, followers of Ares, suffered many things.'

Fragment #3 -- Scholiast on Aristophanes, Knights 1056 and Aristophanes ib: The story runs as follows: Aias and Odysseus were quarrelling as to their achievements, says the poet of the "Little Iliad", and Nestor advised the Hellenes to send some of their number to go to the foot of the walls and overhear what was said about the valour of the heroes named above. The eavesdroppers heard certain girls disputing, one of them saying that Aias was by far a better man than Odysseus and continuing as follows:

`For Aias took up and carried out of the strife the hero, Peleus' son: this great Odysseus cared not to do.'

To this another replied by Athena's contrivance:

`Why, what is this you say? A thing against reason and untrue! Even a woman could carry a load once a man had put it on her shoulder; but she could not fight. For she would fail with fear if she should fight.'

Fragment #4 -- Eustathius, 285. 34: The writer of the "Little Iliad" says that Aias was not buried in the usual way (1), but was simply buried in a coffin, because of the king's anger.

Fragment #5 -- Eustathius on Homer, Il. 326: The author of the "Little Iliad" says that Achilles after putting out to sea from the country of Telephus came to land there: `The storm carried Achilles the son of Peleus to Scyros, and he came into an uneasy harbour there in that same night.'

Fragment #6 -- Scholiast on Pindar, Nem. vi. 85: `About the spear-shaft was a hoop of flashing gold, and a point was fitted to it at either end.'

Fragment #7 -- Scholiast on Euripides Troades, 822: `...the vine which the son of Cronos gave him as a recompense for his son. It bloomed richly with soft leaves of gold and grape clusters; Hephaestus wrought it and gave it to his father Zeus: and he bestowed it on Laomedon as a price for Ganymedes.'

Fragment #8 -- Pausanias, iii. 26. 9: The writer of the epic "Little Iliad" says that Machaon was killed by Eurypylus, the son of Telephus.

Fragment #9 -- Homer, Odyssey iv. 247 and Scholiast: `He disguised himself, and made himself like another person, a beggar, the like of whom was not by the ships of the Achaeans.'

The Cyclic poet uses `beggar' as a substantive, and so means to say that when Odysseus had changed his clothes and put on rags, there was no one so good for nothing at the ships as Odysseus.

Fragment #10 -- (2) Plutarch, Moralia, p. 153 F: And Homer put forward the following verses as Lesches gives them: `Muse, tell me of those things which neither happened before nor shall be hereafter.'

And Hesiod answered:

`But when horses with rattling hoofs wreck chariots, striving for victory about the tomb of Zeus.'

And it is said that, because this reply was specially admired, Hesiod won the tripod (at the funeral games of Amphidamas).

Fragment #11 -- Scholiast on Lycophr., 344: Sinon, as it had been arranged with him, secretly showed a signal-light to the Hellenes. Thus Lesches writes: -- `It was midnight, and the clear moon was rising.'

Fragment #12 -- Pausanias, x. 25. 5: Meges is represented
(3) wounded in the arm just as Lescheos the son of Aeschylinus of Pyrrha describes in his "Sack of Ilium" where it is said that he was wounded in the battle which the Trojans fought in the night by Admetus, son of Augeias. Lycomedes too is in the picture with a wound in the wrist, and Lescheos says he was so wounded by Agenor...

Pausanias, x. 26. 4: Lescheos also mentions Astynous, and here he is, fallen on one knee, while Neoptolemus strikes him with his sword...

Pausanias, x. 26. 8: The same writer says that Helicaon was wounded in the night- battle, but was recognised by Odysseus and by him conducted alive out of the fight...

Pausanias, x. 27. 1: Of them
(4), Lescheos says that Eion was killed by Neoptolemus, and Admetus by Philoctetes... He also says that Priam was not killed at the heart of Zeus Herceius, but was dragged away from the altar and destroyed off hand by Neoptolemus at the doors of the house... Lescheos says that Axion was the son of Priam and was slain by Eurypylus, the son of Euaemon. Agenor -- according to the same poet -- was butchered by Neoptolemus.

Fragment #13 -- Aristophanes, Lysistrata 155 and Scholiast: `Menelaus at least, when he caught a glimpse somehow of the breasts of Helen unclad, cast away his sword, methinks.' Lesches the Pyrrhaean also has the same account in his "Little Iliad".

Pausanias, x. 25. 8: Concerning Aethra Lesches relates that when Ilium was taken she stole out of the city and came to the Hellenic camp, where she was recognised by the sons of Theseus; and that Demophon asked her of Agamemnon. Agamemnon wished to grant him this favour, but he would not do so until Helen consented. And when he sent a herald, Helen granted his request.

Fragment #14 -- Scholiast on Lycophr. Alex., 1268: `Then the bright son of bold Achilles led the wife of Hector to the hollow ships; but her son he snatched from the bosom of his rich-haired nurse and seized him by the foot and cast him from a tower. So when he had fallen bloody death and hard fate seized on Astyanax. And Neoptolemus chose out Andromache, Hector's well-girded wife, and the chiefs of all the Achaeans gave her to him to hold requiting him with a welcome prize. And he put Aeneas
(5), the famous son of horse-taming Anchises, on board his sea- faring ships, a prize surpassing those of all the Danaans.'

ENDNOTES:

(1) sc. after cremation.
(2) This fragment comes from a version of the "Contest of Homer and Hesiod" widely different from that now extant. The words `as Lesches gives them (says)' seem to indicate that the verse and a half assigned to Homer came from the "Little Iliad". It is possible they may have introduced some unusually striking incident, such as the actual Fall of Troy.
(3) i.e. in the paintings by Polygnotus at Delphi.
(4) i.e. the dead bodies in the picture.
(5) According to this version Aeneas was taken to Pharsalia. Better known are the Homeric account (according to which Aeneas founded a new dynasty at Troy), and the legends which make him seek a new home in Italy.

THE SACK OF ILIUM (fragments)

Fragment #1 -- Proclus, Chrestomathia, ii: Next come two books of the "Sack of Ilium", by Arctinus of Miletus with the following contents. The Trojans were suspicious of the wooden horse and standing round it debated what they ought to do. Some thought they ought to hurl it down from the rocks, others to burn it up, while others said they ought to dedicate it to Athena. At last this third opinion prevailed. Then they turned to mirth and feasting believing the war was at an end. But at this very time two serpents appeared and destroyed Laocoon and one of his two sons, a portent which so alarmed the followers of Aeneas that they withdrew to Ida. Sinon then raised the fire- signal to the Achaeans, having previously got into the city by pretence. The Greeks then sailed in from Tenedos, and those in the wooden horse came our and fell upon their enemies, killing many and storming the city. Neoptolemus kills Priam who had fled to the altar of Zeus Herceius (1); Menelaus finds Helen and takes her to the ships, after killing Deiphobus; and Aias the son of Ileus, while trying to drag Cassandra away by force, tears away with her the image of Athena. At this the Greeks are so enraged that they determine to stone Aias, who only escapes from the danger threatening him by taking refuge at the altar of Athena. The Greeks, after burning the city, sacrifice Polyxena at the tomb of Achilles: Odysseus murders Astyanax; Neoptolemus takes Andromache as his prize, and the remaining spoils are divided. Demophon and Acamas find Aethra and take her with them. Lastly the Greeks sail away and Athena plans to destroy them on the high seas.

Fragment #2 -- Dionysus Halicarn, Rom. Antiq. i. 68: According to Arctinus, one Palladium was given to Dardanus by Zeus, and this was in Ilium until the city was taken. It was hidden in a secret place, and a copy was made resembling the original in all points and set up for all to see, in order to deceive those who might have designs against it. This copy the Achaeans took as a result of their plots.

Fragment #3 -- Scholiast on Euripedes, Andromache 10: The Cyclic poet who composed the "Sack" says that Astyanax was also hurled from the city wall.

Fragment #4 -- Scholiast on Euripedes, Troades 31: For the followers of Acamus and Demophon took no share -- it is said -- of the spoils, but only Aethra, for whose sake, indeed, they came to Ilium with Menestheus to lead them. Lysimachus, however, says that the author of the "Sack" writes as follows: `The lord Agamemnon gave gifts to the Sons of Theseus and to bold Menestheus, shepherd of hosts.'

Fragment #5 -- Eustathius on Iliad, xiii. 515: Some say that such praise as this (1) does not apply to physicians generally, but only to Machaon: and some say that he only practised surgery, while Podaleirius treated sicknesses. Arctinus in the "Sack of Ilium" seems to be of this opinion when he says:

(ll. 1-8) `For their father the famous Earth-Shaker gave both of them gifts, making each more glorious than the other. To the one he gave hands more light to draw or cut out missiles from the flesh and to heal all kinds of wounds; but in the heart of the other he put full and perfect knowledge to tell hidden diseases and cure desperate sicknesses. It was he who first noticed Aias' flashing eyes and clouded mind when he was enraged.'

Fragment #6 -- Diomedes in Gramm., Lat. i. 477: `Iambus stood a little while astride with foot advanced, that so his strained limbs might get power and have a show of ready strength.'

ENDNOTES:

(1) sc. knowledge of both surgery and of drugs.

THE RETURNS (fragments)

Fragment #1 -- Proclus, Chrestomathia, ii: After the "Sack of Ilium" follow the "Returns" in five books by Agias of Troezen. Their contents are as follows. Athena causes a quarrel between Agamemnon and Menelaus about the voyage from Troy. Agamemnon then stays on to appease the anger of Athena. Diomedes and Nestor put out to sea and get safely home. After them Menelaus sets out and reaches Egypt with five ships, the rest having been destroyed on the high seas. Those with Calchas, Leontes, and Polypoetes go by land to Colophon and bury Teiresias who died there. When Agamemnon and his followers were sailing away, the ghost of Achilles appeared and tried to prevent them by foretelling what should befall them. The storm at the rocks called Capherides is then described, with the end of Locrian Aias. Neoptolemus, warned by Thetis, journeys overland and, coming into Thrace, meets Odysseus at Maronea, and then finishes the rest of his journey after burying Phoenix who dies on the way. He himself is recognized by Peleus on reaching the Molossi.

Then comes the murder of Agamemnon by Aegisthus and Clytaemnestra, followed by the vengeance of Orestes and Pylades. Finally, Menelaus returns home.

Fragment #2 -- Argument to Euripides Medea: `Forthwith Medea made Aeson a sweet young boy and stripped his old age from him by her cunning skill, when she had made a brew of many herbs in her golden cauldrons.'

Fragment #3 -- Pausanias, i. 2: The story goes that Heracles was besieging Themiscyra on the Thermodon and could not take it; but Antiope, being in love with Theseus who was with Heracles on this expedition, betrayed the place. Hegias gives this account in his poem.

Fragment #4 -- Eustathius, 1796. 45: The Colophonian author of the "Returns" says that Telemachus afterwards married Circe, while Telegonus the son of Circe correspondingly married Penelope.

Fragment #5 -- Clement of Alex. Strom., vi. 2. 12. 8: `For gifts beguile men's minds and their deeds as well.' (1)

Fragment #6 -- Pausanias, x. 28. 7: The poetry of Homer and the "Returns" -- for here too there is an account of Hades and the terrors there -- know of no spirit named Eurynomus.

Athenaeus, 281 B: The writer of the "Return of the Atreidae" (2) says that Tantalus came and lived with the gods, and was permitted to ask for whatever he desired. But the man was so immoderately given to pleasures that he asked for these and for a life like that of the gods. At this Zeus was annoyed, but fulfilled his prayer because of his own promise; but to prevent him from enjoying any of the pleasures provided, and to keep him continually harassed, he hung a stone over his head which prevents him from ever reaching any of the pleasant things near by.

ENDNOTES:

(1) Clement attributes this line to Augias: probably Agias is intended.
(2) Identical with the "Returns", in which the Sons of Atreus occupy the most prominent parts.

THE TELEGONY (fragments)

Fragment #1 -- Proclus, Chrestomathia, ii: After the "Returns" comes the "Odyssey" of Homer, and then the "Telegony" in two books by Eugammon of Cyrene, which contain the following matters. The suitors of Penelope are buried by their kinsmen, and Odysseus, after sacrificing to the Nymphs, sails to Elis to inspect his herds. He is entertained there by Polyxenus and receives a mixing bowl as a gift; the story of Trophonius and Agamedes and Augeas then follows. He next sails back to Ithaca and performs the sacrifices ordered by Teiresias, and then goes to Thesprotis where he marries Callidice, queen of the Thesprotians. A war then breaks out between the Thesprotians, led by Odysseus, and the Brygi. Ares routs the army of Odysseus and Athena engages with Ares, until Apollo separates them. After the death of Callidice Polypoetes, the son of Odysseus, succeeds to the kingdom, while Odysseus himself returns to Ithaca. In the meantime Telegonus, while travelling in search of his father, lands on Ithaca and ravages the island: Odysseus comes out to defend his country, but is killed by his son unwittingly. Telegonus, on learning his mistake, transports his father's body with Penelope and Telemachus to his mother's island, where Circe makes them immortal, and Telegonus marries Penelope, and Telemachus Circe.

Fragment #2 -- Eustathias, 1796. 35: The author of the "Telegony", a Cyrenaean, relates that Odysseus had by Calypso a son Telegonus or Teledamus, and by Penelope Telemachus and Acusilaus.

NON-CYCLIC POEMS ATTRIBUTED TO HOMER

THE EXPEDITION OF AMPHIARAUS (fragments)

Fragment #1 -- Pseudo-Herodotus, Life of Homer: Sitting there in the tanner's yard, Homer recited his poetry to them, the "Expedition of Amphiarus to Thebes" and the "Hymns to the Gods" composed by him.

THE TAKING OF OECHALIA (fragments)

Fragment #1 -- Eustathius, 330. 41: An account has there been given of Eurytus and his daughter Iole, for whose sake Heracles sacked Oechalia. Homer also seems to have written on this subject, as that historian shows who relates that Creophylus of Samos once had Homer for his guest and for a reward received the attribution of the poem which they call the "Taking of Oechalia". Some, however, assert the opposite; that Creophylus wrote the poem, and that Homer lent his name in return for his entertainment. And so Callimachus writes: `I am the work of that Samian who once received divine Homer in his house. I sing of Eurytus and all his woes and of golden-haired Ioleia, and am reputed one of Homer's works. Dear Heaven! how great an honour this for Creophylus!'

Fragment #2 -- Cramer, Anec. Oxon. i. 327: `Ragged garments, even those which now you see.' This verse ("Odyssey" xiv. 343) we shall also find in the "Taking of Oechalia".

Fragment #3 -- Scholaist on Sophocles Trach., 266: There is a disagreement as to the number of the sons of Eurytus. For Hesiod says Eurytus and Antioche had as many as four sons; but Creophylus says two.

Fragment #4 -- Scholiast on Euripides Medea, 273: Didymus contrasts the following account given by Creophylus, which is as follows: while Medea was living in Corinth, she poisoned Creon, who was ruler of the city at that time, and because she feared his friends and kinsfolk, fled to Athens. However, since her sons were too young to go along with her, she left them at the altar of Hera Acraea, thinking that their father would see to their safety. But the relatives of Creon killed them and spread the story that Medea had killed her own children as well as Creon.

THE PHOCAIS (fragments)

Fragment #1 -- Pseudo-Herodotus, Life of Homer: While living with Thestorides, Homer composed the "Lesser Iliad" and the "Phocais"; though the Phocaeans say that he composed the latter among them.

THE MARGITES (fragments)

Fragment #1 -- Suidas, s.v.: Pigres. A Carian of Halicarnassus and brother of Artemisia, wife of Mausolus, who distinguished herself in war... (1) He also wrote the "Margites" attributed to Homer and the "Battle of the Frogs and Mice".

Fragment #2 -- Atilius Fortunatianus, p. 286, Keil: `There came to Colophon an old man and divine singer, a servant of the Muses and of far-shooting Apollo. In his dear hands he held a sweet-toned lyre.'

Fragment #3 -- Plato, Alcib. ii. p. 147 A: `He knew many things but knew all badly...'

Aristotle, Nic. Eth. vi. 7, 1141: `The gods had taught him neither to dig nor to plough, nor any other skill; he failed in every craft.'

Fragment #4 -- Scholiast on Aeschines in Ctes., sec. 160: He refers to Margites, a man who, though well grown up, did not know whether it was his father or his mother who gave him birth, and would not lie with his wife, saying that he was afraid she might give a bad account of him to her mother.

Fragment #5 -- Zenobius, v. 68: `The fox knows many a wile; but the hedge-hog's one trick (2) can beat them all.'
(3)

ENDNOTES:

(1) This Artemisia, who distinguished herself at the battle of Salamis (Herodotus, vii. 99) is here confused with the later Artemisia, the wife of Mausolus, who died 350 B.C.
(2) i.e. the fox knows many ways to baffle its foes, while the hedge-hog knows one only which is far more effectual.
(3) Attributed to Homer by Zenobius, and by Bergk to the "Margites".

THE CERCOPES (fragments)

Fragment #1 -- Suidas, s.v.: Cercopes. These were two brothers living upon the earth who practised every kind of knavery. They were called Cercopes (1) because of their cunning doings: one of them was named Passalus and the other Acmon. Their mother, a daughter of Memnon, seeing their tricks, told them to keep clear of Black-bottom, that is, of Heracles. These Cercopes were sons of Theia and Ocean, and are said to have been turned to stone for trying to deceive Zeus.

`Liars and cheats, skilled in deeds irremediable, accomplished knaves. Far over the world they roamed deceiving men as they wandered continually.'

ENDNOTES:

(1) i.e. `monkey-men'.

THE BATTLE OF FROGS AND MICE (303 lines)

(ll. 1-8) Here I begin: and first I pray the choir of the Muses to come down from Helicon into my heart to aid the lay which I have newly written in tablets upon my knee. Fain would I sound in all men's ears that awful strife, that clamorous deed of war, and tell how the Mice proved their valour on the Frogs and rivalled the exploits of the Giants, those earth-born men, as the tale was told among mortals. Thus did the war begin.

(ll. 9-12) One day a thirsty Mouse who had escaped the ferret, dangerous foe, set his soft muzzle to the lake's brink and revelled in the sweet water. There a loud-voiced pond-larker spied him: and uttered such words as these.

(ll. 13-23) `Stranger, who are you? Whence come you to this shore, and who is he who begot you? Tell me all this truly and let me not find you lying. For if I find you worthy to be my friend, I will take you to my house and give you many noble gifts such as men give to their guests. I am the king Puff-jaw, and am honoured in all the pond, being ruler of the Frogs continually. The father that brought me up was Mud-man who mated with Waterlady by the banks of Eridanus. I see, indeed, that you are well-looking and stouter than the ordinary, a sceptred king and a warrior in fight; but, come, make haste and tell me your descent.'

(ll. 24-55) Then Crumb-snatcher answered him and said: `Why do you ask my race, which is well-known amongst all, both men and gods and the birds of heaven? Crumb-snatcher am I called, and I am the son of Bread-nibbler -- he was my stout-hearted father -- and my mother was Quern-licker, the daughter of Ham-gnawer the king: she bare me in the mouse-hole and nourished me with food, figs and nuts and dainties of all kinds. But how are you to make me your friend, who am altogether different in nature? For you get your living in the water, but I am used to each such foods as men have: I never miss the thrice-kneaded loaf in its neat, round basket, or the thin-wrapped cake full of sesame and cheese, or the slice of ham, or liver vested in white fat, or cheese just curdled from sweet milk, or delicious honey-cake which even the blessed gods long for, or any of all those cates which cooks make for the feasts of mortal men, larding their pots and pans with spices of all kinds. In battle I have never flinched from the cruel onset, but plunged straight into the fray and fought among the foremost. I fear not man though he has a big body, but run along his bed and bite the tip of his toe and nibble at his heel; and the man feels no hurt and his sweet sleep is not broken by my biting. But there are two things I fear above all else the whole world over, the hawk and the ferret -- for these bring great grief on me -- and the piteous trap wherein is treacherous death.

Most of all I fear the ferret of the keener sort which follows you still even when you dive down your hole. (1) In gnaw no radishes and cabbages and pumpkins, nor feed on green leeks and parsley; for these are food for you who live in the lake.'

(ll. 56-64) Then Puff-jaw answered him with a smile: `Stranger you boast too much of belly-matters: we too have many marvels to be seen both in the lake and on the shore. For the Son of Chronos has given us Frogs the power to lead a double life, dwelling at will in two separate elements; and so we both leap on land and plunge beneath the water. If you would learn of all these things, 'tis easy done: just mount upon my back and hold me tight lest you be lost, and so you shall come rejoicing to my house.'

(ll. 65-81) So said he, and offered his back. And the Mouse mounted at once, putting his paws upon the other's sleek neck and vaulting nimbly. Now at first, while he still saw the land near by, he was pleased, and was delighted with Puff-jaw's swimming; but when dark waves began to wash over him, he wept loudly and blamed his unlucky change of mind: he tore his fur and tucked his paws in against his belly, while within him his heart quaked by reason of the strangeness: and he longed to get to land, groaning terribly through the stress of chilling fear. He put out his tail upon the water and worked it like a steering oar, and prayed to heaven that he might get to land. But when the dark waves washed over him he cried aloud and said: `Not in such wise did the bull bear on his back the beloved load, when be brought Europa across the sea to Crete, as this Frog carries me over the water to his house, raising his yellow back in the pale water.'

(ll. 82-92) Then suddenly a water-snake appeared, a horrid sight for both alike, and held his neck upright above the water. And when he saw it, Puff-jaw dived at once, and never thought how helpless a friend he would leave perishing; but down to the bottom of the lake he went, and escaped black death. But the Mouse, so deserted, at once fell on his back, in the water. He wrung his paws and squeaked in agony of death: many times he sank beneath the water and many times he rose up again kicking. But he could not escape his doom, for his wet fur weighed him down heavily. Then at the last, as he was dying, he uttered these words.

(ll. 93-98) `Ah, Puff-jaw, you shall not go unpunished for this treachery! You threw me, a castaway, off your body as from a rock. Vile coward! On land you would not have been the better man, boxing, or wrestling, or running; but now you have tricked me and cast me in the water. Heaven has an avenging eye, and surely the host of Mice will punish you and not let you escape.'

(ll. 99-109) With these words he breathed out his soul upon the water. But Lick-platter as he sat upon the soft bank saw him die and, raising a dreadful cry, ran and told the Mice. And when they heard of his fate, all the Mice were seized with fierce anger, and bade their heralds summon the people to assemble towards dawn at the house of Bread-nibbler, the father of hapless Crumb-snatcher who lay outstretched on the water face up, a lifeless corpse, and no longer near the bank, poor wretch, but floating in the midst of the deep. And when the Mice came in haste at dawn, Bread-nibbler stood up first, enraged at his son's death, and thus he spoke.

(ll. 110-121) `Friends, even if I alone had suffered great wrong from the Frogs, assuredly this is a first essay at mischief for you all. And now I am pitiable, for I have lost three sons. First the abhorred ferret seized and killed one of them, catching him outside the hole; then ruthless men dragged another to his doom when by unheard-of arts they had contrived a wooden snare, a destroyer of Mice, which they call a trap. There was a third whom I and his dear mother loved well, and him Puff-jaw has carried out into the deep and drowned. Come, then, and let us arm ourselves and go out against them when we have arrayed ourselves in rich-wrought arms.'

(ll. 122-131) With such words he persuaded them all to gird themselves. And Ares who has charge of war equipped them. First they fastened on greaves and covered their shins with green bean- pods broken into two parts which they had gnawed out, standing over them all night. Their breast plates were of skin stretched on reeds, skilfully made from a ferret they had flayed. For shields each had the centre-piece of a lamp, and their spears were long needles all of bronze, the work of Ares, and the helmets upon their temples were pea-nut shells.

(ll. 132-138) So the Mice armed themselves. But when the Frogs were aware of it, they rose up out of the water and coming together to one place gathered a council of grievous war. And while they were asking whence the quarrel arose, and what the cause of this anger, a herald drew near bearing a wand in his paws, Pot-visitor the son of great-hearted Cheese-carver. He brought the grim message of war, speaking thus:

(ll. 139-143) `Frogs, the Mice have sent me with their threats against you, and bid you arm yourselves for war and battle; for they have seen Crumb-snatcher in the water whom your king Puff- jaw slew. Fight, then, as many of you as are warriors among the Frogs.'

(ll. 144-146) With these words he explained the matter. So when this blameless speech came to their ears, the proud Frogs were disturbed in their hearts and began to blame Puff-jaw. But he rose up and said:

(ll. 147-159) `Friends, I killed no Mouse, nor did I see one perishing. Surely he was drowned while playing by the lake and imitating the swimming of the Frogs, and now these wretches blame me who am guiltless. Come then; let us take counsel how we may utterly destroy the wily Mice. Moreover, I will tell you what I think to be the best. Let us all gird on our armour and take our stand on the very brink of the lake, where the ground breaks down sheer: then when they come out and charge upon us, let each seize by the crest the Mouse who attacks him, and cast them with their helmets into the lake; for so we shall drown these dry-hobs (2) in the water, and merrily set up here a trophy of victory over the slaughtered Mice.'

(ll. 160-167) By this speech he persuaded them to arm themselves.

They covered their shins with leaves of mallows, and had breastplates made of fine green beet-leaves, and cabbage-leaves, skilfully fashioned, for shields. Each one was equipped with a long, pointed rush for a spear, and smooth snail-shells to cover their heads. Then they stood in close-locked ranks upon the high bank, waving their spears, and were filled, each of them, with courage.

(ll. 168-173) Now Zeus called the gods to starry heaven and showed them the martial throng and the stout warriors so many and so great, all bearing long spears; for they were as the host of the Centaurs and the Giants. Then he asked with a sly smile; `Who of the deathless gods will help the Frogs and who the Mice?'

And he said to Athena;

(ll. 174-176) `My daughter, will you go aid the Mice? For they all frolic about your temple continually, delighting in the fat of sacrifice and in all kinds of food.'

(ll. 177-196) So then said the son of Cronos. But Athena answered him: `I would never go to help the Mice when they are hard pressed, for they have done me much mischief, spoiling my garlands and my lamps too, to get the oil. And this thing that they have done vexes my heart exceedingly: they have eaten holes in my sacred robe, which I wove painfully spinning a fine woof on a fine warp, and made it full of holes. And now the money-lender is at me and charges me interest which is a bitter thing for immortals. For I borrowed to do my weaving, and have nothing with which to repay. Yet even so I will not help the Frogs; for they also are not considerable: once, when I was returning early from war, I was very tired, and though I wanted to sleep, they would not let me even doze a little for their outcry; and so I lay sleepless with a headache until cock-crow. No, gods, let us refrain from helping these hosts, or one of us may get wounded with a sharp spear; for they fight hand to hand, even if a god comes against them. Let us rather all amuse ourselves watching the fight from heaven.'

(ll. 197-198) So said Athena. And the other gods agreed with her, and all went in a body to one place.

(ll. 199-201) Then gnats with great trumpets sounded the fell note of war, and Zeus the son of Cronos thundered from heaven, a sign of grievous battle.

(ll. 202-223) First Loud-croaker wounded Lickman in the belly, right through the midriff. Down fell he on his face and soiled his soft fur in the dust: he fell with a thud and his armour clashed about him. Next Troglodyte shot at the son of Mudman, and drove the strong spear deep into his breast; so he fell, and black death seized him and his spirit flitted forth from his mouth. Then Beety struck Pot-visitor to the heart and killed him, and Bread-nibbler hit Loud-crier in the belly, so that he fell on his face and his spirit flitted forth from his limbs. Now when Pond-larker saw Loud-crier perishing, he struck in quickly and wounded Troglodyte in his soft neck with a rock like a mill-stone, so that darkness veiled his eyes. Thereat Ocimides was seized with grief, and struck out with his sharp reed and did not draw his spear back to him again, but felled his enemy there and then. And Lickman shot at him with a bright spear and hit him unerringly in the midriff. And as he marked Cabbage-eater running away, he fell on the steep bank, yet even so did not cease fighting but smote that other so that he fell and did not rise again; and the lake was dyed with red blood as he lay outstretched along the shore, pierced through the guts and shining flanks. Also he slew Cheese-eater on the very brink....

((LACUNA))

(ll. 224-251) But Reedy took to flight when he saw Ham-nibbler, and fled, plunging into the lake and throwing away his shield. Then blameless Pot-visitor killed Brewer and Water-larked killed the lord Ham-nibbler, striking him on the head with a pebble, so that his brains flowed out at his nostrils and the earth was bespattered with blood. Faultless Muck-coucher sprang upon Lick- platter and killed him with his spear and brought darkness upon his eyes: and Leeky saw it, and dragged Lick-platter by the foot, though he was dead, and choked him in the lake. But Crumb- snatcher was fighting to avenge his dead comrades, and hit Leeky before he reached the land; and he fell forward at the blow and his soul went down to Hades. And seeing this, the Cabbage- climber took a clod of mud and hurled it at the Mouse, plastering all his forehead and nearly blinding him. Thereat Crumb-snatcher was enraged and caught up in his strong hand a huge stone that lay upon the ground, a heavy burden for the soil: with that he hit Cabbage-climber below the knee and splintered his whole right shin, hurling him on his back in the dust. But Croakperson kept him off, and rushing at the Mouse in turn, hit him in the middle of the belly and drove the whole reed-spear into him, and as he drew the spear back to him with his strong hand, all his foe's bowels gushed out upon the ground. And when Troglodyte saw the deed, as he was limping away from the fight on the river bank, he shrank back sorely moved, and leaped into a trench to escape sheer death. Then Bread-nibbler hit Puff-jaw on the toes -- he came up at the last from the lake and was greatly distressed....

((LACUNA))

(ll. 252-259) And when Leeky saw him fallen forward, but still half alive, he pressed through those who fought in front and hurled a sharp reed at him; but the point of the spear was stayed and did not break his shield. Then noble Rueful, like Ares himself, struck his flawless head-piece made of four pots -- he only among the Frogs showed prowess in the throng. But when he saw the other rush at him, he did not stay to meet the stout- hearted hero but dived down to the depths of the lake.

(ll. 260-271) Now there was one among the Mice, Slice-snatcher, who excelled the rest, dear son of Gnawer the son of blameless Bread-stealer. He went to his house and bade his son take part in the war. This warrior threatened to destroy the race of Frogs utterly
(3), and splitting a chestnut-husk into two parts along the joint, put the two hollow pieces as armour on his paws: then straightway the Frogs were dismayed and all rushed down to the lake, and he would have made good his boast -- for he had great strength -- had not the Son of Cronos, the Father of men and gods, been quick to mark the thing and pitied the Frogs as they were perishing. He shook his head, and uttered this word:

(ll. 272-276) `Dear, dear, how fearful a deed do my eyes behold! Slice-snatcher makes no small panic rushing to and fro among the Frogs by the lake. Let us then make all haste and send warlike Pallas or even Ares, for they will stop his fighting, strong though he is.'

(ll. 277-284) So said the Son of Cronos; but Hera answered him: `Son of Cronos, neither the might of Athena nor of Ares can avail to deliver the Frogs from utter destruction. Rather, come and let us all go to help them, or else let loose your weapon, the great and formidable Titan-killer with which you killed Capaneus, that doughty man, and great Enceladus and the wild tribes of Giants; ay, let it loose, for so the most valiant will be slain.'

(ll. 285-293) So said Hera: and the Son of Cronos cast a lurid thunderbolt: first he thundered and made great Olympus shake, and the cast the thunderbolt, the awful weapon of Zeus, tossing it lightly forth. Thus he frightened them all, Frogs and Mice alike, hurling his bolt upon them. Yet even so the army of the Mice did not relax, but hoped still more to destroy the brood of warrior Frogs. Only, the Son of Cronos, on Olympus, pitied the Frogs and then straightway sent them helpers.

(ll. 294-303) So there came suddenly warriors with mailed backs and curving claws, crooked beasts that walked sideways, nut- cracker-jawed, shell-hided: bony they were, flat-backed, with glistening shoulders and bandy legs and stretching arms and eyes that looked behind them. They had also eight legs and two feelers -- persistent creatures who are called crabs. These nipped off the tails and paws and feet of the Mice with their jaws, while spears only beat on them. Of these the Mice were all afraid and no longer stood up to them, but turned and fled. Already the sun was set, and so came the end of the one-day war.

ENDNOTES:

(1) Lines 42-52 are intrusive; the list of vegetables which the Mouse cannot eat must follow immediately after the various dishes of which he does eat.
(2) lit. `those unable to swim'.
(3) This may be a parody of Orion's threat in Hesiod, "Astronomy", frag. 4.

OF THE ORIGIN OF HOMER AND HESIOD, AND OF THEIR CONTEST (aka "The Contest of Homer and Hesiod")

Everyone boasts that the most divine of poets, Homer and Hesiod, are said to be his particular countrymen. Hesiod, indeed, has put a name to his native place and so prevented any rivalry, for he said that his father `settled near Helicon in a wretched hamlet, Ascra, which is miserable in winter, sultry in summer, and good at no season.' But, as for Homer, you might almost say that every city with its inhabitants claims him as her son. Foremost are the men of Smyrna who say that he was the Son of Meles, the river of their town, by a nymph Cretheis, and that he was at first called Melesigenes. He was named Homer later, when he became blind, this being their usual epithet for such people. The Chians, on the other hand, bring forward evidence to show that he was their countrymen, saying that there actually remain some of his descendants among them who are called Homeridae. The Colophonians even show the place where they declare that he began to compose when a schoolmaster, and say that his first work was the "Margites".

As to his parents also, there is on all hands great disagreement.

Hellanicus and Cleanthes say his father was Maeon, but Eugaeon says Meles; Callicles is for Mnesagoras, Democritus of Troezen for Daemon, a merchant-trader. Some, again, say he was the son of Thamyras, but the Egyptians say of Menemachus, a priest- scribe, and there are even those who father him on Telemachus, the son of Odysseus. As for his mother, she is variously called Metis, Cretheis, Themista, and Eugnetho. Others say she was an Ithacan woman sold as a slave by the Phoenicians; other, Calliope the Muse; others again Polycasta, the daughter of Nestor.

Homer himself was called Meles or, according to different accounts, Melesigenes or Altes. Some authorities say he was called Homer, because his father was given as a hostage to the Persians by the men of Cyprus; others, because of his blindness; for amongst the Aeolians the blind are so called. We will set down, however, what we have heard to have been said by the Pythia concerning Homer in the time of the most sacred Emperor Hadrian. When the monarch inquired from what city Homer came, and whose son he was, the priestess delivered a response in hexameters after this fashion:

`Do you ask me of the obscure race and country of the heavenly siren? Ithaca is his country, Telemachus his father, and Epicasta, Nestor's daughter, the mother that bare him, a man by far the wisest of mortal kind.' This we must most implicitly believe, the inquirer and the answerer being who they are -- especially since the poet has so greatly glorified his grandfather in his works.

Now some say that he was earlier than Hesiod, others that he was younger and akin to him. They give his descent thus: Apollo and Aethusa, daughter of Poseidon, had a son Linus, to whom was born Pierus. From Pierus and the nymph Methone sprang Oeager; and from Oeager and Calliope Orpheus; from Orpheus, Dres; and from him, Eucles. The descent is continued through Iadmonides, Philoterpes, Euphemus, Epiphrades and Melanopus who had sons Dius and Apelles. Dius by Pycimede, the daughter of Apollo had two sons Hesiod and Perses; while Apelles begot Maeon who was the father of Homer by a daughter of the River Meles.

According to one account they flourished at the same time and even had a contest of skill at Chalcis in Euboea. For, they say, after Homer had composed the "Margites", he went about from city to city as a minstrel, and coming to Delphi, inquired who he was and of what country? The Pythia answered:

`The Isle of Ios is your mother's country and it shall receive you dead; but beware of the riddle of the young children.' (1)

Hearing this, it is said, he hesitated to go to Ios, and remained in the region where he was. Now about the same time Ganyctor was celebrating the funeral rites of his father Amphidamas, king of Euboea, and invited to the gathering not only all those who were famous for bodily strength and fleetness of foot, but also those who excelled in wit, promising them great rewards. And so, as the story goes, the two went to Chalcis and met by chance. The leading Chalcidians were judges together with Paneides, the brother of the dead king; and it is said that after a wonderful contest between the two poets, Hesiod won in the following manner: he came forward into the midst and put Homer one question after another, which Homer answered. Hesiod, then, began:

`Homer, son of Meles, inspired with wisdom from heaven, come, tell me first what is best for mortal man?'

HOMER: `For men on earth 'tis best never to be born at all; or being born, to pass through the gates of Hades with all speed.'

Hesiod then asked again:

`Come, tell me now this also, godlike Homer: what think you in your heart is most delightsome to men?'

Homer answered:

`When mirth reigns throughout the town, and feasters about the house, sitting in order, listen to a minstrel; when the tables beside them are laden with bread and meat, and a wine-bearer draws sweet drink from the mixing-bowl and fills the cups: this I think in my heart to be most delightsome.'

It is said that when Homer had recited these verses, they were so admired by the Greeks as to be called golden by them, and that even now at public sacrifices all the guests solemnly recite them before feasts and libations. Hesiod, however, was annoyed by Homer's felicity and hurried on to pose him with hard questions. He therefore began with the following lines:

`Come, Muse; sing not to me of things that are, or that shall be, or that were of old; but think of another song.'

Then Homer, wishing to escape from the impasse by an apt answer, replied: --

`Never shall horses with clattering hoofs break chariots, striving for victory about the tomb of Zeus.'

Here again Homer had fairly met Hesiod, and so the latter turned to sentences of doubtful meaning (2): he recited many lines and required Homer to complete the sense of each appropriately. The first of the following verses is Hesiod's and the next Homer's: but sometimes Hesiod puts his question in two lines.

HESIOD: `Then they dined on the flesh of oxen and their horses' necks --'

HOMER: `They unyoked dripping with sweat, when they had had enough of war.'

HESIOD: `And the Phrygians, who of all men are handiest at ships --'

HOMER: `To filch their dinner from pirates on the beach.'

HESIOD: `To shoot forth arrows against the tribes of cursed giants with his hands --'

HOMER: `Heracles unslung his curved bow from his shoulders.'

HESIOD: `This man is the son of a brave father and a weakling --'

HOMER: `Mother; for war is too stern for any woman.'

HESIOD: `But for you, your father and lady mother lay in love --'

HOMER: `When they begot you by the aid of golden Aphrodite.'

HESIOD: `But when she had been made subject in love, Artemis, who delights in arrows --'

HOMER: `Slew Callisto with a shot of her silver bow.'

HESIOD: `So they feasted all day long, taking nothing --'

HOMER: `From their own houses; for Agamemnon, king of men, supplied them.'

HESIOD: `When they had feasted, they gathered among the glowing ashes the bones of the dead Zeus --'

HOMER: `Born Sarpedon, that bold and godlike man.'

HESIOD: `Now we have lingered thus about the plain of Simois, forth from the ships let us go our way, upon our shoulders --'

HOMER: `Having our hilted swords and long-helved spears.'

HESIOD: `Then the young heroes with their hands from the sea --'

HOMER: `Gladly and swiftly hauled out their fleet ship.'

HESIOD: `Then they came to Colchis and king Aeetes --'

HOMER: `They avoided; for they knew he was inhospitable and lawless.'

HESIOD: `Now when they had poured libations and deeply drunk, the surging sea --'

HOMER: `They were minded to traverse on well-built ships.'

HESIOD: `The Son of Atreus prayed greatly for them that they all might perish --'

HOMER: `At no time in the sea: and he opened his mouth said:'

HESIOD: `Eat, my guests, and drink, and may no one of you return home to his dear country --'

HOMER: `Distressed; but may you all reach home again unscathed.'

When Homer had met him fairly on every point Hesiod said:

`Only tell me this thing that I ask: How many Achaeans went to Ilium with the sons of Atreus?'

Homer answered in a mathematical problem, thus:

`There were fifty hearths, and at each hearth were fifty spits, and on each spit were fifty carcases, and there were thrice three hundred Achaeans to each joint.'

This is found to be an incredible number; for as there were fifty hearths, the number of spits is two thousand five hundred; and of carcasses, one hundred and twenty thousand...

Homer, then, having the advantage on every point, Hesiod was jealous and began again:

`Homer, son of Meles, if indeed the Muses, daughters of great Zeus the most high, honour you as it is said, tell me a standard that is both best and worst for mortal-men; for I long to know it.' Homer replied: `Hesiod, son of Dius, I am willing to tell you what you command, and very readily will I answer you. For each man to be a standard will I answer you. For each man to be a standard to himself is most excellent for the good, but for the bad it is the worst of all things. And now ask me whatever else your heart desires.'

HESIOD: `How would men best dwell in cities, and with what observances?'

HOMER: `By scorning to get unclean gain and if the good were honoured, but justice fell upon the unjust.'

HESIOD: `What is the best thing of all for a man to ask of the gods in prayer?'

HOMER: `That he may be always at peace with himself continually.'

HESIOD: `Can you tell me in briefest space what is best of all?'

HOMER: `A sound mind in a manly body, as I believe.'

HESIOD: `Of what effect are righteousness and courage?'

HOMER: `To advance the common good by private pains.'

HESIOD: `What is the mark of wisdom among men?'

HOMER: `To read aright the present, and to march with the occasion.'

HESIOD: `In what kind of matter is it right to trust in men?'

HOMER: `Where danger itself follows the action close.'

HESIOD: `What do men mean by happiness?'

HOMER: `Death after a life of least pain and greatest pleasure.'

After these verses had been spoken, all the Hellenes called for Homer to be crowned. But King Paneides bade each of them recite the finest passage from his own poems. Hesiod, therefore, began as follows:

`When the Pleiads, the daughters of Atlas, begin to rise begin the harvest, and begin ploughing ere they set. For forty nights and days they are hidden, but appear again as the year wears round, when first the sickle is sharpened. This is the law of the plains and for those who dwell near the sea or live in the rich-soiled valleys, far from the wave-tossed deep: strip to sow, and strip to plough, and strip to reap when all things are in season.' (3)

Then Homer:

`The ranks stood firm about the two Aiantes, such that not even Ares would have scorned them had he met them, nor yet Athena who saves armies. For there the chosen best awaited the charge of the Trojans and noble Hector, making a fence of spears and serried shields. Shield closed with shield, and helm with helm, and each man with his fellow, and the peaks of their head-pieces with crests of horse-hair touched as they bent their heads: so close they stood together. The murderous battle bristled with the long, flesh-rending spears they held, and the flash of bronze from polished helms and new-burnished breast-plates and gleaming shields blinded the eyes. Very hard of heart would he have been, who could then have seen that strife with joy and felt no pang.' (4)

Here, again, the Hellenes applauded Homer admiringly, so far did the verses exceed the ordinary level; and demanded that he should be adjudged the winner. But the king gave the crown to Hesiod, declaring that it was right that he who called upon men to follow peace and husbandry should have the prize rather than one who dwelt on war and slaughter. In this way, then, we are told, Hesiod gained the victory and received a brazen tripod which he dedicated to the Muses with this inscription:

`Hesiod dedicated this tripod to the Muses of Helicon after he had conquered divine Homer at Chalcis in a contest of song.'

After the gathering was dispersed, Hesiod crossed to the mainland and went to Delphi to consult the oracle and to dedicate the first fruits of his victory to the god. They say that as he was approaching the temple, the prophetess became inspired and said:

`Blessed is this man who serves my house, -- Hesiod, who is honoured by the deathless Muses: surely his renown shall be as wide as the light of dawn is spread. But beware of the pleasant grove of Nemean Zeus; for there death's end is destined to befall you.'

When Hesiod heard this oracle, he kept away from the Peloponnesus, supposing that the god meant the Nemea there; and coming to Oenoe in Locris, he stayed with Amphiphanes and Ganyetor the sons of Phegeus, thus unconsciously fulfilling the oracle; for all that region was called the sacred place of Nemean Zeus. He continued to stay a somewhat long time at Oenoe, until the young men, suspecting Hesiod of seducing their sister, killed him and cast his body into the sea which separates Achaea and Locris. On the third day, however, his body was brought to land by dolphins while some local feast of Ariadne was being held. Thereupon, all the people hurried to the shore, and recognized the body, lamented over it and buried it, and then began to look for the assassins. But these, fearing the anger of their countrymen, launched a fishing boat, and put out to sea for Crete: they had finished half their voyage when Zeus sank them with a thunderbolt, as Alcidamas states in his "Museum". Eratosthenes, however, says in his "Hesiod" that Ctimenus and Antiphus, sons of Ganyetor, killed him for the reason already stated, and were sacrificed by Eurycles the seer to the gods of hospitality. He adds that the girl, sister of the above-named, hanged herself after she had been seduced, and that she was seduced by some stranger, Demodes by name, who was travelling with Hesiod, and who was also killed by the brothers. At a later time the men of Orchomenus removed his body as they were directed by an oracle, and buried him in their own country where they placed this inscription on his tomb:

`Ascra with its many cornfields was his native land; but in death the land of the horse-driving Minyans holds the bones of Hesiod, whose renown is greatest among men of all who are judged by the test of wit.'

So much for Hesiod. But Homer, after losing the victory, went from place to place reciting his poems, and first of all the "Thebais" in seven thousand verses which begins: `Goddess, sing of parched Argos whence kings...', and then the "Epigoni" in seven thousand verses beginning: `And now, Muses, let us begin to sing of men of later days'; for some say that these poems also are by Homer. Now Xanthus and Gorgus, son of Midas the king, heard his epics and invited him to compose a epitaph for the tomb of their father on which was a bronze figure of a maiden bewailing the death of Midas. He wrote the following lines: --

`I am a maiden of bronze and sit upon the tomb of Midas. While water flows, and tall trees put forth leaves, and rivers swell, and the sea breaks on the shore; while the sun rises and shines and the bright moon also, ever remaining on this mournful tomb I tell the passer-by that Midas here lies buried.'

For these verses they gave him a silver bowl which he dedicated to Apollo at Delphi with this inscription: `Lord Phoebus, I, Homer, have given you a noble gift for the wisdom I have of you: do you ever grant me renown.'

After this he composed the "Odyssey" in twelve thousand verses, having previously written the "Iliad" in fifteen thousand five hundred verses (5). From Delphi, as we are told, he went to Athens and was entertained by Medon, king of the Athenians. And being one day in the council hall when it was cold and a fire was burning there, he drew off the following lines:

`Children are a man's crown, and towers of a city, horses are the ornament of a plain, and ships of the sea; and good it is to see a people seated in assembly. But with a blazing fire a house looks worthier upon a wintry day when the Son of Cronos sends down snow.'

From Athens he went on to Corinth, where he sang snatches of his poems and was received with distinction. Next he went to Argos and there recited these verses from the "Iliad":

`The sons of the Achaeans who held Argos and walled Tiryns, and Hermione and Asine which lie along a deep bay, and Troezen, and Eiones, and vine-clad Epidaurus, and the island of Aegina, and Mases, -- these followed strong-voiced Diomedes, son of Tydeus, who had the spirit of his father the son of Oeneus, and Sthenelus, dear son of famous Capaneus. And with these two there went a third leader, Eurypylus, a godlike man, son of the lord Mecisteus, sprung of Talaus; but strong-voiced Diomedes was their chief leader. These men had eighty dark ships wherein were ranged men skilled in war, Argives with linen jerkins, very goads of war.' (6)

This praise of their race by the most famous of all poets so exceedingly delighted the leading Argives, that they rewarded him with costly gifts and set up a brazen statue to him, decreeing that sacrifice should be offered to Homer daily, monthly, and yearly; and that another sacrifice should be sent to Chios every five years. This is the inscription they cut upon his statue:

`This is divine Homer who by his sweet-voiced art honoured all proud Hellas, but especially the Argives who threw down the god- built walls of Troy to avenge rich-haired Helen. For this cause the people of a great city set his statue here and serve him with the honours of the deathless gods.'

After he had stayed for some time in Argos, he crossed over to Delos, to the great assembly, and there, standing on the altar of horns, he recited the "Hymn to Apollo" (7) which begins: `I will remember and not forget Apollo the far-shooter.' When the hymn was ended, the Ionians made him a citizen of each one of their states, and the Delians wrote the poem on a whitened tablet and dedicated it in the temple of Artemis. The poet sailed to Ios, after the assembly was broken up, to join Creophylus, and stayed there some time, being now an old man. And, it is said, as he was sitting by the sea he asked some boys who were returning from fishing:

`Sirs, hunters of deep-sea prey, have we caught anything?'

To this replied:

`All that we caught, we left behind, and carry away all that we did not catch.'

Homer did not understand this reply and asked what they meant. They then explained that they had caught nothing in fishing, but had been catching their lice, and those of the lice which they caught, they left behind; but carried away in their clothes those which they did not catch. Hereupon Homer remembered the oracle and, perceiving that the end of his life had come composed his own epitaph. And while he was retiring from that place, he slipped in a clayey place and fell upon his side, and died, it is said, the third day after. He was buried in Ios, and this is his epitaph:

`Here the earth covers the sacred head of divine Homer, the glorifier of hero-men.'

ENDNOTES:

(1) sc. the riddle of the fisher-boys which comes at the end of this work.
(2) The verses of Hesiod are called doubtful in meaning because they are, if taken alone, either incomplete or absurd.
(3) "Works and Days", ll. 383-392.
(4) "Iliad" xiii, ll. 126-133, 339-344.
(5) The accepted text of the "Iliad" contains 15,693 verses; that of the "Odyssey", 12,110.
(6) "Iliad" ii, ll. 559-568 (with two additional verses).
(7) "Homeric Hymns", iii


This resource page is copyright 1999-2002 N.S. Gill.

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