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Ius imaginis

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Togatus Barberini Marble, late 1st century B.C. Roman senator holding the imagines.

Togatus Barberini Marble, late 1st century B.C. Roman senator holding effigies of deceased ancestors in his hand.

A. Hekler, Greek & Roman Portraits, New York, 1912, pl. 127a. Courtesy of Wikimedia
Definition: The ius imaginis is a Roman custom that (1) allowed a member of the nobility to have a wax mask (imago) of himself that would be handed down to descendants and (2) granted the privilege of a public funeral at state expense. At the funeral, the imago would be worn by an actor in the procession. The actor would also wear the clothing and insignia of the highest office and play the part (persona) of the deceased. [Incidentally, persona is the term for theatrical mask. The personae covered more than the face; the imagines, only the face.] Other actors would play the role (also, personae) of ancestors and wear their masks.

To obtain the ius imaginis right required obtaining one of the curule magistracies:

  • curule aedile,
  • praetor,
  • censor, or
  • consul.
Although often called death masks, since they were used in funerals, the imagines are now thought to have been life masks, made during the lifetime of the office holder, if possible.

Ancestral maps were displayed in the cupboards (armaria) of the family atrium, and were considered symbols of high status. They were displayed during special festivals and public sacrifices, as well as in funerals and in the atrium.

Pollini says there is substantial evidence that the wax ancestral mask began in the second half of the 4th century B.C., after the passage of the Lex Licinia Sextia [367 B.C.] requiring that at least 1 consul be plebeian and later laws that led to the creation of a new, plebeian nobility. By obtaining a curule office, such a plebeian became a noble, a novus homo, and entitled to the ius imaginis. This was also the time the Senate first sanctioned theatrical performances (ludi Scaenici), which is worth noting, given the theatricality involved in the funeral parade.

Source:
Performing Death: Social Analyses of Funerary Traditions in the Ancient Near East and Mediterranean #13 "Ritualizing Death in Republican Rome: Memory, Religion, Class Struggle, and the Wax Ancestral Mask Tradition's Origin and Influence on Veristic Portraiture." John Pollini, University of Southern California.

Also Known As: ius imaginum
Examples:
No wax masks have survived -- not even representations of them in art (according to Pollini), but the Barberini Togatus holds a portrait bust of one ancestor in one hand and has his arm around another. The busts were sculptural portraits and may have been stored near the imagines in the atrium.

The first literary reference to the imagines comes from the second century B.C. in Plautus' comedy Amphitruo.

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