Chapter XXI. The Great Festivals of Athens.
205. The Great Panathenaic Procession.--Then for the last time
let us visit Athens, at the fête which in its major form comes only
once in four years. It is the 28th of Metageitniön (August), and
the eighth day of the Greater Panathenæa, the most notable of all
Athenian festivals. By it is celebrated the union of all Attica
by Theseus, as one happy united country under the benign sway of
might Athena,--an ever fortunate union, which saved the land from
the sorrowful feuds of hostile hamlets such as have plagued so many
Hellenic countries. On the earlier days of the feast there have
been musical contests and gymnastic games much after the manner of
the Olympic games, although the contestants have been drawn from
Attica only. There has been a public recital of Homer. Before a
great audience probably at the Pnyx or the Theater a rhapsodist of
noble presence--clad in purple and with a golden crown--has made
the Trojan War live again, as with his well-trained voice he held
the multitude spellbound by the music of the stately hexameters.
Now we are at the eighth day. All Athens will march in its glory
to the Acropolis, to bear to the shrine of Athena the sacred
"peplos"--a robe specially woven by the noble women of Athens to
adorn the image of the guardian goddess.[*] The houses have opened;
the wives, maids, and mothers of gentle family have come forth to
march in the procession, all elegantly wreathed and clad in their
best, bearing the sacred vessels and other proper offerings. The
daughter of the "metics," the resident foreigners, go as attendants
of honor with them. The young men and the old, the priests, the
civil magistrates, the generals, all have their places. Proudest
of all are the wealthy and high-born youths of the cavalry, who
now dash to and fro in their clattering pride. The procession is
formed in the outer Ceramicus. Amid cheers, chants, chorals, and
incense smoke it sweeps through the Agora, and slowly mounts the
Acropolis. Center of all the marchers is the glittering peplos,
raised like a sail upon a wheeled barge of state--"the ship
of Athena." Upon the Acropolis, while the old peplos is piously
withdrawn from the image and the new one substituted, there is a
prodigious sacrifice. A might flame roars heavenward from the "great
altar"; while enough bullocks[+] and kine[&] have been slaughtered
to enable every citizen--however poor--to bear away a goodly mess
of roasted meat that night.
[*]Not that this robe was for the revered ancient and wooden image
of Athena Polias, not for the far less venerable statue of Athena
Parthenos.
[+][NOTE from Brett: A bullock is a young, possibly castrated,
bull.]
[&][[NOTE from Brett: kine is the archaic plural form of "cow."]
Section 206 (The Last)
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